Interlitteraria最新文献_第7页

Literatur – grundsätzlich mehrsprachig!? Das politische Potenzial literarischer Mehrsprachigkeit heute, am Beispiel von Barbi Marković’ Superheldinnen 基本上可以说多种语言。政治潜力今天使用多种语文,在法国文学Barbi Marković”Superheldinnen

IF 0.1

Interlitteraria Pub Date : 2021-08-31 DOI: 10.12697/il.2021.26.1.6

Sandra Vlasta

{"title":"Literatur – grundsätzlich mehrsprachig!? Das politische Potenzial literarischer Mehrsprachigkeit heute, am Beispiel von Barbi Marković’ Superheldinnen","authors":"Sandra Vlasta","doi":"10.12697/il.2021.26.1.6","DOIUrl":"https://doi.org/10.12697/il.2021.26.1.6","url":null,"abstract":"Literature – Multilingual on Principle?! The Political Potential of Literary Multilingualism Today, using the Example of Barbi Marković’s Superheldinnen. Research on literary multilingualism is increasingly based on the assumption that literature per se is multilingual. This is true for concepts such as Mikhail Bakhtin’s ‘polyphony’, in which multilingualism occurs in the form of social, regional and historical variants within one major language. Similarly, it applies to Rainier Grutman’s concept of hétérolinguisme, which expands Bakhtin’s notion and includes actual language changes. Recently, Till Dembeck has even called for a philology of multilingualism that would accommodate literary multilingualism in literary criticism. Using Barbi Marković’s novel Superheldinnen (2016) as an example, I discuss this recent development in multilingual literary studies and analyse concepts, forms and function of literary multilingualism. In so doing, I underline the transcending character of literary multilingualism that expresses itself on various levels: linguistically, formally, medially and with respect to culture. Thus, I aim to illustrate the enormous political potential of literary multilingualism. In fact, multilingualism in literature, as opposed to literature in times of a “monolingual paradigm” (Yasemin Yildiz), poses a political challenge on various levels. Concepts, such as national literature, literary field, but also literary studies and their institutions (i.e. language departments) reach their limits if literature is understood as being multilingual. In the second part of this article, I discuss the difficulties that come with literary prizes, literary studies and the access to the literary field. These often express themselves as concrete problems for individuals who, for instance, have difficulties accessing the literary field.","PeriodicalId":41069,"journal":{"name":"Interlitteraria","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66672752","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Mehrsprachigkeit in der Bildung in Deutschland – eine Diskursanalyse 德国教育中的多语现象——一个语词分析

IF 0.1

Interlitteraria Pub Date : 2021-08-31 DOI: 10.12697/il.2021.26.1.14

Farin Engels

{"title":"Mehrsprachigkeit in der Bildung in Deutschland – eine Diskursanalyse","authors":"Farin Engels","doi":"10.12697/il.2021.26.1.14","DOIUrl":"https://doi.org/10.12697/il.2021.26.1.14","url":null,"abstract":"Multilingualism in Education in Germany – a Discourse Analysis. In the Republic of Germany, language acquisition for children with a mother tongue other than German has been a widely discussed topic in education science as well as in public and political discourse over the last decades. Annual studies on preschool and primary education point to the ongoing disadvantage – or even discrimination – suffered by multilingual children in the German education system. Given Germany’s history as a country of immigration, and in light of recent public discussions on the increased immigration of refugees, the question of the problematic’s socio-political background arises. This leads to the issue of linguistic concepts among society and their influence on domestic language policies. This article presents analysis of discourse around languagepolitical concepts and practices among stakeholders in language promotion in the state of North-Rhine Westphalia. Five semi-structured interviews with state employees were analysed following a discourse analytical approach. The analysis, deploying frameworks from the field of Critical Discourse Analysis, focused on the discursive practice of legitimation in the evaluation of multilingualism. Multilingualism as a phenomenon in society appeared to be evaluated according to differing standards (for example correctness or properness) depending on the language. As for evaluation, the analysis indicated an additional dimension in discourse which assigns different groups of speakers a belonging to particular languages. All in all, the collected data pointed to a diverse and ever-changing discourse in the field of language promotion in North-Rhine Westphalia. The presented analysis aims to stimulate a debate and suggests some directions for future research.","PeriodicalId":41069,"journal":{"name":"Interlitteraria","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42061444","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Train of Language, Train of Thought: Notes on an Exophonic Anomaly 语言序列，思维序列:外音异常音符

IF 0.1

Interlitteraria Pub Date : 2021-08-31 DOI: 10.12697/il.2021.26.1.16

Øyvind Rangøy

{"title":"Train of Language, Train of Thought: Notes on an Exophonic Anomaly","authors":"Øyvind Rangøy","doi":"10.12697/il.2021.26.1.16","DOIUrl":"https://doi.org/10.12697/il.2021.26.1.16","url":null,"abstract":"The creation of poetry with literary value in a non-native language often invites questions about how this is possible to achieve. This question, however, can be turned around: is there something in being an exophonic poet that, rather than being an obstacle, could make the development and maturing of a poetic language possible? Adam Zagajewski writes that ardor, not irony, can be primary building blocks, and about the ideal of being ‘in between’. Ben Lerner writes about the sources of Hatred of Poetry and sees poetry as a potential that can never be completely realised. Being between languages causes the reality of language as one of many possibilities to be always present. The result can be construed as a poetic of time and light, but also of a reconciliation at depth warranted by the poetic ethos. Language becomes aware of itself, its autonomy and inherent lack of objectivity, and this becomes less naive and prone to cliches, but this awareness need not spiral into self-dissolving irony. Rather, it may seek to reconcile the possible ways of seeing the world into a new sense of sincerity. It inspires creative and playful use of language, gives heightened awareness of possible metaphors even where the sense of the transferred image is absent within the framework of one language. This has the potential to change perception of language and reality in a way that makes poetry almost possible.","PeriodicalId":41069,"journal":{"name":"Interlitteraria","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45605717","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Vom historischen Erbe zur selbstbestimmten Sprach(en)politik? Literarische Mehrsprachigkeit in Litauen und Lettland 是说历史的传说和政治吗立陶宛和拉脱维亚的多语现象

IF 0.1

Interlitteraria Pub Date : 2021-08-31 DOI: 10.12697/il.2021.26.1.5

Natalia Blum-Barth

引用次数: 0

Trauma, Narrative and History: Representation of Traumatic Experience in the Works of Algirdas Landsbergis 创伤、叙事与历史:阿尔吉尔达斯·兰茨贝吉斯作品中创伤经历的表现

IF 0.1

Interlitteraria Pub Date : 2021-08-31 DOI: 10.12697/il.2021.26.1.21

Gabija Bankauskaitė, L. Huber

{"title":"Trauma, Narrative and History: Representation of Traumatic Experience in the Works of Algirdas Landsbergis","authors":"Gabija Bankauskaitė, L. Huber","doi":"10.12697/il.2021.26.1.21","DOIUrl":"https://doi.org/10.12697/il.2021.26.1.21","url":null,"abstract":"The twentieth century witnessed an abundant number of traumatic events related to dark history. Trauma caused by war, occupation, exile, repression, gave rise to migration or mass murder. To rely upon Cathy Caruth (1996: 3), the concept of trauma is understood as a physical wound; however, subsequently in medicine and the literature of psychiatry, especially in Freud’s works, the concept of trauma came to be understood as a psychological wound. In addition, trauma is not only a disturbing or stressful experience that affects an individual physically or psychologically, it may also be based on other factors created by society. \u0000Over time the field of trauma in various contexts expanded so that today it is widely used in sociology when analysing historical and cultural events. Cultural traumatic memory is mirrored in trauma fiction that conveys the experience of loss and suffering, there is a space for memories, introspection, recollections, flashbacks and awful remembrances that are colored by pain. Apart from individual, event-based trauma, there is another category of trauma variously called cultural or historical trauma, which affects groups of people. \u0000Numerous studies have been conducted on the latter topic, however, trauma and its expression in Lithuanian literature has not yet been sufficiently documented. \u0000The aim of this study is to discuss the concepts of cultural and historical trauma and the way trauma is reflected in Algirdas Jeronimas Landsbergis’ works. The authors of the study claim that Landsbergis – one of many Lithuanian writers-in-exile – wrote texts that fill a cultural vacuum and invite a re-discussion of what was most painful in the past.","PeriodicalId":41069,"journal":{"name":"Interlitteraria","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43388402","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Das internationale Autorenliedfestival „Lehesaju Muusika“ in Tartu als spezifische Form der Kulturvermittlung und Analyseobjekt für Mehrsprachigkeitsforschung 在塔图举行的国际诗歌节“Muusika”以具体形式描述文化调解并分析多种语言研究

IF 0.1

Interlitteraria Pub Date : 2021-08-31 DOI: 10.12697/il.2021.26.1.15

Anastasia Shakhova

{"title":"Das internationale Autorenliedfestival „Lehesaju Muusika“ in Tartu als spezifische Form der Kulturvermittlung und Analyseobjekt für Mehrsprachigkeitsforschung","authors":"Anastasia Shakhova","doi":"10.12697/il.2021.26.1.15","DOIUrl":"https://doi.org/10.12697/il.2021.26.1.15","url":null,"abstract":"The Lehesaju Muusika International Music and Poetry Festival in Tartu as a Specific Form of Cultural Mediation and Object of Analysis for Research on Multilingualism. The paper focuses on the multilingual discourse of the Lehesaju Muusika international music and poetry festival, which takes place annually in Tartu, Estonia. Being an international cultural event organised by ethnic minorities, Lehesaju Muusika represents a unique source of empirical data for research on multilingualism. The festival attracts songwriters and performers of the so-called ‘author song’ or ‘bard song’ not only from Estonia, but also from all over the world. The key feature of this genre is the dominance of the text over the music. \u0000The spatial organisation of a concert hall represents a specific power constellation within a microsocial structure. Performing artists have the power to decide in which language they perform and address the multilingual audience, while the audience itself has an indirect effect on this decision. The artist’s dialogue with the audience represents a peculiar discursive entity within the discourse of the festival. Code-switching appears to be one of the inherent characteristics of this discursive entity. \u0000The present paper summarises some key features of international music and poetry festivals as multilingual cultural events, focusing on the discourse of the Lehesaju Muusika festival. It offers a brief analysis of the audience’s language profile based on the results of a microsociological case study carried out during the latest festival, in 2019. To illustrate the complexity of the multilingual communication during the festival, three situations of code-switching during the performance of an Estonian native speaker in front of the multilingual audience are described and analysed.","PeriodicalId":41069,"journal":{"name":"Interlitteraria","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45592838","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Verflochtene Sprachen und Kulturen: Gohar Markosjan-Käspers Romane als Beispiele des mehrsprachigen Schreibens 相互交融的语言和文化:戈哈尔·马西亚嘎的小说作为多语文书的例子

IF 0.1

Interlitteraria Pub Date : 2021-08-31 DOI: 10.12697/il.2021.26.1.8

A. Heero

{"title":"Verflochtene Sprachen und Kulturen: Gohar Markosjan-Käspers Romane als Beispiele des mehrsprachigen Schreibens","authors":"A. Heero","doi":"10.12697/il.2021.26.1.8","DOIUrl":"https://doi.org/10.12697/il.2021.26.1.8","url":null,"abstract":"Intertwined Languages and Cultures: Gohar Markosjan-Käsper’s Novels as Examples of Multilingual Writing. The present article analyses the phenomenon of multilingualism in the novels of Gohar Markosjan-Käsper (1949–2015) and discusses her life and work in the socio-political context of the former Soviet Union (in relation to language and cultural politics). Markosjan-Käsper was an Armenian-born writer who spent most of her life in Estonia and wrote her books in Russian. Accordingly, her works originated in a contact zone of different languages and cultures. This article highlights her novels Helena and Penelopa as examples of transcultural writing and analyses the manifestations and functions of multilingualism in these works. The study shows that a number of topics and motifs that are present in German-language transcultural literature also appear in Markosjan-Käsper’s novels (for example cultural comparison, self-discovery in a foreign culture). The multilingualism can be seen in these novels both explicitly and implicitly: in addition to Russian, other languages such as Armenian, Estonian, English, and Latin are used, with numerous indirect references to these languages. Furthermore, various references to world-famous novels such as Ulysses by James Joyce and Master and Margarita by Michail Bulgakov are analysed.","PeriodicalId":41069,"journal":{"name":"Interlitteraria","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45368465","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Narrative Complexity and the Case of Pfitz: An Update for the ‘Systems Novel’ 叙事复杂性与普菲茨案例:“系统小说”的更新

IF 0.1

Interlitteraria Pub Date : 2021-01-01 DOI: 10.12697/il.2021.26.1.20

Toon Staes

{"title":"Narrative Complexity and the Case of Pfitz: An Update for the ‘Systems Novel’","authors":"Toon Staes","doi":"10.12697/il.2021.26.1.20","DOIUrl":"https://doi.org/10.12697/il.2021.26.1.20","url":null,"abstract":"Recent narrative studies of complexity theory have shown that so-called ‘emergent complexity’ does not accommodate to narrative form. Complexity theory is an interdisciplinary field of study that researches how large-scale phenomena emerge from simple components without the guidance of a plan or a controlling agent. Emergence happens by chance, through decentralised interactions at lower levels. Its lack of clear causal chains makes the process difficult to conceptualise in narrative so this article turns to a fictional narrative to demonstrate how complexity theory has trickled down into contemporary literature: the historical novel Pfitz (1995) by Scottish novelist and theoretical physicist Andrew Crumey. While there have been a spate of publications on complex narratives in film studies, literature studies has lagged behind. As a counter, the article revives Tom LeClair’s notion of the systems novel (1987, 1989) as one useful model for thinking about narrative complexity in prose fiction. I first turn to LeClair’s definition of the systems novel and bring it up to date with recent discussions of complexity theory, then turn to Crumey’s novel to illustrate how Pfitz imitates the logic of complex systems through its looping structure, its interconnectedness, and its thematic insistence on chance and necessity.","PeriodicalId":41069,"journal":{"name":"Interlitteraria","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66672725","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Dinner with Mock Faustus: Multilingual Cuisine Cooks the Identity 与模拟浮士德共进晚餐:多语言烹饪烹饪身份

IF 0.1

Interlitteraria Pub Date : 2021-01-01 DOI: 10.12697/il.2021.26.1.9

Mārtiņš Laizāns

引用次数: 0

Literature and the Political: Multilingualism and Exophony in Contemporary Baltic and German- Language Culture 文学与政治:当代波罗的海和德语文化中的多语言和外来语

IF 0.1

Interlitteraria Pub Date : 2021-01-01 DOI: 10.12697/il.2021.26.1.2

M. Pajević

引用次数: 1