发布求助
文献互助 智能选刊 最新文献

LATIN AMERICAN THEATRE REVIEW最新文献

筛选
英文 中文
Entre espectacularización y censura: Subjetividades negras en el teatro brasileño de mediados del siglo XIX 在奇观化和审查之间:19世纪中期巴西戏剧中的黑人主体性
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2021-11-03 DOI: 10.1353/ltr.2021.0028
María Alejandra Aguilar Dornelles
{"title":"Entre espectacularización y censura: Subjetividades negras en el teatro brasileño de mediados del siglo XIX","authors":"María Alejandra Aguilar Dornelles","doi":"10.1353/ltr.2021.0028","DOIUrl":"https://doi.org/10.1353/ltr.2021.0028","url":null,"abstract":"Abstract:This article examines the representation of enslaved men and women in mid-nineteenth-century Brazilian theatre. It focuses on and analyzes O demônio familiar (1857) and Mãe (1860) by José Martiniano de Alencar in the context of the foundation of the Conservatório Dramático Brasileiro in Rio de Janeiro, whose objective was to read, evaluate, and authorize plays for staging. I suggest that the spectacular representations of enslaved people should be interpreted as controlled and ritualized enunciations that, before reaching the public, had the approval of a group of journalists and writers who had the power to authorize, request modifications, or prohibit the performance. As spaces for confrontation and debate, theaters provided the forum in which Brazilians rehearsed new dynamics of social relations while grappling with questions regarding the role of Afro-descendants in a modern nation.","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"55 1","pages":"27 - 52"},"PeriodicalIF":0.0,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41389724","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Antesala de un teatro de títeres moderno: Juan Enrique Acuña al frente de los "Títeres del Verdegay" y "Titiritaina" (1944-1960) 现代木偶戏的前厅:胡安·恩里克acuna领导“titeres del Verdegay”和“Titiritaina”(1944-1960)
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2021-11-03 DOI: 10.1353/ltr.2021.0029
B. Girotti
{"title":"Antesala de un teatro de títeres moderno: Juan Enrique Acuña al frente de los \"Títeres del Verdegay\" y \"Titiritaina\" (1944-1960)","authors":"B. Girotti","doi":"10.1353/ltr.2021.0029","DOIUrl":"https://doi.org/10.1353/ltr.2021.0029","url":null,"abstract":"Abstract:During the 40s, puppet theatre began to have an increasingly stable and visible presence in the artistic culture of Buenos Aires as a result of the work of puppeteers who in different ways modernized and legitimized puppet theatre as a theatrical form. Changes in the conception of childhood during the first part of the 20th century influenced the path taken by these artists. Children became productors and creators as well as consumers to whom it was necessary to offer quality products geared to their age. One of the artists who collaborated in this modernization process was Juan Enrique Acuña. His first two productions, \"Títeres del Verdegay\" and \"Titiritaina,\" linked to traditional forms of puppetry, constitute a prelude during which Acuña established the lines that would characterize his later projects, including dramaturgical and technical innovations. We review the elements aligned with those traditional puppets and at the same time emphasize Acuña's innovations and his reflections on these projects as a first step in the construction of modern puppet theatre.","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"55 1","pages":"53 - 76"},"PeriodicalIF":0.0,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47118401","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
After the Long Silence: The Theater of Brazil's Post-Dictatorship Generation by Cláudia Tatinge Nascimento (review) 《漫长的沉默之后：巴西后独裁时代的剧院》，Cláudia Tatinge Nascimento著（评论）
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2021-11-03 DOI: 10.1353/ltr.2021.0026
Steven F. E Butterman
{"title":"After the Long Silence: The Theater of Brazil's Post-Dictatorship Generation by Cláudia Tatinge Nascimento (review)","authors":"Steven F. E Butterman","doi":"10.1353/ltr.2021.0026","DOIUrl":"https://doi.org/10.1353/ltr.2021.0026","url":null,"abstract":"","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"55 1","pages":"179 - 181"},"PeriodicalIF":0.0,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47261432","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El teatro de San Miguel de Tucumán: Salas, circuitos de producción e instancias de formación 圣米格尔·德·图库曼剧院：大厅、制作电路和培训实例
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2021-11-03 DOI: 10.1353/ltr.2021.0020
Pablo Salas Tonello
{"title":"El teatro de San Miguel de Tucumán: Salas, circuitos de producción e instancias de formación","authors":"Pablo Salas Tonello","doi":"10.1353/ltr.2021.0020","DOIUrl":"https://doi.org/10.1353/ltr.2021.0020","url":null,"abstract":"Abstract:The aim of this essay is to give a broad view of theatre in San Miguel de Tucumán, the sixth most populated city and one of the most important centers of artistic education and theatre production in Argentina. Given its university and vigorous independent activity, San Miguel de Tucumán holds a relevant position in the northwestern region and hosts tens of theatre students every year. The article explores different theatre spaces and their relationship with urban spaces and then analyzes four of the city's production circuits. Finally, it examines how theatre education is conducted in Tucumán through two channels of study: the university and independent ateliers.","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"55 1","pages":"133 - 154"},"PeriodicalIF":0.0,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47261270","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Staging Lives in Latin American Theater: Bodies, Objects, Archives by Paola S. Hernández (review) Paola S.Hernández的《在拉丁美洲剧院上演生活：身体、物体、档案》（评论）
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2021-11-03 DOI: 10.1353/ltr.2021.0024
G. Bulman
{"title":"Staging Lives in Latin American Theater: Bodies, Objects, Archives by Paola S. Hernández (review)","authors":"G. Bulman","doi":"10.1353/ltr.2021.0024","DOIUrl":"https://doi.org/10.1353/ltr.2021.0024","url":null,"abstract":"","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"55 1","pages":"184 - 185"},"PeriodicalIF":0.0,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41459127","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Sense of Brown by José Esteban Muñoz (review) 《棕色的感觉》作者:jos<s:1> Esteban Muñoz(书评)
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2021-11-03 DOI: 10.1353/ltr.2021.0025
Gerónimo Sarmiento Cruz
{"title":"The Sense of Brown by José Esteban Muñoz (review)","authors":"Gerónimo Sarmiento Cruz","doi":"10.1353/ltr.2021.0025","DOIUrl":"https://doi.org/10.1353/ltr.2021.0025","url":null,"abstract":"","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"55 1","pages":"182 - 184"},"PeriodicalIF":0.0,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42702532","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Animales pancrónicos del teatro: Notas sobre la persistencia de técnicas actorales previas en el teatro universitario chileno (1910-1962) 戏剧的pancroniques动物:关于智利大学戏剧中先前表演技巧的持久性的注释(1910-1962)
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2021-11-03 DOI: 10.1353/ltr.2021.0030
Andréa Pelegrí Kristic, A. Isla
{"title":"Animales pancrónicos del teatro: Notas sobre la persistencia de técnicas actorales previas en el teatro universitario chileno (1910-1962)","authors":"Andréa Pelegrí Kristic, A. Isla","doi":"10.1353/ltr.2021.0030","DOIUrl":"https://doi.org/10.1353/ltr.2021.0030","url":null,"abstract":"Abstract:Many theatre scholars and artists regard the birth of university theatres in Chile during the 1940s as the founding act of modern Chilean theatre and performance. University drama schools produced a new type of actor/actress, often described as \"dramatic\" or \"cultured,\" as opposed to another kind of performer known as \"national.\" Dramatic actors religiously followed their lines and subordinated their work to the author's ideas, mastered a foreign declamatory style, and performed for an educated middle class. National actors, more focused on improvisation, drew their inspiration from the circus and other physical acting traditions. In this essay, we suggest that the difference between these two types of actors is actually more subtle. Indeed, many acting techniques commonly associated with \"national\" performers still existed during the 1960s and onwards and had an impact on \"cultured\" performers. Moreover, our research challenges a wide-spread myth according to which the great stars and divas from the golden age of Chilean theatre were intuitive \"stage animals\" who lacked any organized acting technique.","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"55 1","pages":"102 - 77"},"PeriodicalIF":0.0,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48477596","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Drama y narración. Teatro clásico y actual en español by José-Luis García Barrientos (review) 戏剧和叙事。何塞·路易斯·加西亚·巴林托斯的西班牙古典和现代戏剧（评论）
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2021-11-03 DOI: 10.1353/ltr.2021.0023
Elvira Popova
{"title":"Drama y narración. Teatro clásico y actual en español by José-Luis García Barrientos (review)","authors":"Elvira Popova","doi":"10.1353/ltr.2021.0023","DOIUrl":"https://doi.org/10.1353/ltr.2021.0023","url":null,"abstract":"","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"55 1","pages":"181 - 182"},"PeriodicalIF":0.0,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45279281","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Teatro Línea de Sombra durante la pandemia: Entrevista con Alicia Laguna y Jorge A. Vargas 大流行期间的影子线剧院：艾丽西亚·拉古纳和豪尔赫A.巴尔加斯采访
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2021-11-03 DOI: 10.1353/ltr.2021.0022
A. Martínez
{"title":"Teatro Línea de Sombra durante la pandemia: Entrevista con Alicia Laguna y Jorge A. Vargas","authors":"A. Martínez","doi":"10.1353/ltr.2021.0022","DOIUrl":"https://doi.org/10.1353/ltr.2021.0022","url":null,"abstract":"","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"55 1","pages":"169 - 178"},"PeriodicalIF":0.0,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43217739","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La escenificación de la violencia estatal en dos obras mapuche recientes: Malen de Ricardo Curaqueo y Trewa. Estado-Nación o espectro de la traición de Paula González 在最近的两部马普切作品中上演国家暴力：里卡多·库拉奎的《马伦》和特雷瓦。国家-民族或保拉·冈萨雷斯叛国的幽灵
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2021-06-09 DOI: 10.1353/LTR.2021.0003
Ignacia Cortés Rojas, Ignacio Pastén
{"title":"La escenificación de la violencia estatal en dos obras mapuche recientes: Malen de Ricardo Curaqueo y Trewa. Estado-Nación o espectro de la traición de Paula González","authors":"Ignacia Cortés Rojas, Ignacio Pastén","doi":"10.1353/LTR.2021.0003","DOIUrl":"https://doi.org/10.1353/LTR.2021.0003","url":null,"abstract":"Abstract:During the last five years, new creations by Mapuche artists with a clear political imprint have renewed Chile’s national artistic scene. Among these works are Malen by choreographer Ricardo Curaqueo Curiche, premiered in October 2017, and Trewa. Estado-Nación o espectro de la traición by playwright Paula González Seguel, premiered in March 2019. Both creators construct universes and stories that explicitly expose the violence to which the Mapuche have been subjected. Although each piece pertains to a different genre—contemporary dance and documentary theater—they share common elements: gender violence in the Wallmapu, the murder of members of the Mapuche community, the absence of investigation, and the lack of justice. This article reflects on Mapuche authorship in the context of the national art scene, understanding their works as an exercise of activist art capable of staging the cultural, social, and political demands of the Mapuche people. The concept of “bodies without mourning” suggested by Ileana Diéguez leads to a rethinking of the role of art and its creators in contexts marked by violence and the disappearance of marginalized collectivities in Latin America.","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"54 1","pages":"71 - 95"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/LTR.2021.0003","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43415717","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信