Pink Glitter: Activist Theatre against Violence

IF 0.1 3区艺术学 0 THEATER

LATIN AMERICAN THEATRE REVIEW Pub Date : 2022-09-01 DOI:10.1353/ltr.2022.0012

D. Castillo, Ana Florencia López Ulloa, Estefanía Flores Ortiz, Araceli González Crespán, María Isabel Martín Sánchez, Julio Antonio Molinete, Timothy G. Compton, E. V. Toral, Dominique E. Polanco, Edith Ibarra, Luis Mario Moncada, Estela Leñero Franco, Brenda Schmunck, Mauricio Tafur Salgado, G. Díaz

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引用次数: 0

Abstract

Abstract:This article tracks the two-year process of developing the Spanish-language play, Diamantina rosa: se vale bailar, and its English-language counterpart, Pink Glitter, under the travel and performance restrictions imposed by COVID. While waiting for live theatre to start up again, the creators of the play began rethinking how to do theatre in the contemporary environment. This study documents the play's development in several very different formats: the eventual scrapping of the original idea of producing a Spanish monologue/DJ set in favor of a more richly evolved in-person Spanish-language live performance with multiple actors; the very different scripts and formats for the two online English-language variations of the play; and the English-language live performance.

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粉红闪光:反对暴力的活动家剧院

摘要：本文追踪了在新冠疫情实施的旅行和演出限制下，西班牙语戏剧《Diamantina rosa:se vale bailar》和英语戏剧《Pink Glitter》的两年发展过程。在等待现场戏剧再次上演的同时，该剧的创作者开始重新思考如何在当代环境中表演戏剧。这项研究以几种截然不同的形式记录了该剧的发展：最终取消了制作西班牙语独白/DJ场景的最初想法，转而由多名演员进行更丰富的西班牙语现场表演；该剧两种在线英语变体的剧本和格式截然不同；以及英语现场表演。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

LATIN AMERICAN THEATRE REVIEW THEATER-

CiteScore

0.20

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0.00%

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