Ibsen Studies最新文献

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Preface 前言
Ibsen Studies Pub Date : 2021-11-19 DOI: 10.1080/15021866.2021.1997231
Giuliano D’Amico
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引用次数: 0
The Mystic and Modernity: Unfolding Past and Present in Emperor and Galilean 神秘与现代:在《皇帝与伽利略》中展现过去与现在
Ibsen Studies Pub Date : 2021-01-02 DOI: 10.1080/15021866.2021.1932045
Gerd Karin Omdal
{"title":"The Mystic and Modernity: Unfolding Past and Present in Emperor and Galilean","authors":"Gerd Karin Omdal","doi":"10.1080/15021866.2021.1932045","DOIUrl":"https://doi.org/10.1080/15021866.2021.1932045","url":null,"abstract":"This issue of Ibsen Studies presents two pieces of original research on Ibsen that respectively represent the predominant scholarly traditions within the field, close textual analysis and performance history. Yet both authors, who are both emerging scholars based in Norway, break new ground in their choice of subject material. In “The Mystic and Modernity: Unfolding Past and Present in Emperor and Galilean,” Gerd Karin Omdal draws attention to the character Maximus, who is both mystic and philosopher and thus seemingly at odds with the exploration of modernity that the play is known for. Picking up from previous readings of the play that rule out the possibility of an unambiguously Christian and/ or idealist interpretation, Omdal focuses her attention on the role played by Maximus in conceptualizing the so-called “third empire” that would synthesize opposing pre-Christian and Biblical world views into something new. Whereas other scholars have placed primary emphasis on the philosophical tradition connected to Maximus, Omdal turns her attention instead to Maximus as mystic, contextualizing him within Neoplatonic and occult traditions. She argues that a synthesized understanding that encompasses both the philosophical and the mystical components of the character is necessary. In this, Omdal reflects a growing trend within the field of Scandinavian studies that seeks to examine the nineteenth-century fascination with the occult as an influential cultural phenomenon of the era, without in any way reproducing or espousing its pseudo-scientific beliefs. This is a welcome contribution because it opens up aspects of the text that have been ignored, perhaps because of a certain academic squeamishness or unwillingness to take such matters seriously as influential (if clearly misguided) cultural developments.","PeriodicalId":41285,"journal":{"name":"Ibsen Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/15021866.2021.1932045","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48574147","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Doctoral Defense: IBSEN at the Theatrical Crossroads of Europe: A Performance History of Henrik Ibsen’s Plays on the Romanian Stages (1894–1947) 博士答辩:易卜生在欧洲戏剧的十字路口:亨利克·易卜生在罗马尼亚舞台上的戏剧表演历史(1894-1947)
Ibsen Studies Pub Date : 2021-01-02 DOI: 10.1080/15021866.2021.1932046
Gianina Druță, O. Dubălaru, Ellen Karoline Gjervan
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引用次数: 2
Review 评审
Ibsen Studies Pub Date : 2021-01-02 DOI: 10.1080/15021866.2021.1924428
Elin Stengrundet
{"title":"Review","authors":"Elin Stengrundet","doi":"10.1080/15021866.2021.1924428","DOIUrl":"https://doi.org/10.1080/15021866.2021.1924428","url":null,"abstract":"The main theme of Olivia Noble Gunn’s study is well summarized in its title: Empty Nurseries, Queer Occupants: Reproduction and the Future in Ibsen’s Late Plays. The empty nurseries that Gunn has found to occupy a conspicuous place in Hedda Gabler (1890), The Master Builder (1892), and Little Eyolf (1894) are not filled with the parents’ children but with what she calls “improper occupants,” i.e., with “inhabitants that are not the children of the family” (16), and she sets out to demonstrate what this recurrent pattern may mean. As a starting point, her observation seems both refreshingly concrete and full of promise. Still, one wonders, at the outset, whether the nursery theme will yield enough material to fill an entire book, not least because, as Gunn herself points out, these empty rooms do not get much attention in the texts: “In a certain sense, Ibsen’s nurseries are little more than traces” (12), they are offstage, and they are “more or less peripheral to the action” (11). However, she maintains that it is precisely these “trace-like qualities” that make the rooms significant; the empty spaces are spaces of possibility and hence of the future (12). A study of this motif may therefore be able to put us on the trail of Ibsen’s thinking about “reproduction in its broad sense” (3). In addition, Gunn maintains that her examination will put her in dialogue with “some major claims from queer and critical child studies” (2). Unfortunately, it is not entirely clear what these claims imply. From the very start, the reader encounters the difficulty of not knowing exactly for whom the study is written. Its style is often","PeriodicalId":41285,"journal":{"name":"Ibsen Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/15021866.2021.1924428","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47884762","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 21
Preface 前言
Ibsen Studies Pub Date : 2021-01-02 DOI: 10.1080/15021866.2021.1932277
Ellen Rees
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引用次数: 0
Eivind Tjønneland, ed.: Henrik Ibsens Kongsemnerne.
Ibsen Studies Pub Date : 2021-01-02 DOI: 10.1080/15021866.2021.1924429
Gudleiv Bø
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引用次数: 0
Where Did Ibsen Come From? The Contribution of the Foreign Language Tours to the Emergence of Henrik Ibsen on the Romanian Stage 易卜生是从哪里来的?外语之旅对伊卜生在罗马尼亚舞台上出现的贡献
Ibsen Studies Pub Date : 2021-01-02 DOI: 10.1080/15021866.2021.1932044
Gianina Druță
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引用次数: 2
Economic Extensions in Space and Time: Mediating Value in Pillars of the Community and A Doll’s House 时空中的经济延伸:《社区的支柱》和《玩偶之家》中的中介价值
Ibsen Studies Pub Date : 2020-07-02 DOI: 10.1080/15021866.2020.1823629
L. Fodstad
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引用次数: 0
Ibsen, Power and the Self: Postsocialist Chinese Experimentations in Stage Performance and Film 易卜生、权力与自我:后社会主义中国的舞台表演与电影实验
Ibsen Studies Pub Date : 2020-07-02 DOI: 10.1080/15021866.2020.1823626
Xiaomei Chen
{"title":"Ibsen, Power and the Self: Postsocialist Chinese Experimentations in Stage Performance and Film","authors":"Xiaomei Chen","doi":"10.1080/15021866.2020.1823626","DOIUrl":"https://doi.org/10.1080/15021866.2020.1823626","url":null,"abstract":"I highly recommend Kwok-kan Tam’s excellent monograph, titled Ibsen, Power and the Self: Postsocialist Chinese Experimentations in Stage Performance and Film, as an essential text book for undergraduate classes and graduate seminars in comparative drama, world theatre, Chinese performance culture, and for general readers looking for fascinating stories about how the introduction of Ibsen into China has fundamentally changed the political, ideological and cultural landscapes of its art scenes. This book is an important read for anyone studying art and theatre with or without a non-Western focus. Having published numerous books and articles on Ibsen and modern Chinese drama and cinema, Tam is one of the best scholars to complete this study, which yields a new understanding of the complex relationships between Western traditions and Chinese theatre. Even though its subtitle marks “postsocialist” period as its main focus, Ibsen, Power and the Self exceeds its expectation: this book traced a century of Ibsen’s influence on the formation of modern Chinese culture. Throughout the book, discussions were contextualized around key intellectual figures’ early explorations of modern drama in connection with its ideological function: from Chen Duxiu, who promoted theater to educate the Chinese mind, to Hu Shi, who translated Ibsen’s A Doll’s House and published his famous manifesto on “Chinese Ibsenism” to advocate individualism and woman’s equality, and to Lu Xun, who questioned, in 1923, what would happen to Nora after she had left home without economic opportunities. All three figures represented more than two polarities of Chinese intellectual trends at the time: Chen as the radical socialist who","PeriodicalId":41285,"journal":{"name":"Ibsen Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/15021866.2020.1823626","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43770550","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Doctoral Defense: Henrik Ibsen in the American Theatre, 1879–1914 博士答辩:亨利·易卜生在美国剧院,1879–1914
Ibsen Studies Pub Date : 2020-07-02 DOI: 10.1080/15021866.2020.1823630
Svein Henrik Nyhus, J. Bollen, Olivia Noble Gunn
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引用次数: 2
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