《变形空间和诱人的食谱》,《埃尔·罗曼诺夫法典》和《柯西纳尔·hombres》

IF 0.1 3区 艺术学 0 THEATER
Linda Saborío
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引用次数: 0

摘要

摘要:本文通过三部戏剧中的女主人公(Lucía Laragione的《Cocinando con Elisa》、Estela Leñero的《El Codex Romanoff》和Carmen Boullosa的《Cocinar hombres》)对空间概念进行了重新定义。在厨房这个传统上被认可的女性空间里,这三件作品的主角们觉得自己有能力创造自己的性别认同基本规则,并重新想象不受二元社会结构限制的另类性别角色。通过创造理论家特蕾莎·德·劳伦斯所说的“空间”,女主人公们能够在一个以男性为中心的主导体系中表现出个性,从而暴露出一个由排他性构成的社会秩序。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Transfigurative Spaces and Tantalizing Recipes in Cocinando con Elisa, El Codex Romanoff, and Cocinar hombres
Abstract:In this study, the concept of space—mapped onto fixed and rigid gender roles—is reconceptualized by the female protagonists in three plays: Lucía Laragione’s Cocinando con Elisa, Estela Leñero’s El Codex Romanoff, and Carmen Boullosa’s Cocinar hombres. In the kitchen, a traditionally sanctioned female space, the protagonists of these three pieces feel empowered to create their own ground rules for gender identity and to reimagine alternative gender roles not confined by binary social constructs. Through their creation of what theorist Teresa De Lauretis refers to as a “space-off,” the female protagonists are able to enact individuality in a predominantly androcentric system and thereby expose a social order structured by exclusivity.
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CiteScore
0.20
自引率
0.00%
发文量
12
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