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Samuel Beckett’s Guidance on The Unnamable 塞缪尔·贝克特对《不可毁灭》的指导
IF 0.1 4区 文学
JOURNAL OF BECKETT STUDIES Pub Date : 2022-09-01 DOI: 10.3366/jobs.2022.0375
David Roe
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引用次数: 0
Samuel Beckett and Translation, ed. José Francisco Fernández and Mar Garre Garcia, and Translating Samuel Beckett around the World, ed. José Francisco Fernández and Pascale Sardin 塞缪尔·贝克特和翻译，编辑，约瑟夫·弗朗西斯科Fernández和Mar Garre Garcia，翻译塞缪尔·贝克特在世界各地，编辑，约瑟夫·弗朗西斯科Fernández和帕斯卡尔·萨丁
IF 0.1 4区 文学
JOURNAL OF BECKETT STUDIES Pub Date : 2022-09-01 DOI: 10.3366/jobs.2022.0376
P. Stewart
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引用次数: 0
‘Learn by heart’: Beckett’s Schoolboy Copy of Shakespeare’s Macbeth “用心学习”:贝克特的学生版莎士比亚《麦克白》
IF 0.1 4区 文学
JOURNAL OF BECKETT STUDIES Pub Date : 2022-09-01 DOI: 10.3366/jobs.2022.0371
Pim Verhulst, Dirk van Hulle
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引用次数: 0
Corey Wakeling's Beckett’s Laboratory: Experiments in the Theatre Enclosure 科里·韦克林的贝克特实验室：剧院围墙实验
IF 0.1 4区 文学
JOURNAL OF BECKETT STUDIES Pub Date : 2022-09-01 DOI: 10.3366/jobs.2022.0377
J. Mcallister
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引用次数: 0
No Trace Anywhere of Life, Perhaps: Autology and Hauntology in Imagination Dead Imagine 也许生命的任何地方都没有痕迹：想象中的自体学和古生物学死亡想象
IF 0.1 4区 文学
JOURNAL OF BECKETT STUDIES Pub Date : 2022-09-01 DOI: 10.3366/jobs.2022.0372
F. Vozel
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引用次数: 0
Exhausted Senses: Between the Eye and the Ear in ‘Long Observation of the Ray’ and ‘The Voice/Verbatim’ 疲惫的感觉：在“长时间观察光线”和“声音/逐字”中的眼睛和耳朵之间
IF 0.1 4区 文学
JOURNAL OF BECKETT STUDIES Pub Date : 2022-09-01 DOI: 10.3366/jobs.2022.0373
Brian M Moore
{"title":"Exhausted Senses: Between the Eye and the Ear in ‘Long Observation of the Ray’ and ‘The Voice/Verbatim’","authors":"Brian M Moore","doi":"10.3366/jobs.2022.0373","DOIUrl":"https://doi.org/10.3366/jobs.2022.0373","url":null,"abstract":"Between October 1975 and November 1976, Samuel Beckett began, revised and abandoned a manuscript for a prose piece entitled ‘Long Observation of the Ray’ (at least) twice. After a period of writing for television, Beckett’s next foray into prose resulted in ‘The Voice/Verbatim’, a text that – due to its partial incorporation into Company – resists definition as either draft or abandoned work. This article parses Beckett’s motivations for abandoning (and reabandoning) these pieces and demonstrates that the ‘ray’ and the ‘voice’ partake in a broader conversation in Beckett’s work concerning the visual and the audible. The 1970s, a time of unprecedented modulation between media in Beckett’s writing, see Beckett almost capriciously tailoring images to fit media, or vice versa. His writing desk between 1975 and 1977 was home to ‘ends and odds’ in various media: two stage plays, two TV plays, a litany of poems and prose. Focusing on the writing that immediately preceded his first attempt at ‘Long Observation’, the works that come between its first and second abandonment, and the inception of Beckett’s late prose ‘trilogy’, this article argues that one can witness a negotiation between writing the ‘eye’ and the ‘ear’ as he wrangles with how to put the observations of the ‘ray’ and the overheard ‘voice’ in words. This article contextualises this dynamic within discourses surrounding modernism and the senses, philosophical responses to ‘ocularcentrism’ and the ways in which manuscript research can harmonize with Deleuze’s reading of Beckett’s ‘exhaustive’ language. Alongside this, investigations into Beckett’s late allusions to Dante’s description of Virgil’s hoarse voice or faint appearance and W. B. Yeats’s ‘deepening shades’ reveal this compositional struggle seeping into (or deriving from) Beckett’s reading habits; traversing the ‘ill-heard’ and the ‘ill-seen’, these references encapsulate Beckett’s ongoing struggle to isolate in words the senses of sight and hearing.","PeriodicalId":41421,"journal":{"name":"JOURNAL OF BECKETT STUDIES","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46741122","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Vice is Perhaps the Heart of Man 罪恶也许是人类的心脏
IF 0.1 4区 文学
JOURNAL OF BECKETT STUDIES Pub Date : 2022-04-01 DOI: 10.3366/jobs.2022.0357
Georges Bataille
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引用次数: 0
Sade and the Sovereign Man 萨德与君主
IF 0.1 4区 文学
JOURNAL OF BECKETT STUDIES Pub Date : 2022-04-01 DOI: 10.3366/jobs.2022.0356
Maurice Blanchot
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引用次数: 0
Beckett sa Chreig: Laethanta Sona. Beckett in the Rock: Happy Days, directed by Sarah Jane Scaife (Company SJ & The Abbey Theatre Dublin) Beckett sa Chreig：拉坦塔奏鸣曲。《摇滚乐中的贝克特：快乐的日子》，莎拉·简·斯凯夫执导（SJ公司和都柏林修道院剧院）
IF 0.1 4区 文学
JOURNAL OF BECKETT STUDIES Pub Date : 2022-04-01 DOI: 10.3366/jobs.2022.0365
D. Tubridy
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引用次数: 0
Sade and the Problem of Evil 《萨德与邪恶的问题
IF 0.1 4区 文学
JOURNAL OF BECKETT STUDIES Pub Date : 2022-04-01 DOI: 10.3366/jobs.2022.0355
Pierre Klossowski
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引用次数: 0
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