声音和声学模型:多媒体使用的能力

Cătălin Crețu
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引用次数: 0

摘要

本文提供了在视听艺术领域的创造性方法的几种可能性(描述了如何操作和所采用的算法),这些方法基于转向声音的频谱结构的概念,利用其声学模型作为通过各种技术进行声音发展的借口。《幻化的自我》(Entfremdetes Ich oder die Anatomie des Schattens)是一部由大提琴、现场电子设备和现场视频组成的多媒体作品,声音由现场电子设备实时处理,伴随着表演者的多种视觉状态:图像、阴影、阴影的图像,经历了一个光谱的旅程。AquAcusTectonium是一个视听装置,包含视觉声音控制算法:一个动态的声音频谱不断地和互动地改变。作品以静态、低沉的声音为基础,通过迷宫以生成-转换的方式传播,穿过水生视觉媒体,产生永恒的频谱-声音空间结构。Perspectrum是一种基于科学基础的声视觉构建,将宏观和微观宇宙物理空间的概念元素与声学模型并置,从而在人类尺度上统一这两种状态。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Sound and the Acoustic Model: Capacities of Multimedia Usage
: This paper offers several possibilities for a creative approach in the field of audio-visual artistic endeavours (describing the how-to and the employed algorithms) based on concepts which turn to the spectral structure of sound, using its acoustic model as pretext for sonic developments by means of various techniques. Entfremdetes Ich oder die Anatomie des Schattens (The Aliented Self or The Anatomy of Shadow) for cello, live electronics and live video is a multimedia work where sound is processed in real time by live electronics, going through a spectral itinerary accompanying the multiple visual states of the performer: image, shadow, the image of the shadow. AquAcusTectonium is an audio-visual installation containing visual sound control algorithms: a dynamic sound spectrum continuously and interactively altered. The work is founded on a static, low sound which propagates in a generative-transformational manner through a labyrinth, crossing aquatic-visual media and generating a moto perpetuo spectral-sonic spatialized structure. Perspectrum is a sonic-visual construction on scientific bases, juxtaposing conceptual elements of the macro- and micro-cosmic physical space with an acoustic model, thus unifying the two states on a human scale.
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