LATIN AMERICAN THEATRE REVIEW最新文献_第9页

Reglas para el piélago, sonda para lo insondable y camino para lo inaccesible. Martín de Velasco y su Arte de sermones 蝙蝠的规则，深不可测的探针，不可接近的道路。马丁·德·贝拉斯科和他的布道艺术

3区艺术学

LATIN AMERICAN THEATRE REVIEW Pub Date : 2020-12-24 DOI: 10.1353/ltr.2020.0016

Juan M. Vitulli

{"title":"Reglas para el piélago, sonda para lo insondable y camino para lo inaccesible. Martín de Velasco y su Arte de sermones","authors":"Juan M. Vitulli","doi":"10.1353/ltr.2020.0016","DOIUrl":"https://doi.org/10.1353/ltr.2020.0016","url":null,"abstract":"Abstract:According to historical accounts of the period, preaching in the Baroque world was meant to be a spectacular event carried out in a theatrical space. Music and stage props were used in order to reinforce the message of the sermon. It was a feast for the senses, with the audience surrounded by sculptures, paintings, and artistic stained glass depicting scenes from the Bible, while the scent of the incense combined with other sensorial stimuli were deployed to create a multilayered spectacle. At the center of this display of lights and shadows, of sounds and meanings, of perfumes and images, was the figure of the baroque preacher. In this essay, I study the connection between preaching and theatricality in the colonial Latin-American world. To that end, I analyze the treatise on Christian oratory entitled Arte de sermones para saber hacerlos y predicarlos (1677) written by Martín de Velasco, a Franciscan Creole born in Santa Fe de Bogotá. In the first part of the essay, I describe how Velasco creates his own figure of a lettered Creole through scenes that use a belligerent rhetoric. In the second part, I analyze Section XI of Arte, dedicated entirely to explain the role of the actio in the pulpit. In both instances, I found that Velasco's text echoes a larger discussion about the circulation and production of knowledge in the complex colonial Latin-American world.","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"54 1","pages":"17 - 34"},"PeriodicalIF":0.0,"publicationDate":"2020-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ltr.2020.0016","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66303165","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Staging Frontiers: The Making of Modern Popular Culture in Argentina and Uruguay by William Garrett Acree (review) 威廉·加勒特·阿克里的《舞台前沿：阿根廷和乌拉圭现代流行文化的形成》（评论）

3区艺术学

LATIN AMERICAN THEATRE REVIEW Pub Date : 2020-12-24 DOI: 10.1353/ltr.2020.0024

Elisabeth L. Austin

引用次数: 0

Malvinas. La guerra en el teatro, el teatro de la guerra by Ricardo Dubatti, and: Malvinas II. La guerra del teatro, el teatro de la guerra by Ricardo Dubatti (review) 马尔维纳斯群岛。剧院里的战争，里卡多·杜巴蒂的战争剧场，和:马尔维纳斯二世。戏剧的战争，战争的戏剧，里卡多·杜巴蒂(评论)

3区艺术学

LATIN AMERICAN THEATRE REVIEW Pub Date : 2020-12-24 DOI: 10.1353/ltr.2020.0025

B. Girotti

引用次数: 0

Relics, Jesuit Masculinity, and the Performance of Martyrdom in Triumpho de los Sanctos 圣物，耶稣会男子气概，以及在圣凯旋门中的殉难表演

3区艺术学

LATIN AMERICAN THEATRE REVIEW Pub Date : 2020-12-24 DOI: 10.1353/ltr.2020.0019

S. Kirk

{"title":"Relics, Jesuit Masculinity, and the Performance of Martyrdom in Triumpho de los Sanctos","authors":"S. Kirk","doi":"10.1353/ltr.2020.0019","DOIUrl":"https://doi.org/10.1353/ltr.2020.0019","url":null,"abstract":"Abstract:In this article I analyze the sixteenth-century New Spanish Jesuit play Triumpho de los Sanctos, written and performed at the Colegio Máximo de San Pedro y San Pablo in Mexico City as the centerpiece of an eight-day festival to welcome the arrival of a shipment of holy relics from Rome. The play focuses on four early Christian martyrs—saints Pedro, Doroteo, Gorgonio, and Juan—, whose bones were among those sent by Pope Gregory XIII to the New World. The choice the anonymous Jesuit authors made to foreground these four lives among all the saints, virgins, and other holy personages whose relics made it to New Spain is not coincidental. The recently arrived Society of Jesus believed the promotion of martyrdom would assist them in their desire to save the native souls of New Spain. The depiction of the four ancient martyrs as embodying the masculine ideals of holy courage and exemplary virtue allowed the Society to promote a blueprint for the conduct of those whom they would send out to be missionaries in this hostile new landscape. In relating the circumstances of the four saints' death in a dramatic work, moreover, the Jesuits allowed the audience to connect the recently arrived holy fragments of bone to the flesh and blood men whose suffering they believed would bring glory to God.","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"54 1","pages":"79 - 98"},"PeriodicalIF":0.0,"publicationDate":"2020-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ltr.2020.0019","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43545540","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Staging Discomfort: Performance and Queerness in Contemporary Cuba by Bretton White (review) 《表演不适:当代古巴的表演与酷儿性》布雷顿·怀特著(书评)

3区艺术学

LATIN AMERICAN THEATRE REVIEW Pub Date : 2020-12-24 DOI: 10.1353/ltr.2020.0028

L. Fountain-Stokes

引用次数: 0

Introducción: Las regiones que dejaron de ser artísticamente desiertas: Una exploración de las nuevas perspectivas de las prácticas teatrales coloniales latinoamericanas 导言：艺术上不再荒芜的地区：探索拉丁美洲殖民戏剧实践的新视角

3区艺术学

LATIN AMERICAN THEATRE REVIEW Pub Date : 2020-12-24 DOI: 10.1353/ltr.2020.0015

Catalina Andrango-Walker

引用次数: 0

Música y performance como estrategias de conversión en el Virreinato del Perú 音乐和表演作为秘鲁总督的转换策略

3区艺术学

LATIN AMERICAN THEATRE REVIEW Pub Date : 2020-12-24 DOI: 10.1353/ltr.2020.0021

Catalina Andrango-Walker

{"title":"Música y performance como estrategias de conversión en el Virreinato del Perú","authors":"Catalina Andrango-Walker","doi":"10.1353/ltr.2020.0021","DOIUrl":"https://doi.org/10.1353/ltr.2020.0021","url":null,"abstract":"Abstract:Lettered men, who arrived to the Andean region as missionaries, soldiers, and historians, wrote abundantly about the natives' ceremonies and their remarkable ability to sing and to play musical instruments. Music and performance soon became a standard part of religious conversion as well as a means of reaffirming Spanish power at public events such as the arrival of new officials, the births and deaths of members of the royal family, and the canonization of Catholic saints. This article focuses on the use of such strategies to promote Christianity in two works. The first is the evangelization manual Symbolo Catholico Indiano (Lima 1598) written by Franciscan friar Luis Jéronimo de Oré. The canticles in particular were represented with European liturgical music and lyrics in Quechua and used as a pedagogical tool to replace the violent methods by which the Spaniards had tried to impose their Catholic faith on the natives. This mix of Andean and European elements is also a common denominator in the missional opera, San Ignacio de Loyola, composed in the 18th century in the Jesuit missions of Paraguay and taken later to the Chiquitos region of present-day Bolivia. San Ignacio narrates the exemplary lives of the founding fathers of the order, Saint Ignatius of Loyola and Saint Francis Xavier, centering on the protagonists' love of God, their fight against evil, and their mission to spread throughout the world the word of God. Although Symbolo and San Ignacio belong to different genres and were produced more than a century apart, both works show the effective use of performance and music in Catholic conversion to teach and delight at the same time. They also demonstrate how Franciscans and Jesuits promoted their religious orders within the colonial system, while at the same time showcasing the talents of the native inhabitants.","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"54 1","pages":"125 - 148"},"PeriodicalIF":0.0,"publicationDate":"2020-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ltr.2020.0021","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48883707","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Remembering George (1934–2010) 纪念乔治(1934-2010)

3区艺术学

LATIN AMERICAN THEATRE REVIEW Pub Date : 2020-12-24 DOI: 10.1353/ltr.2020.0014

Catalina Andrango-Walker, Juan Vitulli, Jorge Luis Yangali Vargas, Octavio Rivera Krakowska, S. Kirk, C. Egan, Elaine M. Miller, César Barros A., Elisabeth L. Austin, Bettina Girotti, Agustina Trupia, David Tenorio, L. Fountain-Stokes

{"title":"Remembering George (1934–2010)","authors":"Catalina Andrango-Walker, Juan Vitulli, Jorge Luis Yangali Vargas, Octavio Rivera Krakowska, S. Kirk, C. Egan, Elaine M. Miller, César Barros A., Elisabeth L. Austin, Bettina Girotti, Agustina Trupia, David Tenorio, L. Fountain-Stokes","doi":"10.1353/ltr.2020.0014","DOIUrl":"https://doi.org/10.1353/ltr.2020.0014","url":null,"abstract":"Abstract:According to historical accounts of the period, preaching in the Baroque world was meant to be a spectacular event carried out in a theatrical space. Music and stage props were used in order to reinforce the message of the sermon. It was a feast for the senses, with the audience surrounded by sculptures, paintings, and artistic stained glass depicting scenes from the Bible, while the scent of the incense combined with other sensorial stimuli were deployed to create a multilayered spectacle. At the center of this display of lights and shadows, of sounds and meanings, of perfumes and images, was the figure of the baroque preacher. In this essay, I study the connection between preaching and theatricality in the colonial Latin-American world. To that end, I analyze the treatise on Christian oratory entitled Arte de sermones para saber hacerlos y predicarlos (1677) written by Martín de Velasco, a Franciscan Creole born in Santa Fe de Bogotá. In the first part of the essay, I describe how Velasco creates his own figure of a lettered Creole through scenes that use a belligerent rhetoric. In the second part, I analyze Section XI of Arte, dedicated entirely to explain the role of the actio in the pulpit. In both instances, I found that Velasco's text echoes a larger discussion about the circulation and production of knowledge in the complex colonial Latin-American world.","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"54 1","pages":"1 - 1 - 124 - 125 - 148 - 149 - 150 - 151 - 152 - 152 - 153 - 153 - 155 - 155 - 156 - 156 - 157 - 15"},"PeriodicalIF":0.0,"publicationDate":"2020-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ltr.2020.0014","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66302467","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Teatro independiente. Historia y actualidad by Paula Ansaldo et al. (review) 这个独立队。Paula Ansaldo等人的《历史与现实》(回顾)

3区艺术学

LATIN AMERICAN THEATRE REVIEW Pub Date : 2020-12-24 DOI: 10.1353/ltr.2020.0026

Agustina Trupia

引用次数: 0

Variations on Martyrdom by José de Anchieta 何塞·德·安奇耶塔殉难变奏曲

3区艺术学

LATIN AMERICAN THEATRE REVIEW Pub Date : 2020-12-24 DOI: 10.1353/ltr.2020.0020

C. Egan

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引用次数: 1