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Religious Dimensions of Beethoven’s Ode “To Joy” 贝多芬《欢乐颂》的宗教维度
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2022-12-12 DOI: 10.1163/15685292-02605004
David B. Greene
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引用次数: 0
Facing the Plague in Renaissance Italy 意大利文艺复兴时期的瘟疫
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2022-12-12 DOI: 10.1163/15685292-02605003
N. Ben-Aryeh Debby
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引用次数: 0
The Atom in Seventeenth-Century Poetry , by Gorman, Cassandra 《十七世纪诗歌中的原子》，戈尔曼，卡桑德拉
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2022-09-20 DOI: 10.1163/15685292-02604007
Wesley Garey
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引用次数: 0
Creation and Beauty in Tolkien’s Catholic Vision: A Study in the Influence of Neoplatonism in J.R.R. Tolkien’s Philosophy of Life as “Being and Gift.” , by Halsall, Michael John 托尔金天主教视野中的创造与美——新柏拉图主义对托尔金“存在与礼物”人生哲学的影响研究，迈克尔·约翰·霍尔索尔著
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2022-09-20 DOI: 10.1163/15685292-02604008
E. Eklund
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引用次数: 0
United in Love: Essays on Justice, Art, and Liturgy , by Wolterstorff, Nicholas 《在爱中团结：关于正义、艺术和诉讼的随笔》，作者：Wolterstorff，Nicholas
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2022-09-20 DOI: 10.1163/15685292-02604005
W. Teixeira
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引用次数: 0
The Sins of G.K. Chesterton , by Ingrams, Richard 《G.K.切斯特顿的罪过》，作者：英格拉姆，理查德
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2022-09-20 DOI: 10.1163/15685292-02604009
Kevin J. Gardner
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引用次数: 0
Modernism, Identity, and Spirituality in Joseph Stella’s Paintings of Christian Subjects 约瑟夫·斯特拉基督教主题绘画中的现代主义、身份和灵性
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2022-09-20 DOI: 10.1163/15685292-02604004
H. Hartel
{"title":"Modernism, Identity, and Spirituality in Joseph Stella’s Paintings of Christian Subjects","authors":"H. Hartel","doi":"10.1163/15685292-02604004","DOIUrl":"https://doi.org/10.1163/15685292-02604004","url":null,"abstract":"\u0000 Joseph Stella is best known today as one of the first modernist painters in the United States. He created colorful Cubist-Futurist inspired paintings of modern urban structures and spaces, especially the Brooklyn Bridge and Coney Island. He occasionally did some paintings and drawings of Christian subjects, most often of the Virgin Mary and Jesus and more frequently in the late-1910s and 1920s, but these remain little-known and have received scant scholarly attention. Stylistically, they are rooted in a complex fusion of Symbolism, Cubism, and Futurism and often reflect the post-World War I return to greater verisimilitude and clear, solid forms and believable spaces. These works reveal Stella’s complex spirituality and how he reconnected to his Roman Catholic, Italian roots and reconciled them with American urban, industrial, and secular values. Most of them are complex syntheses of his Christian piety and sexual desires and needs. Although limited in quantity and scope, some writings by Stella and those who knew him suggest his sexual concerns were often intensely lustful and frenzied. Therefore his paintings of the Madonna usually show her as spiritually pure and sensuously arousing. A few paintings, particular from his last years and which do not depict female figures, are more introspective and tranquil in mood and attitude. Stella’s paintings of Christian subjects are an intriguing case study of how modernists returned to traditional religious themes and depicted them in ways that combined the old and the new, the modernist and the more traditionally representational, and the urban and industrial twentieth century with pre-modern life.","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44517493","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Bishan Commune and the Practice of Socially Engaged Art in Rural China , by Corlin, Mai & Socially Engaged Art in Contemporary China: Voices from Below , by Wang, Meiqin 《碧山公社与中国农村的社会参与艺术实践》，麦琳;《当代中国的社会参与艺术:来自下层的声音》，王美琴
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2022-09-20 DOI: 10.1163/15685292-02604003
Yanhua Zhou
{"title":"The Bishan Commune and the Practice of Socially Engaged Art in Rural China , by Corlin, Mai & Socially Engaged Art in Contemporary China: Voices from Below , by Wang, Meiqin","authors":"Yanhua Zhou","doi":"10.1163/15685292-02604003","DOIUrl":"https://doi.org/10.1163/15685292-02604003","url":null,"abstract":"","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41634310","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Visualizing the Emperor’s Pantheon 想象皇帝的万神殿
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2022-09-20 DOI: 10.1163/15685292-02604002
Zhenpeng Zhan
{"title":"Visualizing the Emperor’s Pantheon","authors":"Zhenpeng Zhan","doi":"10.1163/15685292-02604002","DOIUrl":"https://doi.org/10.1163/15685292-02604002","url":null,"abstract":"\u0000 In the early 1740s, a set of carved lacquer containers were imperially commissioned in Suzhou to hold Daoist and Buddhist scriptures transcribed by the Qianlong emperor. Decorated with numerous deities in bas-relief, these understudied luxury objects shed new light on Buddhist and Daoist material cultures at the High Qing court and offer a glimpse of the imperial patron’s religious cosmology. Focusing on Qianlong’s two miniature pantheons and tracing the life history of objects in Qing palaces, this article explores the key role played by sacred images in elevating devotional objects of religious significance. As the most important offerings to Daoist and Buddhist deities, the lacquer boxes containing imperially transcribed scriptures were set on altars in different temples in the Forbidden City, even after Qianlong’s death. Characterized by rich religious symbolism, the Daoist and Buddhist icons designed for the containers embody visual efficacy that elevated the concealed scriptures and complemented the sacred spaces where they were enshrined.","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48869762","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cistercian Adventures in Glass 《玻璃中的西多会历险记
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2022-09-20 DOI: 10.1163/15685292-02604001
Jonathan Koestlé-Cate
{"title":"Cistercian Adventures in Glass","authors":"Jonathan Koestlé-Cate","doi":"10.1163/15685292-02604001","DOIUrl":"https://doi.org/10.1163/15685292-02604001","url":null,"abstract":"\u0000 Stained glass windows created by Jean-Pierre Raynaud and Pierre Soulages for the Abbeys of Noirlac and Conques employ a minimalistic style sensitive to their Romanesque contexts but also express qualities one might call Cistercian, even though only one of the commissions was created for an actual Cistercian abbey. As a form of monasticism, “Cistercian” signifies values of simplicity, poverty, and austerity presented by the founders of the Cistercian Order as essential to the monastic life and embodied in the rigor of their architecture. Natural light is a key element in Cistercian fenestration, differing significantly from the display of color associated with Gothic stained glass. I argue that a form of neo-Cistercianism is evident in and exemplified by the works of Raynaud and Soulages for their respective abbey commissions, in which an aesthetic of restraint and economy aims, above all, to treat the configuration of light as the primary consideration.","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43314701","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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