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Duras and Beckett: Close Encounters at a Distance 杜拉斯与贝克特的近距离邂逅
IF 0.1 4区 文学
JOURNAL OF BECKETT STUDIES Pub Date : 2023-04-01 DOI: 10.3366/jobs.2023.0387
M. Engelberts
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引用次数: 0
James Little, Samuel Beckett in Confinement: The Politics of Closed Space 詹姆斯·利特尔，塞缪尔·贝克特的《禁闭:封闭空间的政治》
IF 0.1 4区 文学
JOURNAL OF BECKETT STUDIES Pub Date : 2023-04-01 DOI: 10.3366/jobs.2023.0392
C. Duane
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引用次数: 0
Waiting for Godot in Porto, directed by Gábor Tompa 《在波尔图等待戈多》，导演Gábor Tompa
IF 0.1 4区 文学
JOURNAL OF BECKETT STUDIES Pub Date : 2023-04-01 DOI: 10.3366/jobs.2023.0395
Anita Rákóczy
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引用次数: 0
Andy Wimbush, Still: Samuel Beckett’s Quietism Andy Wimbush，Still:Samuel Beckett的安静
IF 0.1 4区 文学
JOURNAL OF BECKETT STUDIES Pub Date : 2023-04-01 DOI: 10.3366/jobs.2023.0393
Pedro Querido
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引用次数: 0
Unfathered Connections: Samuel Beckett and Djuna Barnes 亲缘:塞缪尔·贝克特和朱娜·巴恩斯
IF 0.1 4区 文学
JOURNAL OF BECKETT STUDIES Pub Date : 2023-04-01 DOI: 10.3366/jobs.2023.0388
Georgina Nugent
{"title":"Unfathered Connections: Samuel Beckett and Djuna Barnes","authors":"Georgina Nugent","doi":"10.3366/jobs.2023.0388","DOIUrl":"https://doi.org/10.3366/jobs.2023.0388","url":null,"abstract":"This essay explores Beckett’s engagement with Djuna Barnes, starting with their epistolary exchanges in the 1970s and working back to his reading of her work in the 1930s in order to position Barnes as yet another modernist woman writer who, along with Gertrude Stein, facilitated Beckett’s transition away from Joyce in the 1930s. It explores their shared connection with James Joyce before developing on two key comparative critical readings of their aesthetics by Tyrus Miller and Daniela Caselli in order to situate Barnes as a valid aesthetic counterpoint to Joyce, a development on the ‘Nominalism’ versus ‘Realism’ dyad Beckett establishes between Gertrude Stein and Joyce in the 1937 Kaun letter. Borrowing from Barnes’s own late reflection on Nightwood, this article builds on extant criticism of Beckett and Barnes to situate Barnes’s ‘histrionic’ and ‘verballistic’ writings within the constellation of women authors whose work facilitated the development of Beckett’s ‘literature of the non-word’, and an important progression on from the (Steinian) ‘nominalistic irony’ Beckett identifies in the 1937 Kaun letter as a ‘necessary’ step towards his desired aesthetics. The essay argues that Barnes’s work represents a significant point of contact within this transitional period in Beckett’s aesthetic development, and that his identification of Barnes’s work as ‘verballistic’ in 1938, specifically the ‘shattered’ surfaces visible therein, provided Beckett with a glimpse of ‘that which lurks behind, be it something or nothing’ so central to his post-1937 aesthetics.","PeriodicalId":41421,"journal":{"name":"JOURNAL OF BECKETT STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43604155","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Notes on Contributors 投稿人说明
4区 文学
JOURNAL OF BECKETT STUDIES Pub Date : 2023-04-01 DOI: 10.3366/jobs.2023.0397
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引用次数: 0
‘The sounds that reach me’: On Deafness as Interface in The Unnamable 《The Unnamable》中作为界面的失聪现象
IF 0.1 4区 文学
JOURNAL OF BECKETT STUDIES Pub Date : 2022-09-01 DOI: 10.3366/jobs.2022.0374
Shahriyar Mansouri
{"title":"‘The sounds that reach me’: On Deafness as Interface in The Unnamable","authors":"Shahriyar Mansouri","doi":"10.3366/jobs.2022.0374","DOIUrl":"https://doi.org/10.3366/jobs.2022.0374","url":null,"abstract":"This essay investigates deafness as an interfacial vehicle in Samuel Beckett’s The Unnamable by extending original concepts in Deaf studies such as Deaf Gain, and DeafSpace. By looking at a Deaf-oriented rhetoric in the novel, the essay, firstly, explores the interfacial role of the half-deaf narrator in their textual oasis; and secondly, examines how the narrator would challenge the dominant binary of presence-absence within a phonocentric context wherein the deaf are mere anacoluthonic attendees. While the novel’s soundscape has attracted lavish criticism as a verbal chrysalis, its layers have rarely been examined for moments of audiological incommunicability wherein the deaf narrator, as the other, negates the text’s phonic democracy by adopting silence, internal monologue, and reversals as modes and means of Deaf Gain. To investigate the instance of deaf survival, the essay engages DeafSpace as an interstitial space of dwelling for an audiologically marginalised narrator who experiences deafness as a phasic, onto-phenomenological transformation.","PeriodicalId":41421,"journal":{"name":"JOURNAL OF BECKETT STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41746329","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Giacometti/Beckett: Rater encore. Rater mieux (Alberto Giacometti/Samuel Beckett: Fail again. Fail better) 贾科梅蒂/贝克特:再来一曲。评分者(阿尔贝托·贾科梅蒂/塞缪尔·贝克特):再次失败。失败更好)
IF 0.1 4区 文学
JOURNAL OF BECKETT STUDIES Pub Date : 2022-09-01 DOI: 10.3366/jobs.2022.0378
Marek Kȩdzierski
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引用次数: 0
Happy Days, directed by Trevor Nunn 《快乐的日子》，导演：特雷弗·纳恩
IF 0.1 4区 文学
JOURNAL OF BECKETT STUDIES Pub Date : 2022-09-01 DOI: 10.3366/jobs.2022.0379
J. Mcallister
{"title":"Happy Days, directed by Trevor Nunn","authors":"J. Mcallister","doi":"10.3366/jobs.2022.0379","DOIUrl":"https://doi.org/10.3366/jobs.2022.0379","url":null,"abstract":"","PeriodicalId":41421,"journal":{"name":"JOURNAL OF BECKETT STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43184910","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Samuel Beckett’s Guidance on The Unnamable 塞缪尔·贝克特对《不可毁灭》的指导
IF 0.1 4区 文学
JOURNAL OF BECKETT STUDIES Pub Date : 2022-09-01 DOI: 10.3366/jobs.2022.0375
David Roe
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引用次数: 0
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