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LATIN AMERICAN THEATRE REVIEW最新文献

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Insignificantes en diálogo con el público. El teatro de la generación Fonca by Daniel Vázquez Touriño (review) 在与公众的对话中微不足道。丹尼尔·巴斯克斯·图里尼奥的丰卡一代剧院（评论）
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2021-06-09 DOI: 10.1353/LTR.2021.0016
Elvira Popova
{"title":"Insignificantes en diálogo con el público. El teatro de la generación Fonca by Daniel Vázquez Touriño (review)","authors":"Elvira Popova","doi":"10.1353/LTR.2021.0016","DOIUrl":"https://doi.org/10.1353/LTR.2021.0016","url":null,"abstract":"","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"54 1","pages":"252 - 253"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/LTR.2021.0016","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48259700","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
La memoria de la dictadura reciente en el teatro uruguayo: Una entrevista con Raquel Diana 乌拉圭剧院最近独裁统治的记忆：对拉奎尔·戴安娜的采访
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2021-06-09 DOI: 10.1353/LTR.2021.0012
Karunika Kardak, Juan José Mosquera Ramallo
{"title":"La memoria de la dictadura reciente en el teatro uruguayo: Una entrevista con Raquel Diana","authors":"Karunika Kardak, Juan José Mosquera Ramallo","doi":"10.1353/LTR.2021.0012","DOIUrl":"https://doi.org/10.1353/LTR.2021.0012","url":null,"abstract":"","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"54 1","pages":"227 - 235"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/LTR.2021.0012","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42058227","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“A home page for all of us”: A History of Café Onda: Journal of the Latinx Theatre Commons (2013–2018) “我们所有人的主页”：《翁达咖啡馆的历史：拉丁裔剧院公共杂志》（2013-2018）
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2021-06-09 DOI: 10.1353/LTR.2021.0013
Trevor Boffone
{"title":"“A home page for all of us”: A History of Café Onda: Journal of the Latinx Theatre Commons (2013–2018)","authors":"Trevor Boffone","doi":"10.1353/LTR.2021.0013","DOIUrl":"https://doi.org/10.1353/LTR.2021.0013","url":null,"abstract":"","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"54 1","pages":"237 - 249"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/LTR.2021.0013","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46998659","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El teatro judío como corriente modernizadora: la escena ídish y su influencia en el campo teatral de Buenos Aires 作为现代化潮流的犹太戏剧:意第绪语场景及其对布宜诺斯艾利斯戏剧领域的影响
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2021-06-09 DOI: 10.1353/LTR.2021.0000
Paula Ansaldo
{"title":"El teatro judío como corriente modernizadora: la escena ídish y su influencia en el campo teatral de Buenos Aires","authors":"Paula Ansaldo","doi":"10.1353/LTR.2021.0000","DOIUrl":"https://doi.org/10.1353/LTR.2021.0000","url":null,"abstract":"Abstract:During the interwar period, Buenos Aires established itself as a Jewish city of international cultural relevance. In the 1930s in particular, a rich Yiddish theatre circuit was developed and supported by the city’s large population of Yiddish-speaking Jews. Buenos Aires soon became a privileged destination in the tours of itinerant Jewish artists and a theatrical center that attracted a large number of Jewish actors and directors seeking to settle on the American continent. This article focuses on the aesthetic conceptions that Jewish artists brought to Argentina and argues that Yiddish theatre served as a modernizing force that deeply influenced the larger theatre scene of Buenos Aires. With its itinerant nature and genuinely international language, Yiddish theatre brought modern ideas, avant-garde aesthetics, and new repertoires.","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"54 1","pages":"28 - 7"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/LTR.2021.0000","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47654426","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Lunfardos: Queerness, Social Prophylaxis, and the Futures of Reproduction in Fin-de-Siècle Argentine Dramaturgy Lunfardos:Queerness，Social Prophylations，and the Futures of Reproduction in Fin de Siècle Argentina Dramatogy
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2021-06-09 DOI: 10.1353/LTR.2021.0005
C. G. Halaburda
{"title":"Lunfardos: Queerness, Social Prophylaxis, and the Futures of Reproduction in Fin-de-Siècle Argentine Dramaturgy","authors":"C. G. Halaburda","doi":"10.1353/LTR.2021.0005","DOIUrl":"https://doi.org/10.1353/LTR.2021.0005","url":null,"abstract":"Abstract:Early twentieth-century nativist dramaturgy explored Conservative Argentina’s dreams of racial purity and “peace and administration” in the context of transatlantic migratory flows and major changes in the urban design of Buenos Aires. Nativism aimed at identifying and preserving ways of being criollo by turning to the Pampas as an idyllic space of agglutination of national values, particularly in the figure of the gaucho. But nativist drama not only grounded its ethics on principles of moral conduct but also functioned as a space for the distribution and popularization of the latest expert knowledges imported from Europe, mainly degeneration theory. This article explores a series of dramatic texts that staged the lives of the extremely impoverished, criminalized, and destitute, whom a series of scientific and literary works, ranging from criminology to psychiatry and philology, called lunfardos. Trash pickers, sex workers, unwanted immigrants, petty criminals, beggars, and marginalized children composed a living tapestry that illustrated the conditions of homeless life and its successive displacements and migrations. Enrique de Vedia’s Transfusión (1914)—a novel written almost entirely in dialogue form—and the plays En el barrio de las ranas (1910) by Enrique García Velloso, ¡Al campo! (1902) by Nicolás Granada, and Yerba Mala (1908) by José Eneas Riú warned of the endangered biological futures of healthy sectors of the population. Before the emergence in the political field of figures of deviance, drama culture put on a show to suggest that Argentine society needed to be defended against the abnormal. Animated by dreams of social prophylaxis, these fictions suggested that deviant forms of life were disassociated from progress.","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"54 1","pages":"119 - 143"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/LTR.2021.0005","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46803205","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Performance in the Zócalo: Constructing History, Race, and Identity in Mexico’s Central Square from the Colonial Era to the Present by Ana Martínez (review) Ana Martínez的《Zócalo:从殖民时代到现在在墨西哥中央广场构建历史、种族和身份》（评论）
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2021-06-09 DOI: 10.1353/LTR.2021.0014
Iván Eusebio Aguirre Darancou
{"title":"Performance in the Zócalo: Constructing History, Race, and Identity in Mexico’s Central Square from the Colonial Era to the Present by Ana Martínez (review)","authors":"Iván Eusebio Aguirre Darancou","doi":"10.1353/LTR.2021.0014","DOIUrl":"https://doi.org/10.1353/LTR.2021.0014","url":null,"abstract":"","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"54 1","pages":"255 - 256"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/LTR.2021.0014","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43578156","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Creation of “Zoomtheater” in the Time of COVID-19 COVID-19时代“缩放影院”的创作
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2021-06-09 DOI: 10.1353/LTR.2021.0010
N. Glickman
{"title":"The Creation of “Zoomtheater” in the Time of COVID-19","authors":"N. Glickman","doi":"10.1353/LTR.2021.0010","DOIUrl":"https://doi.org/10.1353/LTR.2021.0010","url":null,"abstract":"","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"54 1","pages":"217 - 220"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/LTR.2021.0010","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46822737","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La (im)posibilidad del diálogo escénico en Redoble fúnebre para lobos y corderos de Juan Radrigán 胡安·拉德里甘为狼和羔羊举行葬礼的舞台对话的可能性
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2021-06-09 DOI: 10.1353/LTR.2021.0004
Melissa González-Contreras
{"title":"La (im)posibilidad del diálogo escénico en Redoble fúnebre para lobos y corderos de Juan Radrigán","authors":"Melissa González-Contreras","doi":"10.1353/LTR.2021.0004","DOIUrl":"https://doi.org/10.1353/LTR.2021.0004","url":null,"abstract":"Abstract:A distinctive feature of Juan Radrigán’s theatrical production is his approach to the world of the marginalized and displaced sectors of Chilean society under the dictatorial regime (1973–1990) led by Augusto Pinochet. In this context, the absence of dialogue and understanding leads to social, political, economic, and human alienation. Such a process is evident in Redoble fúnebre para lobos y corderos (dos monólogos y un diálogo) (1981). This study aims to show how the motive of dialogue is sustained throughout the play by the crucial need of an actual interchange between the characters on stage and the audience whom they address. The references to a shared and immediate sociopolitical context, along with the dialogue that the characters try to initiate, compel the audience to assume the role of interlocutor. The elimination of the spatial and functional distinctions between characters and spectators leads to a democratizing experience that forces the audience to engage with the social reality of the marginalized and to come to terms with their own. I argue that Radrigán fosters a reconfiguration of the passive audience—both in the theatrical space and in society as a whole—through a mutual understanding between characters and spectators that aims to activate the audience of the wider socio-political spectacle of Chile under an authoritarian regime.","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"54 1","pages":"117 - 97"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/LTR.2021.0004","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47531512","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Performances of Suffering in Latin American Migration: Heroes, Martyrs and Saints by Ana Elena Puga and Víctor M. Espinosa (review) Ana Elena Puga和Víctor M.Espinosa的《拉丁美洲移民中的苦难表演：英雄、烈士和圣徒》（评论）
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2021-06-09 DOI: 10.1353/LTR.2021.0015
D. Castillo
{"title":"Performances of Suffering in Latin American Migration: Heroes, Martyrs and Saints by Ana Elena Puga and Víctor M. Espinosa (review)","authors":"D. Castillo","doi":"10.1353/LTR.2021.0015","DOIUrl":"https://doi.org/10.1353/LTR.2021.0015","url":null,"abstract":"","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"54 1","pages":"251 - 252"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/LTR.2021.0015","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41319855","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Cómo reivindicar un género postergado y libertino: el FICA de Buenos Aires 如何为推迟和放荡的性别辩护：布宜诺斯艾利斯的FICA
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2021-06-09 DOI: 10.1353/LTR.2021.0008
Christina Baker, G. Alzate
{"title":"Cómo reivindicar un género postergado y libertino: el FICA de Buenos Aires","authors":"Christina Baker, G. Alzate","doi":"10.1353/LTR.2021.0008","DOIUrl":"https://doi.org/10.1353/LTR.2021.0008","url":null,"abstract":"","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"54 1","pages":"191 - 198"},"PeriodicalIF":0.0,"publicationDate":"2021-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/LTR.2021.0008","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42097730","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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