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The Lives of Objects: Material Culture, Experience, and the Real in the History of Early Christianity , by Kotrosits, Maia 《对象的生活:早期基督教历史中的物质文化、经验和现实》，作者:Kotrosits, Maia
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2022-06-01 DOI: 10.1163/15685292-02603010
Tara Dybas
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引用次数: 0
The Circle of Karma and Siddhartha 因果轮回和悉达多
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2022-06-01 DOI: 10.1163/15685292-02603005
Vijay Prakash Singh
{"title":"The Circle of Karma and Siddhartha","authors":"Vijay Prakash Singh","doi":"10.1163/15685292-02603005","DOIUrl":"https://doi.org/10.1163/15685292-02603005","url":null,"abstract":"\u0000 For a long time, Herman Hesse’s celebrated Siddhartha (1922) popularized a version of Buddhism in the West. However, by comparing it to Kunzang Choden’s The Circle of Karma (2005), the first Bhutanese novel published in English, with its similar plot of a seeker, this essay finds the ways it displays a Westernized ideal of Buddhism. Unlike The Circle of Karma, Siddhartha actually relies on Western ideas of individualism and self-reliance.","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48835527","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Influx and Efflux: Writing Up with Walt Whitman , by Bennett, Jane 《流入与流出:与沃尔特·惠特曼一起写作》，作者:简·贝内特
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2022-06-01 DOI: 10.1163/15685292-02603007
Karah Lain
{"title":"Influx and Efflux: Writing Up with Walt Whitman , by Bennett, Jane","authors":"Karah Lain","doi":"10.1163/15685292-02603007","DOIUrl":"https://doi.org/10.1163/15685292-02603007","url":null,"abstract":"","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49052336","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Poetics of Sensational Forms 《感觉形式的诗学
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2022-06-01 DOI: 10.1163/15685292-02603003
Ana Nolasco
{"title":"The Poetics of Sensational Forms","authors":"Ana Nolasco","doi":"10.1163/15685292-02603003","DOIUrl":"https://doi.org/10.1163/15685292-02603003","url":null,"abstract":"\u0000 This article seeks to analyze the drift of elements of Azorean popular religion into the domain of art orchestrated by two Azorean artists, Catarina Branco and Sofia de Medeiros. The change brings unlikely marriages into fruition, uniting the humor of pop art and the solemnity of the arches of the high choir in a church, the spirit of revelry and a sign of the cross, representing the unfathomable—death, the dread of emptiness to the feeling of unity in communitas. The presentation, together with the strangeness of decontextualization provoked by this change, invoke the walk of the visitor, during which different senses are awakened, in which the poetic imagination of the observer is called forth to complete the different meanings. In this thesis I shall argue that the elements of popular religiosity carried by these artists into the domain of art constitute sensory arrangements, in the sense given to this term by Meyer, providing structure to a collective religious experience particular to Azorean culture where the sacred intertwines with the profane. The mediation of the transcendent through these sensory arrangements leads, on one hand, to contamination and reciprocal intensification of the spheres of art and religion and, on the other hand, to a renewed look at the contemporaneous and its connection to the spiritual.","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44550794","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Shakespeare, Theology, and the Unstaged God , by Baker, Anthony D 《莎士比亚、神学与不稳定的上帝》，作者：Baker，Anthony D
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2022-06-01 DOI: 10.1163/15685292-02603006
Grace N. Kimball
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引用次数: 0
It’s All Eve’s Fault 都是伊芙的错
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2022-06-01 DOI: 10.1163/15685292-02603001
Yaffa Englard
{"title":"It’s All Eve’s Fault","authors":"Yaffa Englard","doi":"10.1163/15685292-02603001","DOIUrl":"https://doi.org/10.1163/15685292-02603001","url":null,"abstract":"\u0000 The traditional reading of the biblical account of the Garden of Eden has left a weighty imprint on Western civilization, holding Eve solely to blame for introducing sin into the human world and thus the loss of Paradise, suffering, and death. This paper seeks to demonstrate the way in which Jewish and Christian theological and interpretative traditions of this story are concretely exemplified in medieval visual representations whose influence can still be seen in the twenty-first century.","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47331347","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reflections of the Real 真实的反映
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2022-06-01 DOI: 10.1163/15685292-02603004
Giulia Privitelli
{"title":"Reflections of the Real","authors":"Giulia Privitelli","doi":"10.1163/15685292-02603004","DOIUrl":"https://doi.org/10.1163/15685292-02603004","url":null,"abstract":"\u0000 In this paper, Caravaggio’s painting of The Beheading of St John the Baptist located in the Oratory of the Co-Cathedral of St John the Baptist, in Valletta, Malta, will serve as a backdrop to qualify and analyze the religious and aesthetic experiential value that such an artwork could generate within the beholder, by considering its eschatological and soteriological implications and context, as well as the notion of ‘image as mirror’ and its effect on the viewer’s consciousness. This will primarily be discussed across two binaries: early seventeenth-century Hospitaller spirituality and the precarious condition of the artist, himself a novice of the Hospitaller Order of St John the Baptist. Guided by the changing artistic, didactic, and functional uses of the Oratory, and the theological implications of the painting, the Beheading will thus be analyzed in its affordance for both transcendental and self-reflective revelation, and as a turning point for the aspiring novice, the artist and, ultimately, the contemporary beholder.","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42893116","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Between Eccentricity and Morbidity 在偏心和病态之间
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2022-06-01 DOI: 10.1163/15685292-02603002
M. Atkinson
{"title":"Between Eccentricity and Morbidity","authors":"M. Atkinson","doi":"10.1163/15685292-02603002","DOIUrl":"https://doi.org/10.1163/15685292-02603002","url":null,"abstract":"\u0000 This examination asserts that artist and photographer Hannah Maynard’s association with late-nineteenth-century North American organizations that advocated the often-repudiated notion of the possibility of spiritual life after physical death informed her photographs. Spiritualists offered numerous examples of alternative existences after corporeal demise, and this paper will explore the possibility that Maynard used her knowledge to re-create and re-interpret late-nineteenth and early-twentieth century perceptions of a realm of Spirit.","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48374521","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Passion Relics and the Medieval Imagination: Art, Architecture, and Society , by Hahn, Cynthia 《激情遗迹与中世纪想象：艺术、建筑与社会》，作者：哈恩，辛西娅
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2022-06-01 DOI: 10.1163/15685292-02603009
Tara Dybas
{"title":"Passion Relics and the Medieval Imagination: Art, Architecture, and Society , by Hahn, Cynthia","authors":"Tara Dybas","doi":"10.1163/15685292-02603009","DOIUrl":"https://doi.org/10.1163/15685292-02603009","url":null,"abstract":"","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48484585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Decadent Catholicism and the Making of Modernism , by Lockerd, Martin 《颓废的天主教与现代主义的形成》，马丁·洛克德著
IF 0.1 4区 哲学
Religion and the Arts Pub Date : 2022-06-01 DOI: 10.1163/15685292-02603011
Frederick S. Roden
{"title":"Decadent Catholicism and the Making of Modernism , by Lockerd, Martin","authors":"Frederick S. Roden","doi":"10.1163/15685292-02603011","DOIUrl":"https://doi.org/10.1163/15685292-02603011","url":null,"abstract":"","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42094713","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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