Interlitteraria最新文献_第8页

Living Streams of World Literature 世界文学的活流

IF 0.1

Interlitteraria Pub Date : 2020-12-31 DOI: 10.12697/IL.2020.25.2.21

Lauri Pilter

引用次数: 0

History in Contemporary Lithuanian Literature 立陶宛当代文学史

IF 0.1

Interlitteraria Pub Date : 2020-12-31 DOI: 10.12697/IL.2020.25.2.11

Audinga Peluritytė

引用次数: 0

Editor's Preface 编者序言

IF 0.1

Interlitteraria Pub Date : 2020-12-31 DOI: 10.12697/il.2020.25.2.1

Katre Talviste

引用次数: 0

Genre Studies in Russian Literary Research: Achievements and Challenges 俄罗斯文学研究的流派研究：成就与挑战

IF 0.1

Interlitteraria Pub Date : 2020-12-31 DOI: 10.12697/IL.2020.25.2.5

N. Nikitina, N. Tuliakova

{"title":"Genre Studies in Russian Literary Research: Achievements and Challenges","authors":"N. Nikitina, N. Tuliakova","doi":"10.12697/IL.2020.25.2.5","DOIUrl":"https://doi.org/10.12697/IL.2020.25.2.5","url":null,"abstract":"Genre has been one of the key categories for Russian literary studies ever since the late nineteenth century, creating a long tradition of artistic, critical and scientific interpretation. The present paper aims to outline major findings of Russian scholars in the field of genre studies and to account for current pitfalls, suggesting a solution. Russian scholars have contributed noticeably to both constructing the theory of genre in general and establishing the laws and genesis of many separate genres. Historical poetics, the Russian Formalists, Bakhtin’s school and structuralism worked out the principles of generic evolution and explained the nature of the genre category. Still, currently Russian genology faces a number of challenges, among which is the inability to work out a universal approach to genre nomination and attribution, which causes inconsistent and unverified results. When it comes to describing new genres, most troubling is the choice of deductive method in genre analysis and a narrow specialist approach to each genre leading to inconclusive or biased results. The paper suggests that these challenges can be overcome by turning to the heritage of the classical Russian literary science and taking advantage of comparative and inductive methods proponed by it.","PeriodicalId":41069,"journal":{"name":"Interlitteraria","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42794734","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

„Ich werde eingetaucht / in vás“? Peter Waterhouses 'Prosperos Land' als Dynamisierung von T.S. Eliots 'The Waste Land' “我要专注在áv / s”?彼得·沃特豪斯的《普罗斯平诺地区》是“最寒冷之地”的ts that ' s泽

IF 0.1

Interlitteraria Pub Date : 2020-12-31 DOI: 10.12697/IL.2020.25.2.19

Dinah Schöneich

{"title":"„Ich werde eingetaucht / in vás“? Peter Waterhouses 'Prosperos Land' als Dynamisierung von T.S. Eliots 'The Waste Land'","authors":"Dinah Schöneich","doi":"10.12697/IL.2020.25.2.19","DOIUrl":"https://doi.org/10.12697/IL.2020.25.2.19","url":null,"abstract":"’Ich werde eingetaucht/in vás’? Peter Waterhouse’s Prosperos Land as Dynamisation of T.S. Eliot’s The Waste Land. The assumption of the existence of well discernible national languages is at odds with the dynamic nature of language. It is part of the so-called “monolingual paradigm” and therefore implies inextricably linking people to their mother tongue, which is in turn tied to one respective ethnicity, culture and nation. However, languages are not always clearly discernible from one another and do not always appear in fixed, static forms. Instead, language is subject to dynamic changes, which are at the same time subject to political interests and language policies. The poems presented in this article exemplify how modern and contemporary poetry can use the conjuncture of multilingualism and ambiguity to create a sense of language dynamics themselves. Their poetics simultaneously question and make use of the assumption of static multilingualism. They unfold political problems from it and awaken in their readers a desire for proactive reading and (language) change. T. S. Eliot’s The Waste Land already problematizes the coexistence of the European languages as a challenge for understanding, suggesting that languages as well as their speakers might be untranslatably shut-off from each other. However, the poem also creates surprising synergistic effects from its multilingualism and ambiguity. This way, it invites its readers to connect and cross over (language) borders in an adaptive and poetic manner, stressing the importance and capability of poetry and learning for intercultural understanding. Prosperos Land by Peter Waterhouse perpetuates and even surpasses this movement. As the ambivalent bilingual, intertextual and ambiguous title suggests, the poem challenges the possibility of linguistic as well as national demarcation from the start. Moving away from strict language borders and rules, the poem highlights the transformative magic of an almost childish exploration of language itself.","PeriodicalId":41069,"journal":{"name":"Interlitteraria","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48452479","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Understanding Currents and Theories in Indian and African Postcolonial Literature: Themes, Tropes and Discourse in the Wider Context of Postcolonialism 理解印度和非洲后殖民文学的潮流和理论:后殖民主义更广泛背景下的主题、修辞和话语

IF 0.1

Interlitteraria Pub Date : 2020-12-31 DOI: 10.12697/IL.2020.25.2.10

Shivani Ekkanath

{"title":"Understanding Currents and Theories in Indian and African Postcolonial Literature: Themes, Tropes and Discourse in the Wider Context of Postcolonialism","authors":"Shivani Ekkanath","doi":"10.12697/IL.2020.25.2.10","DOIUrl":"https://doi.org/10.12697/IL.2020.25.2.10","url":null,"abstract":"The postcolonial narratives we see today are a study in contrast and tell a different tale from their colonial predecessors as minorities and individuals finally have found the voice and position to tell their stories. Histories written about our culture and societies have now found a new purpose and voice. The stories we have passed down from generation to generation through both oral and written histories, continue to morph and change with the tide of time as they re-centre our cultural narratives and shared experiences. As a result, the study of diaspora and transnationalism have altered the way in which we view identity in different forms of multimedia and literature. In this paper, the primary question which will be examined is, how and to what extent does Indian post-colonial literature figure in the formation of identity in contemporary art and literature in the context of ongoing postcolonial ideas and currents? by means of famous and notable postcolonial literary works and theories of Indian authors and theoreticians, with a special focus on the question and notion of identity. This paper works on drawing parallels between themes in Indian and African postcolonial literary works, especially themes such as power, hegemony, east meets west, among others. In this paper, European transnationalism will also be analysed as a case study to better understand postcolonialism in different contexts. The paper will seek to explore some of the gaps in the study of diasporic identity and postcolonial studies and explore some of the changes and key milestones in the evolution of the discourse over the decades.","PeriodicalId":41069,"journal":{"name":"Interlitteraria","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42688876","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Sprach‑ und Weltalternativen: Mehrsprachigkeit als Ideologiekritik in kontrafaktischen Werken von Quentin Tarantino und Christian Kracht 语言与世界的选择：昆汀·塔伦蒂诺和克里斯蒂安·克拉赫特反事实作品中的多语主义意识形态批判

IF 0.1

Interlitteraria Pub Date : 2020-12-31 DOI: 10.12697/IL.2020.25.2.20

M. Navratil

{"title":"Sprach‑ und Weltalternativen: Mehrsprachigkeit als Ideologiekritik in kontrafaktischen Werken von Quentin Tarantino und Christian Kracht","authors":"M. Navratil","doi":"10.12697/IL.2020.25.2.20","DOIUrl":"https://doi.org/10.12697/IL.2020.25.2.20","url":null,"abstract":"Alternatives of Languages and Worlds: Multilingualism as Critique of Ideology in Contrafactual Fiction by Quentin Tarantino and Christian Kracht. Multilingualism and the alternate history genre have something in common: both phenomena are based on the construction of alternatives, in the case of multilingualism on the alternatives between different languages and communication systems, and in the case of the alternate history genre on the alternatives between real-world facts and the variation thereof within fictional worlds. This article investigates the interconnections between these two forms of thinking in alternatives by looking specifically at Quentin Tarantino’s counterfactual war film Inglourious Basterds (2009) and Christian Kracht’s alternate history novel Ich werde hier sein im Sonnenschein und im Schatten (2008). I argue that the consideration of language alternatives forms part of the meta-reflection of the alternate history genre in these works while at the same time opening up a political perspective: in Tarantino’s film and Kracht’s novel, multilingualism serves as a means for the critique of ideology by rendering palpable the political threats of a worldview based on clear-cut alternatives. In the article’s final section, I plead for the establishment of stronger links between the research on literary multilingualism and the theory of fiction.","PeriodicalId":41069,"journal":{"name":"Interlitteraria","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49449225","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

L’essence éthique du dialogue culturel 文化对话的伦理本质

IF 0.1

Interlitteraria Pub Date : 2020-12-31 DOI: 10.12697/IL.2020.25.2.3

L. Franek

{"title":"L’essence éthique du dialogue culturel","authors":"L. Franek","doi":"10.12697/IL.2020.25.2.3","DOIUrl":"https://doi.org/10.12697/IL.2020.25.2.3","url":null,"abstract":"The ethical essence of cultural dialogue. The definition of comparative literary studies in Slovakia. Historical poetics in the works of D. Ďurišin, focused on the typological essence of literary phenomena on the basis of interrelating theoretical and developmental aspects of national literature. The differences of Slovak methodology from Western positivist models of the study of interliterariness. Parallel existence of the principles of literary history and criticism in the reception analyses of Russian, German and French literatures by older Slovak scholars. The onset of realism in Slovak literature at the end of the 19th century (S. Hurban Vajanský). The important contribution of J. Felix’s critical reflection of universalist tendencies in European and esp. modern French writing. The complexity of organically incorporating these impulses into the context of Slovak literature as a result of the provincial character of a “small” nation. The wealth of translations from contemporary world literatures and its positive impact on the work of many Slovak writers in spite of the discontinuity of research in this area after 1989. Urgent need to return to similar forms of literary-cultural reflection and self-reflection through reviving an intensive philological, linguistic, theoretical-critical and historical study at our universities.","PeriodicalId":41069,"journal":{"name":"Interlitteraria","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45147214","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Editors’ Preface 编辑前言

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Interlitteraria Pub Date : 2020-06-30 DOI: 10.12697/il.2020.25.1.1

Jüri Talvet, Katre Talviste

引用次数: 0

Bleeding Edge of Postmodernism: Metamodern Writing in the Novel by Thomas Pynchon 后现代主义的流血边缘:托马斯·品钦小说中的元现代写作

IF 0.1

Interlitteraria Pub Date : 2020-01-15 DOI: 10.12697/il.2019.24.2.17

S. Radchenko

引用次数: 0