LATIN AMERICAN THEATRE REVIEW最新文献

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Pink Glitter: Activist Theatre against Violence 粉红闪光:反对暴力的活动家剧院
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2022-09-01 DOI: 10.1353/ltr.2022.0012
D. Castillo, Ana Florencia López Ulloa, Estefanía Flores Ortiz, Araceli González Crespán, María Isabel Martín Sánchez, Julio Antonio Molinete, Timothy G. Compton, E. V. Toral, Dominique E. Polanco, Edith Ibarra, Luis Mario Moncada, Estela Leñero Franco, Brenda Schmunck, Mauricio Tafur Salgado, G. Díaz
{"title":"Pink Glitter: Activist Theatre against Violence","authors":"D. Castillo, Ana Florencia López Ulloa, Estefanía Flores Ortiz, Araceli González Crespán, María Isabel Martín Sánchez, Julio Antonio Molinete, Timothy G. Compton, E. V. Toral, Dominique E. Polanco, Edith Ibarra, Luis Mario Moncada, Estela Leñero Franco, Brenda Schmunck, Mauricio Tafur Salgado, G. Díaz","doi":"10.1353/ltr.2022.0012","DOIUrl":"https://doi.org/10.1353/ltr.2022.0012","url":null,"abstract":"Abstract:This article tracks the two-year process of developing the Spanish-language play, Diamantina rosa: se vale bailar, and its English-language counterpart, Pink Glitter, under the travel and performance restrictions imposed by COVID. While waiting for live theatre to start up again, the creators of the play began rethinking how to do theatre in the contemporary environment. This study documents the play's development in several very different formats: the eventual scrapping of the original idea of producing a Spanish monologue/DJ set in favor of a more richly evolved in-person Spanish-language live performance with multiple actors; the very different scripts and formats for the two online English-language variations of the play; and the English-language live performance.","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"56 1","pages":"104 - 105 - 120 - 121 - 126 - 127 - 129 - 131 - 134 - 135 - 140 - 141 - 142 - 143 - 144 - 144 - 146"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41417341","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El fuego que hemos construido. By María Fernanda Gonzales (review) 我们建造的火。玛丽亚·费尔南达·冈萨雷斯(评论)
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2022-09-01 DOI: 10.1353/ltr.2022.0018
Enzo Vasquez Toral
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引用次数: 0
La comunidad desconocida. Dramaturgia argentina y exilio político (1974-1983) by Andrés Gallina (review) 未知的社区。阿根廷戏剧与政治流放(1974-1983)andres Gallina(评论)
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2022-09-01 DOI: 10.1353/ltr.2022.0023
Brenda A. Schmunck
{"title":"La comunidad desconocida. Dramaturgia argentina y exilio político (1974-1983) by Andrés Gallina (review)","authors":"Brenda A. Schmunck","doi":"10.1353/ltr.2022.0023","DOIUrl":"https://doi.org/10.1353/ltr.2022.0023","url":null,"abstract":"","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"56 1","pages":"143 - 144"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42916420","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Understanding the Complexities of Latin American History and Identity: Andares and Mexican Indigenous Representation in Southwest Virginia 了解拉丁美洲历史和身份的复杂性:安达雷斯和墨西哥土著代表在西南弗吉尼亚州
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2022-09-01 DOI: 10.1353/ltr.2022.0019
Dominique E. Polanco
{"title":"Understanding the Complexities of Latin American History and Identity: Andares and Mexican Indigenous Representation in Southwest Virginia","authors":"Dominique E. Polanco","doi":"10.1353/ltr.2022.0019","DOIUrl":"https://doi.org/10.1353/ltr.2022.0019","url":null,"abstract":"","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"56 1","pages":"127 - 129"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47753923","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Wonder, Refuge, Promise: Explorations and Discoveries of America in Maria Irene Fornes' Final Plays 奇迹,庇护,希望:玛丽亚·艾琳·福恩斯最后剧作中对美国的探索和发现
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2022-09-01 DOI: 10.1353/ltr.2022.0014
Araceli González Crespán
{"title":"Wonder, Refuge, Promise: Explorations and Discoveries of America in Maria Irene Fornes' Final Plays","authors":"Araceli González Crespán","doi":"10.1353/ltr.2022.0014","DOIUrl":"https://doi.org/10.1353/ltr.2022.0014","url":null,"abstract":"Abstract:Five hundred years after Christopher Columbus' voyage to the Indies, scholar John Brushwood delineated the three main offerings of America as presented in Spanish-American literature: wonder, promise and refuge. Maria Irene Fornes' dramatic collection, Letters from Cuba and Other Plays (2007), includes three pieces that correspond to the last stage of her long career as a playwright. The trilogy presents different versions of America at the turn of the millennium, all of which share the motif of the voyage across the Atlantic, although the three journeys vary in direction, length, and implications. The article argues that, despite the obvious differences in style, tone, and theme, these plays respond to preoccupations about the meaning of \"discovery\" and \"exploration\" facilitated or triggered by the Atlantic. The effective use of palimpsest, hybridity, and simultaneity as instruments for exploration in each of the three texts, combined with the concepts that Brushwood proposes, render a new cartography for the notion of America at the end of the twentieth century.","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"56 1","pages":"43 - 62"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43808514","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Al margen de lo bello. Sobre la atracción por el teatro en la historia contemporánea by Paulo C. León (review) 在美丽的边缘。论当代历史上戏剧的吸引力,保罗·c·莱昂(评论)
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2022-03-01 DOI: 10.1353/ltr.2022.0011
Óscar Daniel Hernández Quiñones
{"title":"Al margen de lo bello. Sobre la atracción por el teatro en la historia contemporánea by Paulo C. León (review)","authors":"Óscar Daniel Hernández Quiñones","doi":"10.1353/ltr.2022.0011","DOIUrl":"https://doi.org/10.1353/ltr.2022.0011","url":null,"abstract":"","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"55 1","pages":"148 - 149"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43610737","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
In Memoriam: Laurietz Seda (June 24, 1960 – December 7, 2021) 纪念:劳里茨·塞达(1960年6月24日- 2021年12月7日)
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2022-03-01 DOI: 10.1353/ltr.2022.0005
{"title":"In Memoriam: Laurietz Seda (June 24, 1960 – December 7, 2021)","authors":"","doi":"10.1353/ltr.2022.0005","DOIUrl":"https://doi.org/10.1353/ltr.2022.0005","url":null,"abstract":"","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48008494","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Transfigurative Spaces and Tantalizing Recipes in Cocinando con Elisa, El Codex Romanoff, and Cocinar hombres 《变形空间和诱人的食谱》,《埃尔·罗曼诺夫法典》和《柯西纳尔·hombres》
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2022-03-01 DOI: 10.1353/ltr.2022.0003
Linda Saborío
{"title":"Transfigurative Spaces and Tantalizing Recipes in Cocinando con Elisa, El Codex Romanoff, and Cocinar hombres","authors":"Linda Saborío","doi":"10.1353/ltr.2022.0003","DOIUrl":"https://doi.org/10.1353/ltr.2022.0003","url":null,"abstract":"Abstract:In this study, the concept of space—mapped onto fixed and rigid gender roles—is reconceptualized by the female protagonists in three plays: Lucía Laragione’s Cocinando con Elisa, Estela Leñero’s El Codex Romanoff, and Carmen Boullosa’s Cocinar hombres. In the kitchen, a traditionally sanctioned female space, the protagonists of these three pieces feel empowered to create their own ground rules for gender identity and to reimagine alternative gender roles not confined by binary social constructs. Through their creation of what theorist Teresa De Lauretis refers to as a “space-off,” the female protagonists are able to enact individuality in a predominantly androcentric system and thereby expose a social order structured by exclusivity.","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"55 1","pages":"57 - 80"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44501390","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Seeking Common Ground: Latinx and Latin American Theatre and Performance ed. by Trevor Boffone, Teresa Marrero and Chantal Rodriguez (review) 《寻求共同点:拉丁美洲和拉丁美洲戏剧与表演》,特雷弗·伯丰、特蕾莎·马雷罗、尚塔尔·罗德里格斯主编。
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2022-03-01 DOI: 10.1353/ltr.2022.0010
D. Sloan
{"title":"Seeking Common Ground: Latinx and Latin American Theatre and Performance ed. by Trevor Boffone, Teresa Marrero and Chantal Rodriguez (review)","authors":"D. Sloan","doi":"10.1353/ltr.2022.0010","DOIUrl":"https://doi.org/10.1353/ltr.2022.0010","url":null,"abstract":"","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"55 1","pages":"147 - 148"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41946468","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dramática descriptiva: la arquitectura del relato by Luis Enrique Gutiérrez Ortiz Monasterio (review) 戏剧性的描述性:路易斯·恩里克·古铁雷斯·奥尔蒂斯·莫纳斯特里奥的故事建筑(评论)
3区 艺术学
LATIN AMERICAN THEATRE REVIEW Pub Date : 2022-03-01 DOI: 10.1353/ltr.2022.0006
Elka Fediuk
{"title":"Dramática descriptiva: la arquitectura del relato by Luis Enrique Gutiérrez Ortiz Monasterio (review)","authors":"Elka Fediuk","doi":"10.1353/ltr.2022.0006","DOIUrl":"https://doi.org/10.1353/ltr.2022.0006","url":null,"abstract":"","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"55 1","pages":"139 - 142"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48456311","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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