Archai-Revista de Estudos Sobre as Origens do Pensamento Ocidental最新文献_第6页

“Vais te maravilhar ao ouvires!” — Conservação, mousikḗ e o elogio de Platão à arte egípcia em Leis II, 653c — 654a “你会惊讶地听到的!””—保护mousikḗ的赞美。柏拉图的法律二世653年的埃及艺术c—654的

Archai-Revista de Estudos Sobre as Origens do Pensamento Ocidental Pub Date : 2022-04-15 DOI: 10.14195/1984-249x_32_07

Ana Clara Meneguzzi, Rafael Brunhara

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Resenha de Leão, D.; Guerrier, O. (eds.). Figures de sages, figures de philosophes dans l'oeuvre de Plutarque (2019) leao, D.的评论;格里尔，O.(编)。普鲁塔克作品中的圣人和哲学家的形象(2019)

Archai-Revista de Estudos Sobre as Origens do Pensamento Ocidental Pub Date : 2022-04-15 DOI: 10.14195/1984-249x_32_04

Maria Aparecida De Oliveira Silva

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Aristóteles. Da adivinhação durante o sono. Apresentação, tradução e notas. 亚里士多德。在睡眠中占卜。演示、翻译和笔记。

Archai-Revista de Estudos Sobre as Origens do Pensamento Ocidental Pub Date : 2022-02-18 DOI: 10.14195/1984-249x_32_02

Beatriz De Paoli

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Review of Montel, S.; Pollini, A (eds.). La question de l’espace au IVe siècle Avant J-C. dans le mondes grec et étrusco-italique: continuité, ruptures, reprises (2018) Montel, S.;波利尼，A。公元前4世纪的空间问题《希腊和伊特鲁里亚-意大利世界:连续性、断裂、重复》(2018)

Archai-Revista de Estudos Sobre as Origens do Pensamento Ocidental Pub Date : 2022-01-05 DOI: 10.14195/1984-249x_32_01

Pedro Paulo A. Funari

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Peri tou (mē) ontos. Melissus and Gorgias at the ontological crossroad Peri tou (m æ) ontos。Melissus和Gorgias在本体论的十字路口

Archai-Revista de Estudos Sobre as Origens do Pensamento Ocidental Pub Date : 2021-12-17 DOI: 10.14195/1984-249x_31_21

Stefania Giombini, Massimo Pulpito

引用次数: 1

Establishing the Logos of Melissus: A Note on Chapter 1, Hippocrates’ De natura hominis 建立美利苏斯的逻各斯:希波克拉底《人的本性》第一章注解

Archai-Revista de Estudos Sobre as Origens do Pensamento Ocidental Pub Date : 2021-12-17 DOI: 10.14195/1984-249x_31_24

Benjamin Harriman

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What’s Eleatic about the Eleatic Principle? 埃利亚原则有什么特点?

Archai-Revista de Estudos Sobre as Origens do Pensamento Ocidental Pub Date : 2021-12-17 DOI: 10.14195/1984-249x_31_22

Sosseh Assaturian

{"title":"What’s Eleatic about the Eleatic Principle?","authors":"Sosseh Assaturian","doi":"10.14195/1984-249x_31_22","DOIUrl":"https://doi.org/10.14195/1984-249x_31_22","url":null,"abstract":"According to the Eleatic Principle, only items which have the capacity to affect or be affected are. Recently, there has been a question about what, if anything, is Eleatic about the Eleatic Principle (EP). I examine the purported origins of the EP in Plato’s Sophist and argue that the text presents three ways in which something can affect or be affected: (1) as tangible contact, (2) as Cambridge change, and (3) by being responsible for the way something else is. Next, I look to the historical Eleatics in search of precursors to the EP. Against recent work in this area, I argue that elements of the EP are present in Parmenides, Zeno, and Melissus. The poem of Parmenides is compatible with (1) and (2) through the interaction of Light and Night, and the characterization of what-is as knowable. Zeno’s moving arrow paradox employs elements of (2), while his argument from complete divisibility adds preconditions to (3). Finally, against the traditional view that Melissus denies the existence of the sensible world, I show that for Melissus, the sensible world exists alongside what-is. The causal link between what-is and the sensible world, along with Melissus’ commitment to what-is as the object of knowledge renders Melissus the Eleatic whose Eleaticism is most represented in the Eleatic Principle. Alternatives for the application of the EP in contemporary metaphysics and reasons for the inclusion of an Eleatic visitor as the main interlocutor of a dialogue that is often taken as a criticism of Eleaticism emerge.","PeriodicalId":41249,"journal":{"name":"Archai-Revista de Estudos Sobre as Origens do Pensamento Ocidental","volume":"7 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80210938","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Unidade e Multiplicidade na dialética platônica 柏拉图辩证法中的统一与多重

Archai-Revista de Estudos Sobre as Origens do Pensamento Ocidental Pub Date : 2021-12-17 DOI: 10.14195/1984-249x_31_30

Bárbara Helena de Oliveira Santos

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El paradigma de la sensibilidad y la fragmentación en el PTMO de Gorgias Gorgias PTMO的敏感性和碎片化范式

Archai-Revista de Estudos Sobre as Origens do Pensamento Ocidental Pub Date : 2021-12-17 DOI: 10.14195/1984-249x_31_29

Pilar Spangeberg

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Plato’s Phaedo and “the Art of Glaucus”: Transcending the Distortions of Developmentalism 柏拉图的斐多篇与“格劳库斯的艺术”:超越发展主义的扭曲

Archai-Revista de Estudos Sobre as Origens do Pensamento Ocidental Pub Date : 2021-12-17 DOI: 10.14195/1984-249x_31_19

W. Altman

{"title":"Plato’s Phaedo and “the Art of Glaucus”: Transcending the Distortions of Developmentalism","authors":"W. Altman","doi":"10.14195/1984-249x_31_19","DOIUrl":"https://doi.org/10.14195/1984-249x_31_19","url":null,"abstract":"In a 1985 article entitled “The Art of Glaukos,” Diskin Clay suggested that the enigmatic passage at the beginning of the geological myth in Phaedoreferred toRepublic10, where the soul is likened to the sea-creature Glaucus whose true nature, like the soul’s, is obscured by the distortions imposed by underwater life. Starting with a defense of Clay’s ingenious suggestion, my purpose is to compare Phaedoto Glaucus, with its true nature obscured by traditional assumptions about the order in which Plato composed his dialogues, and thus how they should be read. At least part of the reason that Clay’s thesis has not been embraced is because it clashes with the dogma that Phaedocannot refer back to Republic; I want to challenge that dogma. Borrowing from Catherine Zuckert the notion that, since Phaedocomes at the end of Socrates’ story, it can usefully be read as the culmination of the Platonic dialogues, I will show how a “late” Phaedo—i.e., a reading of the dialogue that is open to the possibility that it refers to more than one dialogue generally considered to be later than it with respect to composition—recovers its true nature, presently encrusted with the oysters and seaweed of an outdated developmentalism that has obscured this culminating masterpiece of Plato’s dramatic and philosophical art.","PeriodicalId":41249,"journal":{"name":"Archai-Revista de Estudos Sobre as Origens do Pensamento Ocidental","volume":"44 1-2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72625311","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0