与模拟浮士德共进晚餐:多语言烹饪烹饪身份

IF 0.2 0 LITERATURE
Mārtiņš Laizāns
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引用次数: 0

摘要

与美食相关的现象构成了个人和集体身份的重要组成部分。文学的美食维度通常可以被视为对政治、历史和社会的评论,而不仅仅是食物。随着全球美食变得越来越混合,文学作品中描述美食场景的语言也变得越来越多语种。拉脱维亚作家Marģers Zariņš的小说《模拟浮士德》(Mock fastus, 1973)将美食和多语言融合到极致,创造了一种乌托邦式的拉脱维亚语混合体,其中加入了多种外语和无数互文参考。这是通过在写一本虚构的烹饪书的叙述中无处不在的美食词汇和意象来实现的。通过对美食现象的描述,Zariņš可以间接地评论拉脱维亚从20世纪30年代到1945年的历史,以及这个时代的混乱和支离破碎的身份。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Dinner with Mock Faustus: Multilingual Cuisine Cooks the Identity
Phenomena related to gastronomy form an important part of both individual and collective identities. The gastronomical dimensions of literature can often be perceived as a commentary on the political, historical and societal, going beyond just the food. As cuisines are becoming more mixed globally, languages describing gastronomical scenes in literature are also becoming more multilingual. The novel Mock Faustus (1973), by the Latvian writer Marģers Zariņš, fuses the gastronomical and the multilingual to the extreme, producing a utopian linguistic hybrid of the Latvian language to which a mix of foreign languages and countless intertextual references are added. This is achieved by the gastronomical vocabulary and imagery omnipresent in the narrative of writing a fictional cookbook. The depiction of gastronomical phenomena allows Zariņš to indirectly comment on Latvian history from the 1930s to 1945 and the confused and fragmented identities of these times.
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Interlitteraria
Interlitteraria LITERATURE-
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