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LATIN AMERICAN THEATRE REVIEW最新文献

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Teatro: No pasar. Rendimiento crítico del teatro de Roberto Suárez en su contexto de producción by Ignacio Gutiérrez Muiño (review) 剧院:不要通过。罗伯托·苏亚雷斯在制作背景下的戏剧评论表演伊格纳西奥gutierrez muino(评论)
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2020-06-16 DOI: 10.1353/ltr.2020.0007
Laura V. Sández
{"title":"Teatro: No pasar. Rendimiento crítico del teatro de Roberto Suárez en su contexto de producción by Ignacio Gutiérrez Muiño (review)","authors":"Laura V. Sández","doi":"10.1353/ltr.2020.0007","DOIUrl":"https://doi.org/10.1353/ltr.2020.0007","url":null,"abstract":"","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"53 1","pages":"151 - 152"},"PeriodicalIF":0.0,"publicationDate":"2020-06-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ltr.2020.0007","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45936512","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Populism and Performance in the Bolivarian Revolution of Venezuela by Angela Marino (review) 委内瑞拉玻利瓦尔革命中的民粹主义与表现安吉拉·马里诺著(书评)
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2020-06-16 DOI: 10.1353/ltr.2020.0009
J. Guerrero
{"title":"Populism and Performance in the Bolivarian Revolution of Venezuela by Angela Marino (review)","authors":"J. Guerrero","doi":"10.1353/ltr.2020.0009","DOIUrl":"https://doi.org/10.1353/ltr.2020.0009","url":null,"abstract":"","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"53 1","pages":"149 - 151"},"PeriodicalIF":0.0,"publicationDate":"2020-06-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ltr.2020.0009","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47161173","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Shared Truth: The Theater of Lagartijas Tiradas al Sol by Julie Ann Ward (review) 一个共同的真相：朱莉·安·沃德的《拉加蒂亚斯·蒂拉达斯·索尔剧院》（评论）
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2020-06-16 DOI: 10.1353/ltr.2020.0011
Analola Santana
{"title":"A Shared Truth: The Theater of Lagartijas Tiradas al Sol by Julie Ann Ward (review)","authors":"Analola Santana","doi":"10.1353/ltr.2020.0011","DOIUrl":"https://doi.org/10.1353/ltr.2020.0011","url":null,"abstract":"","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"53 1","pages":"153 - 154"},"PeriodicalIF":0.0,"publicationDate":"2020-06-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ltr.2020.0011","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45056834","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dancing Bahia: Essays on Afro-Brazilian Dance, Education, Memory, and Race ed. by Lucía Suárez, Amélia Conrado, and Yvonne Daniel (review) 《舞动的巴伊亚:巴西黑人舞蹈、教育、记忆与种族随笔》，作者:Lucía Suárez、amacimlia Conrado和Yvonne Daniel
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2020-06-16 DOI: 10.1353/ltr.2020.0010
Carlo Minchillo
{"title":"Dancing Bahia: Essays on Afro-Brazilian Dance, Education, Memory, and Race ed. by Lucía Suárez, Amélia Conrado, and Yvonne Daniel (review)","authors":"Carlo Minchillo","doi":"10.1353/ltr.2020.0010","DOIUrl":"https://doi.org/10.1353/ltr.2020.0010","url":null,"abstract":"","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"53 1","pages":"147 - 148"},"PeriodicalIF":0.0,"publicationDate":"2020-06-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ltr.2020.0010","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48293173","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Californios, Anglos and the Performance of Oligarchy in the U.S. West: How the First Generation of Mexican Americans Fashioned a New Nation by Andrew Gibb (review) 《加利福尼亚人、盎格鲁人和美国西部寡头政治的表现:第一代墨西哥裔美国人如何塑造一个新国家》安德鲁·吉布著(评论)
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2020-06-16 DOI: 10.1353/ltr.2020.0006
M. Lozano
{"title":"Californios, Anglos and the Performance of Oligarchy in the U.S. West: How the First Generation of Mexican Americans Fashioned a New Nation by Andrew Gibb (review)","authors":"M. Lozano","doi":"10.1353/ltr.2020.0006","DOIUrl":"https://doi.org/10.1353/ltr.2020.0006","url":null,"abstract":"","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"53 1","pages":"145 - 146"},"PeriodicalIF":0.0,"publicationDate":"2020-06-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ltr.2020.0006","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46822055","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Performing Palimpsest Bodies: Postmemory Theatre Experiments in Mexico by Ruth Hellier-Tinoco (review) Ruth Hellier Tinoco的《重演的身体：墨西哥的后记忆剧院实验》（评论）
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2020-06-16 DOI: 10.1353/ltr.2020.0008
Jimmy A. Noriega
{"title":"Performing Palimpsest Bodies: Postmemory Theatre Experiments in Mexico by Ruth Hellier-Tinoco (review)","authors":"Jimmy A. Noriega","doi":"10.1353/ltr.2020.0008","DOIUrl":"https://doi.org/10.1353/ltr.2020.0008","url":null,"abstract":"","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"53 1","pages":"148 - 149"},"PeriodicalIF":0.0,"publicationDate":"2020-06-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ltr.2020.0008","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45877246","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Soundtrack of an (After)Life: Performing Transfemicide, Mourning, and Pop Music in La Prietty Guoman by César Enríquez （后）生活原声音乐：塞萨尔·恩里克斯在《国漫》中表演的变性、哀悼和流行音乐
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2020-05-22 DOI: 10.1353/ltr.2020.0012
Christina Baker
{"title":"Soundtrack of an (After)Life: Performing Transfemicide, Mourning, and Pop Music in La Prietty Guoman by César Enríquez","authors":"Christina Baker","doi":"10.1353/ltr.2020.0012","DOIUrl":"https://doi.org/10.1353/ltr.2020.0012","url":null,"abstract":"Abstract:Inspired by the 1990's hit film, Pretty Woman, and the gritty reality of prostitution, César Enríquez's teatro-cabaret piece, La Prietty Guoman, takes shape. However, the protagonist of this performance, La Prietty, differs from Julia Roberts' film character: La Prietty is a transwoman and tells her story from beyond the grave. In an example of teatro-cabaret par excellence, the protagonist keeps the audience engaged through rapid costume changes, quick wit, and impeccable comedic timing. This essay focuses on how La Prietty filters her socio-politically driven humor through live musical performance, emphasizing US pop songs and their Divas from the 1990s. With her re-working of popular hits such as \"Like a Virgin\" and her story of discrimination, abuse, and hope for love, La Prietty captures the audience. An interdisciplinary framework is employed to analyze the piece's performance of an (after) life and to highlight how audio-visual transformations can resist the erasure of transwomen in contemporary Mexico and, on a broader scale, offer hope to marginalized Others.","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"53 1","pages":"32 - 5"},"PeriodicalIF":0.0,"publicationDate":"2020-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ltr.2020.0012","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48899967","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Historia de la sangre de la compañía Teatro La Memoria: el trauma social inscrito en el cuerpo posdictadorial 公司血液戏剧记忆的历史:镌刻在后独裁身体上的社会创伤
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2020-05-22 DOI: 10.1353/ltr.2020.0013
Andrea Jeftanovic, L. Garrido
{"title":"Historia de la sangre de la compañía Teatro La Memoria: el trauma social inscrito en el cuerpo posdictadorial","authors":"Andrea Jeftanovic, L. Garrido","doi":"10.1353/ltr.2020.0013","DOIUrl":"https://doi.org/10.1353/ltr.2020.0013","url":null,"abstract":"Abstract:The purpose of this work is to analyze Alfredo Castro's dramatic text Historia de la sangre, a complex work that explores the memory of trauma in the body and language. Based on the headlines of notorious crimes, this play depicts the story of violated bodies during the military dictatorship in Chile and in the process unveils different dimensions of memory. In Historia de la sangre, testimonies are recognized as part of the construction of a collective memory in which individual and collective biographies overlap. In addition, this dramatic work disassembles the nation's narrative about gender classifications and family roles.","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"53 1","pages":"33 - 56"},"PeriodicalIF":0.0,"publicationDate":"2020-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ltr.2020.0013","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66302734","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
En escena nacional: los temas que nos afligen 在国家舞台上：困扰我们的问题
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2020-05-22 DOI: 10.1353/ltr.2020.0004
Enrique Mijares
{"title":"En escena nacional: los temas que nos afligen","authors":"Enrique Mijares","doi":"10.1353/ltr.2020.0004","DOIUrl":"https://doi.org/10.1353/ltr.2020.0004","url":null,"abstract":"","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"53 1","pages":"131 - 142"},"PeriodicalIF":0.0,"publicationDate":"2020-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ltr.2020.0004","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45820932","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Portrait of the Artistic Process: Federico León's Las ideas 艺术过程的肖像:费德里科León的最后想法
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2020-05-22 DOI: 10.1353/ltr.2020.0000
Nina Longinovic
{"title":"A Portrait of the Artistic Process: Federico León's Las ideas","authors":"Nina Longinovic","doi":"10.1353/ltr.2020.0000","DOIUrl":"https://doi.org/10.1353/ltr.2020.0000","url":null,"abstract":"Abstract:This article analyzes Federico León's 1975 documentary play, Las ideas, within the context of what Jordana Blejmar calls the \"autofictional turn\" in contemporary Argentine cultural production. Taking into account Hans Thies-Lehmann's theories on postdramatic theatre and studies by Jean Graham-Jones, Brenda Werth, Cecilia Sosa, and others on the recent proliferation of documentary theatre in Buenos Aires, I analyze León's Las ideas in relation to the role of the artist and artistic creation in 21st-century Argentina, specifically the way the play addresses issues of reality and simulation in a world increasingly dominated by technology and misinformation. Through the guise of autofiction, Las ideas comically blurs the borders between fiction and reality, leading the spectators to reflect on their own role in constructing reality and countering censorship.","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"53 1","pages":"57 - 80"},"PeriodicalIF":0.0,"publicationDate":"2020-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ltr.2020.0000","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45792140","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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