IF 0.4

Images Pub Date : 2022-10-21 DOI: 10.1163/18718000-12340162

Katherine Aron-Beller

引用次数: 0

In die Weite – Aspekte jüdischen Lebens in Deutschland. Eine historisch-ästhetische Annäherung / Into the Expanse – Aspects of Jewish Life in Germany. A Historical-Aesthetic Approach. 深入德国犹太人生活的方方面面。进入扩张——犹太人在德国生活的方方面面。一种历史美学方法。

IF 0.4

Images Pub Date : 2022-10-13 DOI: 10.1163/18718000-12340161

Meyrav Levy

引用次数: 0

The Kusama Retrospective and the Future of the Tel Aviv Museum of Art 草间弥生回顾展与特拉维夫艺术博物馆的未来

IF 0.4

Images Pub Date : 2022-10-07 DOI: 10.1163/18718000-12340158

M. Katz

{"title":"The Kusama Retrospective and the Future of the Tel Aviv Museum of Art","authors":"M. Katz","doi":"10.1163/18718000-12340158","DOIUrl":"https://doi.org/10.1163/18718000-12340158","url":null,"abstract":"\u0000Following two years of heavy COVID restrictions, the Tel Aviv Museum of Art opened the “first-ever retrospective in Israel” of the Japanese artist Yayoi Kusama. Beyond the pioneering artist that is the subject of the retrospective and what it says about the Israeli public that is drawn to her work, the exhibition also invites analysis into the restaging of art exhibitions originating in another country, in this case a German museum, with all the implications that such a venture raises in Israel. In breaking down the curatorial modus operandi of restaging a borrowed exhibition designed by the Gropius Bau Museum in Berlin in Tel Aviv, this paper explores the museological craft of restaging exhibitions. In its original conception, the Gropius Bau focused on Kusama’s art “from a European and particularly from a German perspective,” highlighting Kusama’s “influence” on the European art scene during the time she spent in Germany in the late 1960s. The Tel Aviv Museum made significant changes to this scholarly conceptual core, perhaps sensitive to any claim that positioned Berlin as a cosmopolitan city after the Holocaust, by opting for an “affective” visitor experience. The site-specific textuality of this endeavor foregrounds the Tel Aviv Museum’s performance of itself in its twin roles in the nation’s history and its internationalization of the country’s cultural capital. I suggest that the Kusama exhibition reflects a new direction for the broader practices of art curatorship in the oldest art museum in the country.","PeriodicalId":41613,"journal":{"name":"Images","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42736022","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Thy Father’s Instruction: Reading the Nuremberg Miscellany as Jewish Cultural History, written by Naomi Feuchtwanger-Sarig 《你父亲的指示：作为犹太文化史阅读纽伦堡杂录》，Naomi Feuchtwanger Sarig著

IF 0.4

Images Pub Date : 2022-10-04 DOI: 10.1163/18718000-12340163

Richard I. Cohen

引用次数: 0

Oral Transmission, Ekphrasis, and Technical Drawings: On the Formation of Mishnah Middot 口传、短语和技术图纸:密西拿Middot的形成

IF 0.4

Images Pub Date : 2022-09-30 DOI: 10.1163/18718000-12340160

J. Skarf

引用次数: 0

The Florence Scroll: A 14th-Century Pictorial Pilgrimage from Egypt to the Land of Israel, written by Rachel Sarfati 《佛罗伦萨画卷:14世纪从埃及到以色列的朝圣之旅》，作者Rachel Sarfati