"I Am a Wanderer": Paek Sinae (1908–1939) and Writing Travel

IF 0.4 4区 社会学 0 ASIAN STUDIES
Ji-Eun Lee
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Abstract

Abstract:Paek Sinae (1908–39) was a modern woman writer whose career was cut short by an early death. She lived in the era of New Women, but unlike most of her peer woman writers, Paek had little formal education or connections to the literary establishment (mundan). This background, combined with her modest output of fictional works, resulted in Paek Sinae being seen by critics during her lifetime and scholars long after her death as a provincial writer, thus affording her only limited recognition. This article challenges such dismissals and seeks an approach that would allow a more comprehensive appreciation of Paek Sinae and woman writers more broadly. First, the article looks closely at Paek's life based in her hometown away from the social center of Kyŏngsŏng (present-day Seoul) and considers how geographical and linguistic aspects of Paek's locale were misunderstood by critics. Next, with a focus on Paek's travels and her travelogues, cosmofeminism and global-local connections are examined as a key to understanding the complexities of being a modern woman writer in Paek's day. At the same time, by putting a spotlight on the "lesser" literary genre of the travelogue, this article also gestures toward a more inclusive approach to research on woman writers whose aesthetic or literary qualities were often judged only by their works of fiction (sosŏl) or poetry, while other important works like autobiographical or sociopolitical essays tended to be overlooked. Paek Sinae's life and work add breadth to the already complex definition of New Women and early feminism, and through her example, this article urges a more comprehensive consideration of works by Korean women writers in the early twentieth century.
“我是一个流浪者”:白思奈(1908–1939)与旅行写作
摘要:白思内(1908–39)是一位因早逝而中断其创作生涯的现代女作家。她生活在新女性时代,但与大多数同行的女作家不同,佩克几乎没有受过正规教育,也没有与文学界(mundan)建立联系。这种背景,再加上她少量的虚构作品,导致佩克·思内在她作为一名省级作家去世后很长一段时间内被评论家和学者所关注,从而使她获得了有限的认可。这篇文章对这种否定提出了质疑,并寻求一种方法,使人们能够更全面地欣赏佩克·西内和更广泛的女性作家。首先,这篇文章仔细观察了白在远离社会中心的家乡(今首尔)的生活,并考虑了白所在地的地理和语言方面是如何被批评者误解的。接下来,通过关注派克的旅行和她的游记,宇宙女权主义和全球与地方的联系被视为理解派克时代现代女作家复杂性的关键。与此同时,通过将焦点放在游记中“次要”的文学类型上,这篇文章也表明了对女性作家的研究采取一种更具包容性的方法,这些女性作家的审美或文学品质往往只通过小说或诗歌来评判,而其他重要作品,如自传体或社会政治散文,往往被忽视。白思奈的生活和工作为本已复杂的新女性和早期女权主义的定义增添了广度,本文通过她的例子,敦促对20世纪初韩国女性作家的作品进行更全面的思考。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
8
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