Nineteenth-Century Music Review最新文献

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Katherine K. Preston, Opera for the People: English-Language Opera and Women Managers in Late 19th- Century America (New York: Oxford University Press, 2017). xxix + 618 pp. £39.99. Katherine K.Preston,《人民歌剧:19世纪末美国的英语歌剧和女性经理人》(纽约:牛津大学出版社,2017)。xxix+618页,39.99英镑。
IF 0.3 3区 艺术学
Nineteenth-Century Music Review Pub Date : 2023-08-14 DOI: 10.1017/s1479409823000265
Valeria Wenderoth
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引用次数: 0
NCM volume 20 issue 2 Cover and Back matter NCM第20卷第2期封面和封底
IF 0.3 3区 艺术学
Nineteenth-Century Music Review Pub Date : 2023-08-01 DOI: 10.1017/s1479409823000241
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引用次数: 0
Notes on Article Contributors 文章投稿人须知
IF 0.3 3区 艺术学
Nineteenth-Century Music Review Pub Date : 2023-08-01 DOI: 10.1017/s1479409823000277
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引用次数: 0
NCM volume 20 issue 2 Cover and Front matter NCM第20卷第2期封面和封面问题
IF 0.3 3区 艺术学
Nineteenth-Century Music Review Pub Date : 2023-08-01 DOI: 10.1017/s147940982300023x
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引用次数: 0
César Franck, Intégrale de l’œuvre d'orgue –– Complete Edition. Edited by Richard Brasier, Foreword by Marie-Louise Jaquet-Langlais (Lyrebird Music, 2022). Score LBMP 029, 606 pp. 塞萨尔·弗兰克,完整的管风琴作品-完整版。由Richard Brasier编辑,Marie Louise Jaquet Langlais前言(Lyrebird Music,2022)。LBMP评分029606页。
IF 0.3 3区 艺术学
Nineteenth-Century Music Review Pub Date : 2023-07-17 DOI: 10.1017/s1479409823000125
J. Lipka
{"title":"César Franck, Intégrale de l’œuvre d'orgue –– Complete Edition. Edited by Richard Brasier, Foreword by Marie-Louise Jaquet-Langlais (Lyrebird Music, 2022). Score LBMP 029, 606 pp.","authors":"J. Lipka","doi":"10.1017/s1479409823000125","DOIUrl":"https://doi.org/10.1017/s1479409823000125","url":null,"abstract":"","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46275797","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Polish Romantic Guitar: Chopin, Bobrowicz, Horecki, Szczepanowski, Sokołoski Mateusz Kowalski, guitar The Fryderyk Chopin Institute NIFCCD 118, 2020 (1 CD: 79 minutes). €15.00 波兰浪漫吉他:肖邦,Bobrowicz, Horecki, Szczepanowski, Sokołoski Mateusz Kowalski,吉他Fryderyk Chopin Institute NIFCCD 118, 2020 (1 CD: 79分钟)。€15.00
IF 0.3 3区 艺术学
Nineteenth-Century Music Review Pub Date : 2023-06-29 DOI: 10.1017/s1479409823000204
J. Sobaskie
{"title":"Polish Romantic Guitar: Chopin, Bobrowicz, Horecki, Szczepanowski, Sokołoski Mateusz Kowalski, guitar The Fryderyk Chopin Institute NIFCCD 118, 2020 (1 CD: 79 minutes). €15.00","authors":"J. Sobaskie","doi":"10.1017/s1479409823000204","DOIUrl":"https://doi.org/10.1017/s1479409823000204","url":null,"abstract":"","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"57068588","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Giuseppe Verdi, Il Corsaro Matheus Pompeu, ten, Ilona Mataradze, sop, Aleksey Bogdanov, bar, Karen Gardeazabal, sop, Mateusz Stachura, bar, Pawel Cichoński, ten Podlasie Opera and Philharmonic Choir, Europa Galante, Fabio Biondi, cond Fryderyk Chopin Institute, NIFCCD 087–088 2021 (2 CDs: 91 minutes), €18 朱塞佩-威尔第,《科萨罗》(Il Corsaro) Matheus Pompeu,男高音,Ilona Mataradze,女高音,Aleksey Bogdanov,男低音,Karen Gardeazabal,女高音,Mateusz Stachura,男低音,Pawel Cichoński,男高音 波德拉谢歌剧爱乐合唱团,Europa Galante,Fabio Biondi,指挥弗莱德里克-肖邦学院,NIFCCD 087-088 2021(2 张 CD:91 分钟),18 欧元。
3区 艺术学
Nineteenth-Century Music Review Pub Date : 2023-06-27 DOI: 10.1017/s1479409823000198
Jane Sylvester
{"title":"Giuseppe Verdi, <i>Il Corsaro</i> Matheus Pompeu, <i>ten</i>, Ilona Mataradze, <i>sop</i>, Aleksey Bogdanov, <i>bar</i>, Karen Gardeazabal, <i>sop</i>, Mateusz Stachura, <i>bar</i>, Pawel Cichoński, <i>ten</i> Podlasie Opera and Philharmonic Choir, Europa Galante, Fabio Biondi, cond Fryderyk Chopin Institute, NIFCCD 087–088 2021 (2 CDs: 91 minutes), €18","authors":"Jane Sylvester","doi":"10.1017/s1479409823000198","DOIUrl":"https://doi.org/10.1017/s1479409823000198","url":null,"abstract":"Giuseppe Verdi, Il Corsaro Matheus Pompeu, ten, Ilona Mataradze, sop, Aleksey Bogdanov, bar, Karen Gardeazabal, sop, Mateusz Stachura, bar, Pawel Cichoński, ten Podlasie Opera and Philharmonic Choir, Europa Galante, Fabio Biondi, cond Fryderyk Chopin Institute, NIFCCD 087–088 2021 (2 CDs: 91 minutes), €18","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135454447","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Phryné as opéra comique: Saint-Saëns contra Offenbach Phryné作为喜剧歌剧:Saint Saëns contra Offenbach
IF 0.3 3区 艺术学
Nineteenth-Century Music Review Pub Date : 2023-06-19 DOI: 10.1017/s1479409823000186
S. Huebner
{"title":"Phryné as opéra comique: Saint-Saëns contra Offenbach","authors":"S. Huebner","doi":"10.1017/s1479409823000186","DOIUrl":"https://doi.org/10.1017/s1479409823000186","url":null,"abstract":"This study of Camille Saint-Saëns's opéra comique Phryné (1893), representing the famous Greek courtesan in the title role, outlines how the composer made the case for the continued viability of the opéra comique genre in a context where lighter opérettes by Jacques Offenbach on classical subjects were much celebrated on French stages. Saint-Saëns's efforts are seen through both his dislike of Offenbach's music and the flexible use of generic name markers in musical comedies of the period. In marking out an aesthetic space for new musical comedy that was not Offenbach's, Saint-Saëns and his librettist Lucien Augé de Lassus conjoined their Hellenic subject matter not only with a canon of painting and sculpture but also with musical qualities deemed classical in the fin-de-siècle environment.","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47975585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Memory Man: Jacques Offenbach, Le Bonhomme Jadis and the Origin of an air connu 记忆中的人:雅克·奥芬巴赫、勒邦霍姆·贾迪斯与空中通信的起源
IF 0.3 3区 艺术学
Nineteenth-Century Music Review Pub Date : 2023-06-02 DOI: 10.1017/s1479409823000174
R. Sherr
{"title":"The Memory Man: Jacques Offenbach, Le Bonhomme Jadis and the Origin of an air connu","authors":"R. Sherr","doi":"10.1017/s1479409823000174","DOIUrl":"https://doi.org/10.1017/s1479409823000174","url":null,"abstract":"This article is in essence a study of intertextuality in two musico-dramatic genres in Paris of the 1850s: the comédie-vaudeville and straight plays with incidental music. The ‘texts’ that are considered here are interpolated songs in the comédie-vaudeville and purely instrumental interpolations in plays. Their intertextuality depends on the age-old process of contrafactum. Yet a problem arises when the listener cannot recognize the original source of the contrafactum and cannot perceive the intertext.\u0000 The article traces such an intertextual problem. It illustrates how the attempt to answer what would appear to be a minor question regarding music in a comédie-vaudeville led to consideration of an aspect of Jacques Offenbach's output that has received very little attention and which in turn poses some problems of its own. I begin by discussing how intertextuality and musical memory were exploited in the nineteenth-century Parisian comédie-vaudeville. I then discuss how my inability to identify a ‘text’, in this case a particular tune used in a production in a Parisian theatre was so bothersome that it caused it to stick in my memory, which in turn allowed me to recognize it in a work by Offenbach. This in turn led to consideration of a short story and a play in which intertextual musical memory plays a large role, and to the music that Offenbach composed for the performance of that play which surprisingly led to the solution of the problem, the identification of the tune. I end with further comments.","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-06-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48857887","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Music DH 2021: A Directory of Digital Scholarship in Music 音乐DH 2021:音乐数字奖学金目录
IF 0.3 3区 艺术学
Nineteenth-Century Music Review Pub Date : 2023-05-18 DOI: 10.1017/S1479409823000071
Michelle Urberg
{"title":"Music DH 2021: A Directory of Digital Scholarship in Music","authors":"Michelle Urberg","doi":"10.1017/S1479409823000071","DOIUrl":"https://doi.org/10.1017/S1479409823000071","url":null,"abstract":"Music DH 2021: A Directory of Digital Scholarship in Music (hereafter Music DH) (https://rutgersdh.github.io/musicdh/) represents the work of a collaborative project of the Digital Humanities Interest Group of the Music Library Association. Librarians and scholars, many of whom have experience either creating or supporting digital humanities work, collected, collated, and catalogued more than 200 projects that now comprise Music DH. Since its launch in 2021, it has been maintained by Francesca Giannetti, who is the Digital Humanities Librarian at Rutgers University and the Co-Director of the Rutgers Digital Humanities Institute. The Sources page in the site acknowledges, however, that Giannetti is standingon the shouldersof giants in championingMusicDH.Thisproject grew inpart out of existingbibliographies that cataloguedigital projects related to musical topics. The directory platform itself also leans heavily on designs used in other digital scholarship websites. The clear acknowledgement of collaboration and antecedents is in keepingwith the spirit of born-digital scholarship: it takes a village to conceive, launch and support born-digital work. For anyone seeking to expand research based in traditional publication formats, Music DH should be a first stop on the way to augmenting both primary source and secondary research. It is currently the only open-access directory of digital resources that specializes in musical scholarship where each of the indexed items are catalogued with a standardized and searchable bibliographic record.","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47131071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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