Sungkyun Journal of East Asian Studies最新文献_第2页

Scripting a Multicultural Future: The Chinese and Korean Songs of the Northeast Anti-Japanese United Army 书写多元文化的未来:东北抗日联军的汉朝歌曲

IF 0.1 4区社会学

Sungkyun Journal of East Asian Studies Pub Date : 2023-05-01 DOI: 10.1215/15982661-10336302

Lehyla G. Heward

引用次数: 0

"I Am a Wanderer": Paek Sinae (1908–1939) and Writing Travel “我是一个流浪者”：白思奈（1908–1939）与旅行写作

IF 0.1 4区社会学

Sungkyun Journal of East Asian Studies Pub Date : 2023-05-01 DOI: 10.1215/15982661-10336312

Ji-Eun Lee

{"title":"\"I Am a Wanderer\": Paek Sinae (1908–1939) and Writing Travel","authors":"Ji-Eun Lee","doi":"10.1215/15982661-10336312","DOIUrl":"https://doi.org/10.1215/15982661-10336312","url":null,"abstract":"Abstract:Paek Sinae (1908–39) was a modern woman writer whose career was cut short by an early death. She lived in the era of New Women, but unlike most of her peer woman writers, Paek had little formal education or connections to the literary establishment (mundan). This background, combined with her modest output of fictional works, resulted in Paek Sinae being seen by critics during her lifetime and scholars long after her death as a provincial writer, thus affording her only limited recognition. This article challenges such dismissals and seeks an approach that would allow a more comprehensive appreciation of Paek Sinae and woman writers more broadly. First, the article looks closely at Paek's life based in her hometown away from the social center of Kyŏngsŏng (present-day Seoul) and considers how geographical and linguistic aspects of Paek's locale were misunderstood by critics. Next, with a focus on Paek's travels and her travelogues, cosmofeminism and global-local connections are examined as a key to understanding the complexities of being a modern woman writer in Paek's day. At the same time, by putting a spotlight on the \"lesser\" literary genre of the travelogue, this article also gestures toward a more inclusive approach to research on woman writers whose aesthetic or literary qualities were often judged only by their works of fiction (sosŏl) or poetry, while other important works like autobiographical or sociopolitical essays tended to be overlooked. Paek Sinae's life and work add breadth to the already complex definition of New Women and early feminism, and through her example, this article urges a more comprehensive consideration of works by Korean women writers in the early twentieth century.","PeriodicalId":41529,"journal":{"name":"Sungkyun Journal of East Asian Studies","volume":"23 1","pages":"114 - 95"},"PeriodicalIF":0.1,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48115399","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Sinicizing European Languages: Lexicographical and Literary Practices of Pidgin English in Nineteenth-Century China 欧洲语言汉化:19世纪中国洋泾浜英语的词典编纂和文学实践

IF 0.1 4区社会学

Sungkyun Journal of East Asian Studies Pub Date : 2022-11-01 DOI: 10.1215/15982661-10040867

Yuqing Liu

引用次数: 1

Vietnamese Scholars and Their Perception of the West in the Second Half of the Nineteenth Century: The Cases of Nguyễn Văn Siêu, Nguyễn Tư Giản, and Đặng Huy Trứ 越南学者及其对19世纪后半叶西方的看法：阮文超、阮思简和邓惠哲的案例

IF 0.1 4区社会学

Sungkyun Journal of East Asian Studies Pub Date : 2022-11-01 DOI: 10.1215/15982661-10040887

H. Nguyen

{"title":"Vietnamese Scholars and Their Perception of the West in the Second Half of the Nineteenth Century: The Cases of Nguyễn Văn Siêu, Nguyễn Tư Giản, and Đặng Huy Trứ","authors":"H. Nguyen","doi":"10.1215/15982661-10040887","DOIUrl":"https://doi.org/10.1215/15982661-10040887","url":null,"abstract":"Abstract:This study aims to understand the perception of the West of Vietnamese elites in the late nineteenth century, focusing on scholar-officials Nguyễn Văn Siêu, Nguyễn Tư Giản, and Đặng Huy Trứ after Vietnam engaged with France in 1858. This analysis focuses on the contents of their writings, showing that they perceived the far West as the Other, and used different strategies to construct an inferior Western Other by viewing the West from the perspective of Hua-Yi thought (C. huayi sixiang 華夷思想) and self-interest in order to simplify the West, and also created this essential otherness by adding geographical features. Understanding their perception and attitudes toward the West can help us gain a better understanding of the relationship between Vietnam and the West, of the complicated cogitation of Vietnamese scholars, and of the practices of Vietnamese Confucianism at that time. It can also shed light on the way East Asian elites engaged with the West, as well as on the reasons behind Vietnam's failures in dealing with the West in the nineteenth century.","PeriodicalId":41529,"journal":{"name":"Sungkyun Journal of East Asian Studies","volume":"22 1","pages":"183 - 205"},"PeriodicalIF":0.1,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45692698","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Localism of Daoxue in North China during the Yuan Dynasty: A Case Study of An Xi (1270–1311) 元代华北地区道学的地方化——以西安(1270-1311)为例

IF 0.1 4区社会学

Sungkyun Journal of East Asian Studies Pub Date : 2022-11-01 DOI: 10.1215/15982661-10040877

K. Koh

引用次数: 0

Rediscovering the Monk-Sculptor Ch'ŏnsin: The Missing Link between the Ŭngwŏn-In'gyun and Saengnan Schools of the Honam Area in the Late Chosŏn Period 重新发现僧侣雕刻家齐ŏnsin: Chosŏn后期湖南地区Ŭngwŏn-In均派和生南派之间缺失的一环

IF 0.1 4区社会学

Sungkyun Journal of East Asian Studies Pub Date : 2022-11-01 DOI: 10.1215/15982661-10040897

Unsok Song

{"title":"Rediscovering the Monk-Sculptor Ch'ŏnsin: The Missing Link between the Ŭngwŏn-In'gyun and Saengnan Schools of the Honam Area in the Late Chosŏn Period","authors":"Unsok Song","doi":"10.1215/15982661-10040897","DOIUrl":"https://doi.org/10.1215/15982661-10040897","url":null,"abstract":"Abstract:Of the monk-sculptor groups active in the Honam area in the southwest part of the Korean Peninsula during the late Chosŏn period, the Saengnan School was the largest, both in terms of the number of artists in the group and of the works they left behind. Studies of the group have largely focused on the sculpting activities of the Buddhist monk Saengnan (fl. late seventeenth to the early eighteenth century; 1663–1709) and his followers, while little is known about the origins of the school due to a lack of records about his formative years as an assistant. The recent discovery of four Buddhist parwŏn prayer texts has revealed that Saengnan spent the early years of his career as a sculptor assisting the monk-sculptors In'gyun and Ch'ŏnsin, who were key members of the Ŭngwŏn-In'gyun School that played a central role in the production of Buddhist sculptures in the early to late seventeenth century in the region. This study shows that the Saengnan School, the most productive group of monk-sculptors from the late seventeenth to the early eighteenth century in the Honam region, was a successor to the Ŭngwŏn-In'gyun School, through a comparative examination of these highly informative prayers and relevant Buddhist sculptures. My examination also reveals that the two schools were linked by Ch'ŏnsin, who studied sculpture under In'gyun, and in turn, taught Saengnan.","PeriodicalId":41529,"journal":{"name":"Sungkyun Journal of East Asian Studies","volume":"22 1","pages":"207 - 231"},"PeriodicalIF":0.1,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44693527","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

T'aengniji by Yi Chunghwan (1690–1756?): Land and Politics 易忠浣(1690-1756 ?)《太阴记》:土地与政治

IF 0.1 4区社会学

Sungkyun Journal of East Asian Studies Pub Date : 2022-05-01 DOI: 10.1215/15982661-9767191

{"title":"T'aengniji by Yi Chunghwan (1690–1756?): Land and Politics","authors":"","doi":"10.1215/15982661-9767191","DOIUrl":"https://doi.org/10.1215/15982661-9767191","url":null,"abstract":"Abstract:This article examines T'aengniji (1751) by Yi Chunghwan (1690–1756?) in three different historical periods: late Chosǒn, the beginning of the 1910s, and the 1970s. These three stages were selected to compare how changes in Korean politics were reflected in the understanding of the book and in the understanding of the idea of sojunghwa 小中華, or Korea as \"Little China,\" in particular. These stages also depict the popularization of T'aengniji from its completion by Yi Chunghwan in manuscript form to its printing by Ch'oe Namsǒn (1890–1957) in 1912 and the first translations into Korean during Pak Chǒnghŭi's presidency (1963–79). A comparison of different T'aengniji manuscripts with the printed version by Ch'oe Namsǒn shows that the devotion to the Ming dynasty emphasized by Yi Chunghwan vanished in the beginning of the twentieth century under the pressure of the strong influence of social Darwinist ideas. The version by Ch'oe Namsǒn was used for the first translations from hanmun (Literary Sinitic) into modern Korean, thus changing the original meaning of many phrases. On the other hand, a Korea-centered T'aengniji that emphasized the importance of Korean history, geography, and culture contributed to the building of modern Korean ethnicity. Analysis of the same description of Mount Paektu in Yi Chunghwan's T'aengniji and Ch'oe Namsǒn's T'aengniji shows how one piece of information was read differently by different readers. Depending on the historical period when the book was read and the dominant political course of the time, the Korean Peninsula depicted in T'aengniji was either Confucian and sadae compliant or prosperous, strong, and autonomous.","PeriodicalId":41529,"journal":{"name":"Sungkyun Journal of East Asian Studies","volume":"22 1","pages":"49 - 64"},"PeriodicalIF":0.1,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47181984","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Zhen 眞 as the Ideal of Landscape Painting in Bifaji 筆法記 “甄”作为璧法集山水画的理想

IF 0.1 4区社会学

Sungkyun Journal of East Asian Studies Pub Date : 2022-05-01 DOI: 10.1215/15982661-9767181

Yoe-wool Kang

{"title":"Zhen 眞 as the Ideal of Landscape Painting in Bifaji 筆法記","authors":"Yoe-wool Kang","doi":"10.1215/15982661-9767181","DOIUrl":"https://doi.org/10.1215/15982661-9767181","url":null,"abstract":"Abstract:Bifaji 筆法記 by Jing Hao 荊浩 (ca. 855–915) is one of the most critical writings on painting in the Chinese art tradition. It reflects the shifting artistic trends of the late Tang and Five Dynasties periods from portraits to landscapes and from color to ink and wash. The emphasis on zhen (眞, \"genuineness\") as an aesthetic goal in Bifaji is an essential feature in its discourse on the nature of painting. This essay explores the concept of zhen as an ideal state of pictorial reality in Bifaji. Illuminating the meaning of zhen is vital to understanding Jing Hao's and his contemporaries' artistic aspirations. Considering its aesthetic connotations reveals zhen in Bifaji to be multivalent, involving a number of qualities required for the creation of a landscape painting, from the observation of nature to the method of brush technique. To elucidate the aesthetic ideals of Bifaji, this paper examines the relationship between the concept of zhen and other key terms such as qiyun (氣韻, \"character\"), qishi (氣勢, \"dynamic configuration\"), and xiang (象, \"image\") along with the additional conceptual layer of qi applied in the Six Essentials (Liuyao 六要) and the Four Forces (Sishi 四勢).","PeriodicalId":41529,"journal":{"name":"Sungkyun Journal of East Asian Studies","volume":"22 1","pages":"27 - 47"},"PeriodicalIF":0.1,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42557795","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Social and Literary Function of the Gift Exchange Narrative in Jin Ping Mei 《金瓶梅》礼物交换叙事的社会文学功能

IF 0.1 4区社会学

Sungkyun Journal of East Asian Studies Pub Date : 2022-05-01 DOI: 10.1215/15982661-9767202

Ruihui Han

引用次数: 0

Zoomorphizing the Asterisms: Indigenous Interpretations of the Twenty-Eight Lunar Mansions in the History of China 放大星图：中国历史上二十八座月宫的本土解读

IF 0.1 4区社会学

Sungkyun Journal of East Asian Studies Pub Date : 2022-05-01 DOI: 10.1215/15982661-9767171

Soyeon Kim

{"title":"Zoomorphizing the Asterisms: Indigenous Interpretations of the Twenty-Eight Lunar Mansions in the History of China","authors":"Soyeon Kim","doi":"10.1215/15982661-9767171","DOIUrl":"https://doi.org/10.1215/15982661-9767171","url":null,"abstract":"Abstract:The twenty-eight lunar mansions, one of the core ideas of the Chinese understanding of the celestial sphere, had been known as a guide to celestial areas and specific times dating back to antiquity. By combining with the Chinese thought of yinyang wuxing 陰陽五行, the lunar mansions became far more indigenous in character; at first, astronomical zoomorphism was not common in Han cosmology, but it became more so through this process of indigenization and standardization, especially from around the eleventh century. This period can be described as a major turning point in the historiography of the lunar mansions in China in that a complete iconography consisting of relatively familiar animals, instead of sacred imaginary beasts, appeared in many textual and visual materials (especially Daoist examples). Starting in the Yuan period, this zoomorphic iconography also appeared on official ceremonial flags unrelated to divination or astronomy. This may suggest changing Chinese attitudes toward the lunar mansions. The wish to control a wild but redoubtable nature may have bestowed a particular secular terrestrial significance on celestial bodies.","PeriodicalId":41529,"journal":{"name":"Sungkyun Journal of East Asian Studies","volume":"22 1","pages":"1 - 26"},"PeriodicalIF":0.1,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44011442","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0