Art and Research – Contemporary Challenges最新文献_第2页

Queen Elisabeth of Romania: her contribution to Romanian music and her relationship with important musicians of the time 罗马尼亚女王伊丽莎白:她对罗马尼亚音乐的贡献以及她与当时重要音乐家的关系

Art and Research – Contemporary Challenges Pub Date : 2020-12-31 DOI: 10.2478/9788366675193-025

Mirela Lungu

{"title":"Queen Elisabeth of Romania: her contribution to Romanian music and her relationship with important musicians of the time","authors":"Mirela Lungu","doi":"10.2478/9788366675193-025","DOIUrl":"https://doi.org/10.2478/9788366675193-025","url":null,"abstract":": Princess Elisabeth Pauline Otilia Louise of Wied, the first Queen of Romania, was born in a German genuine noble family. Music and art were seriously cultivated in the House of Wied. The education she received and her models to follow contributed to the way in which the Queen involved herself in the Romanian artistic life. Queen Elisabeth published her works in Romania, but also abroad, under the pseudonym Carmen Sylva. Her composition includes a lot of genres: poems, novels, short stories, essays, theatre plays and opera librettos. She promoted the beauty of our country in her work. She had an important contribution in encouraging the literature of great Romanian writers, by translating them abroad. Her lyrics have been used in over 400 musical works, the most known being those composed by George Enescu. An important role in her musical evolution were the music lessons she took from Anton Rubinstein and Clara Schumann. The Queen involved herself in the education and promotion of Romanian artists, such as musicians George Enescu and Aurelia Cionca, also the painter Nicolae Grigorescu. She was also close to many significant figures of that time, like the Romanian writer Vasile Alecsandri, the French poet Pierre Loti, the Princess Elena Bibescu and others. Queen Elisabeth’s importance is undeniable as she used all her educational heritage and all her resources to lead the artistic life of her adoptive country and this had a significant effect on the Romanian image abroad.","PeriodicalId":410365,"journal":{"name":"Art and Research – Contemporary Challenges","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133946677","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Contemporary Aspects Of Dance Theory 舞蹈理论的当代方面

Art and Research – Contemporary Challenges Pub Date : 2020-12-31 DOI: 10.2478/9788366675193-012

M. Chirazi

{"title":"Contemporary Aspects Of Dance Theory","authors":"M. Chirazi","doi":"10.2478/9788366675193-012","DOIUrl":"https://doi.org/10.2478/9788366675193-012","url":null,"abstract":"First and foremost, any corporal technique applied in dance training should have the physical ability to train the body for becoming stronger, flexible and more efficient. Even if the movements made by a dancer place him in the field of sports, we can say that he is not a simple athlete, but a sports artist who uses in his training forms of research and knowledge that comes from the science of dance. Through the principles of training and by applying them it is possible to adjust the physical development, which is becoming significant when the volume of work and the intensity of the dancer`s performance are taken into account. This article examines the methods of technical improvement of dance classes by applying the scientific principles of dance, as well as a brief history of the development of science in dance as a separate field from that in the science of sport. The text focuses on exercise physiology, motor control and assimilation, and dance psychology. The main purpose of these suggestions is to enhance the technique of dance classes, without essentially altering its primary structure and artistic objectives. The practice of teaching both dance technique and the act itself has been focused on mastering artistic forms for centuries. Although traditional dance teaching methods make up fine tools for the formation of the dancing artist, too often dancers are affected by what appear to be insurmountable physical obstacles. Dance classes were built primarily to learn the vocabulary and movement skills, to develop their musicality and formulation, and to enhance uniqueness in creativity and expressiveness. For the current generation of young dancers, the science of dance makes its presence in the artistic field to provide information on these issues.","PeriodicalId":410365,"journal":{"name":"Art and Research – Contemporary Challenges","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131827542","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Autonomy Of The Aesthetic Dimension In The Romanian Musical Works Of The Decade 1980-1990. Pascal Bentoiu And His Generation 1980-1990年代罗马尼亚音乐作品中审美维度的自主性帕斯卡尔·本托尤和他那一代人

Art and Research – Contemporary Challenges Pub Date : 2020-12-31 DOI: 10.2478/9788366675193-015

L. Vasiliu

引用次数: 0

A Contemporary Approach to Music Instrumentation 当代音乐仪器方法

Art and Research – Contemporary Challenges Pub Date : 2020-12-31 DOI: 10.2478/9788366675193-021

D. Spînu

引用次数: 0

Who, What, Why, Where, And How Is The Clown Today? 谁，什么，为什么，在哪里，今天的小丑怎么样?

Art and Research – Contemporary Challenges Pub Date : 2020-12-31 DOI: 10.2478/9788366675193-009

A. Darie

{"title":"Who, What, Why, Where, And How Is The Clown Today?","authors":"A. Darie","doi":"10.2478/9788366675193-009","DOIUrl":"https://doi.org/10.2478/9788366675193-009","url":null,"abstract":": Between November 2019 and January 2020, I carried out a sociological research meant to indicate the majority opinion on the concept of clown. The results obtained provide the following conclusions. The general opinion on the clown presents itself in statistical data as follows: positive in proportion of 61%, indifferent in proportion of 28% and negative in proportion of 11%. We can thus remark a mostly positive perspective on the clown, with a single modification in the age group of 19-25 years. The percentage of those who never saw clowns at the circus gradually decreases with the age. Why is it that the age group of 6-18 years records the highest percent? Is the circus a form of entertainment much more appreciated after 2000 in Romania? Did the historical and political context after 1950 have an influence on the respective percentage value? 83% of those who felt scared saw clowns through horror movies and 23% of those who saw clowns through movies felt scared. The aesthetics of the horror clown has several origins, developed and crosschecked according to historic-political criteria between the 18 th -20 th centuries. This evolution preserved in the character's necessity the strangeness, the impression of nonhuman or transhuman, of incredibleness of the \"character\". Its purpose is exclusively that of astonishing the audience by any means available. From acrobatics to story and character, from multifunctionality and the occurrence of duos or trios to caricaturist mirrors of the human, the clown permanently looked to boost immediate emotions in the audience. It was from this association that the horror clown was born at the end of the 20 th century. The study demonstrates the low level of the aesthetic representations specific to the subject of the present research. The absence of elements of authentic clownery, the orientation of collective opinions towards the marketing of the concept, caused first of all by the artists in the field, have as consequence the creation of a non-homogenous, unclear and non-artistic hybrid.","PeriodicalId":410365,"journal":{"name":"Art and Research – Contemporary Challenges","volume":"114 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117192581","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Fuzzy Sets and the techniques of Development in L. van Beethoven’s Piano Sonata nr. 8 in C minor 贝多芬C小调第8钢琴奏鸣曲中的模糊集与展开技法

Art and Research – Contemporary Challenges Pub Date : 2020-12-31 DOI: 10.2478/9788366675193-020

Petruța-Maria Coroiu

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Frontmatter

Art and Research – Contemporary Challenges Pub Date : 2020-12-31 DOI: 10.2478/9788366675193-fm

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A Fashion Hermeneutic 时尚诠释学

Art and Research – Contemporary Challenges Pub Date : 2020-12-31 DOI: 10.2478/9788366675193-030

A. Chirilă

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Artificial Intelligence - Competitive Identity Of The Research Of The Future 人工智能——未来研究的竞争身份

Art and Research – Contemporary Challenges Pub Date : 2020-12-31 DOI: 10.2478/9788366675193-014

C. Avram

引用次数: 0

Sound and the Acoustic Model: Capacities of Multimedia Usage 声音和声学模型:多媒体使用的能力

Art and Research – Contemporary Challenges Pub Date : 2020-12-31 DOI: 10.2478/9788366675193-017

Cătălin Crețu

{"title":"Sound and the Acoustic Model: Capacities of Multimedia Usage","authors":"Cătălin Crețu","doi":"10.2478/9788366675193-017","DOIUrl":"https://doi.org/10.2478/9788366675193-017","url":null,"abstract":": This paper offers several possibilities for a creative approach in the field of audio-visual artistic endeavours (describing the how-to and the employed algorithms) based on concepts which turn to the spectral structure of sound, using its acoustic model as pretext for sonic developments by means of various techniques. Entfremdetes Ich oder die Anatomie des Schattens (The Aliented Self or The Anatomy of Shadow) for cello, live electronics and live video is a multimedia work where sound is processed in real time by live electronics, going through a spectral itinerary accompanying the multiple visual states of the performer: image, shadow, the image of the shadow. AquAcusTectonium is an audio-visual installation containing visual sound control algorithms: a dynamic sound spectrum continuously and interactively altered. The work is founded on a static, low sound which propagates in a generative-transformational manner through a labyrinth, crossing aquatic-visual media and generating a moto perpetuo spectral-sonic spatialized structure. Perspectrum is a sonic-visual construction on scientific bases, juxtaposing conceptual elements of the macro- and micro-cosmic physical space with an acoustic model, thus unifying the two states on a human scale.","PeriodicalId":410365,"journal":{"name":"Art and Research – Contemporary Challenges","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121932529","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0