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Journal of Adaptation in Film & Performance最新文献

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Another story for another time: A conversation with David S. Craig and Jake Runeckles about The Neverending Story 另一个故事，另一个时间:与大卫S.克雷格和杰克Runeckles关于永无止境的故事的对话
Journal of Adaptation in Film & Performance Pub Date : 2020-05-01 DOI: 10.1386/jafp_00024_7
Tom Ue
{"title":"Another story for another time: A conversation with David S. Craig and Jake Runeckles about The Neverending Story","authors":"Tom Ue","doi":"10.1386/jafp_00024_7","DOIUrl":"https://doi.org/10.1386/jafp_00024_7","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"39 3 1","pages":"163-171"},"PeriodicalIF":0.0,"publicationDate":"2020-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90535893","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Shakespearean Celebrity in the Digital Age: Fan Cultures and Remediation, Anna Blackwell (2018) 《数字时代的莎士比亚名人:粉丝文化与补救》，安娜·布莱克威尔著(2018)
Journal of Adaptation in Film & Performance Pub Date : 2020-05-01 DOI: 10.1386/jafp_00025_5
Michela Compagnoni
{"title":"Shakespearean Celebrity in the Digital Age: Fan Cultures and Remediation, Anna Blackwell (2018)","authors":"Michela Compagnoni","doi":"10.1386/jafp_00025_5","DOIUrl":"https://doi.org/10.1386/jafp_00025_5","url":null,"abstract":"Review of: Shakespearean Celebrity in the Digital Age: Fan Cultures and Remediation, Anna Blackwell (2018)Basingstoke: Palgrave Macmillan, xiii + 188 pp.,ISBN 978-3-31996-543-7, h/bk, €72.79, p/bk, €51.99;ISBN 978-3-31996-544-4, e/bk, €42.79","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"6 1","pages":"173-176"},"PeriodicalIF":0.0,"publicationDate":"2020-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75832545","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘These are modern times’: Nostalgia and the adaptation of history in Billy Morrissette’s Scotland, PA “这是现代”:比利·莫里塞特(Billy Morrissette)在宾夕法尼亚州苏格兰的怀旧与历史改编
Journal of Adaptation in Film & Performance Pub Date : 2020-03-01 DOI: 10.1386/jafp_00010_1
Stephannie S. Gearhart
{"title":"‘These are modern times’: Nostalgia and the adaptation of history in Billy Morrissette’s Scotland, PA","authors":"Stephannie S. Gearhart","doi":"10.1386/jafp_00010_1","DOIUrl":"https://doi.org/10.1386/jafp_00010_1","url":null,"abstract":"Set in America in the 1970s, Billy Morrissette’s 2001 adaptation of Shakespeare’s Macbeth, Scotland, PA, waivers between nostalgia and critique. In order to understand the film’s conflicting attitudes towards the era in which it is set and to appreciate how\u0000 adaptations, generally, often feel ambivalent about their past(s), this essay begins by discussing Scotland, PA’s construction of the 1970s. In an effort to answer Lynne Bradley’s call for ‘a new model’ of modern adaptation, seeing it as ‘a complex double\u0000 gesture’, the essay discusses how although Scotland, PA appears to illustrate many of the qualities of what Fredric Jameson has called the nostalgia film, this categorization of the adaptation neither accounts for its use of irony nor for the inherently complex nature of nostalgia.\u0000 Ultimately, Scotland, PA’s ambivalence about history, the essay proposes, encourages us to conceive of the relationship between source/past and adaptation/present as a site of complex, dynamic negotiations rather than a static dichotomy that obliges us to choose between an adaptation’s\u0000 acceptance or rejection of its forebears.","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"91 1","pages":"23-35"},"PeriodicalIF":0.0,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87096853","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The question of closure in James Sallis’ and Nicolas Winding Refn’s Drive 詹姆斯·萨利斯和尼古拉斯·温宁·雷芬的《行车道》中的结局问题
Journal of Adaptation in Film & Performance Pub Date : 2020-03-01 DOI: 10.1386/jafp_00015_7
Tom Ue
{"title":"The question of closure in James Sallis’ and Nicolas Winding Refn’s Drive","authors":"Tom Ue","doi":"10.1386/jafp_00015_7","DOIUrl":"https://doi.org/10.1386/jafp_00015_7","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"50 1","pages":"91-96"},"PeriodicalIF":0.0,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72949802","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Adaptation, translation and indeterminacy in Michelangelo Antonioni’sBlow-Up: Towards a third space of representation 米开朗基罗·安东尼奥尼《放大》中的改编、翻译与不确定性:走向第三个表现空间
Journal of Adaptation in Film & Performance Pub Date : 2020-03-01 DOI: 10.1386/jafp_00009_1
Laurence Besnard-Scott
{"title":"Adaptation, translation and indeterminacy in Michelangelo Antonioni’sBlow-Up: Towards a third space of representation","authors":"Laurence Besnard-Scott","doi":"10.1386/jafp_00009_1","DOIUrl":"https://doi.org/10.1386/jafp_00009_1","url":null,"abstract":"Michelangelo Antonioni’s films are rarely associated with translation and adaptation. Yet, his work consistently explores the very essence of images, their ambiguous relation to reality and the deceptive nature of perception. It is a cinema of uncertainty par excellence, thus of translation; at least, a conception of translation (and adaptation) that does not solely rely on principles of faithfulness, transparency and systematic semiotics. This article thus proposes to look at one of Antonioni’s most compelling films,Blow-Up, through the prism of indeterminacy. Drawing upon Gilles Deleuze’s time-image to present the film as a hermeneutic event that opens up a third space of representation, this article examines the indeterminacy at the heart ofBlow-Upon two levels. As a film adaptation, it first considers how Antonioni visually translates the indeterminacy of Julio Cortázar’s short story. This preliminary reading then leads to a sustained attempt at exploringBlow-Up’s filmic landscape, with the view to show how the indeterminacy running through Antonioni’s aesthetics becomes itself a form of translation.","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"29 1","pages":"7-22"},"PeriodicalIF":0.0,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73710534","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Getting in touch with our inner sadistic, bloodthirsty child: Adapting Game of Thrones for the adult colouring book market 接触我们内心的虐待狂，嗜血的孩子:为成人涂色书市场改编《权力的游戏》
Journal of Adaptation in Film & Performance Pub Date : 2020-03-01 DOI: 10.1386/jafp_00012_1
Rachel Mizsei-Ward
{"title":"Getting in touch with our inner sadistic, bloodthirsty child: Adapting Game of Thrones for the adult colouring book market","authors":"Rachel Mizsei-Ward","doi":"10.1386/jafp_00012_1","DOIUrl":"https://doi.org/10.1386/jafp_00012_1","url":null,"abstract":"Adult colouring books have become a permanent fixture in shops across the globe. These books began as a way of marketing illustrators’ work but have expanded to become part of the media franchising industry. This article will explore the two licensed colouring books created for\u0000 Game of Thrones and the news media response to them. This response is varied, with much criticism of this kind of licensed product which appears to exist as potentially unimaginative Christmas presents. It will explore how these colouring books act as both an adaptation and how they\u0000 are an important part of the modern media franchising industry. This kind of product is considered as an important way to keep licensed properties in the public eye, particularly when they are in between television seasons. When it comes to Game of Thrones colouring books there are\u0000 a number of common themes in news media, such as the idea that colouring such images is not a route to mindfulness, and that these books act as a substitute for the ‘real thing’.","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"12 1","pages":"51-64"},"PeriodicalIF":0.0,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75128418","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From speakability to hypothetical mise en scène: A Chinese rendition of monologues from Peter Shaffer’s Amadeus from page to stage 从可说到假想的场景:彼得·谢弗的《艾玛迪斯》独白的中文演绎从页到舞台
Journal of Adaptation in Film & Performance Pub Date : 2020-03-01 DOI: 10.1386/jafp_00014_1
Yichen Yang
{"title":"From speakability to hypothetical mise en scène: A Chinese rendition of monologues from Peter Shaffer’s Amadeus from page to stage","authors":"Yichen Yang","doi":"10.1386/jafp_00014_1","DOIUrl":"https://doi.org/10.1386/jafp_00014_1","url":null,"abstract":"In order to develop a deeper understanding of speakability and its connection to the actual practice of stage translation, this study explores the rendition of Salieris monologues in the 1986 Beijing production of Peter Shaffers Amadeus. The study finds that speakability does\u0000 not manifest itself in specific stylistic forms; nor would it be determined by the adoption of any particular translation strategy. Rather, its conceptualization could be deeply embedded in the translators reading of the given dramatic roles and circumstances. This would make the translated\u0000 playtext a so-called hypothetical performance text incorporated with the translators own hypothetical mise en scne. The process of testing speakability through the actors verbalization is also one where the translators hypothetical mise en scne is evaluated. By tracking the verbal\u0000 changes made from page to stage, this study shows how the process could be influenced by the negotiation with and between the translational and the theatrical norms governing the different phases of the production, and how a stage translator could make greater contribution to the process.","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"29 1","pages":"79-90"},"PeriodicalIF":0.0,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76141284","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
The ‘insectuous’ brothers: Karel Čapek’s and Jan Švankmajer’s avantgardism(s) and the limits of humanism “昆虫”兄弟:卡雷尔Čapek和简Švankmajer的前卫主义和人文主义的极限
Journal of Adaptation in Film & Performance Pub Date : 2020-03-01 DOI: 10.1386/jafp_00013_1
David Vichnar
{"title":"The ‘insectuous’ brothers: Karel Čapek’s and Jan Švankmajer’s avantgardism(s) and the limits of humanism","authors":"David Vichnar","doi":"10.1386/jafp_00013_1","DOIUrl":"https://doi.org/10.1386/jafp_00013_1","url":null,"abstract":"Jan Švankmajer’s recent Insect (Hmyz, 2018) is a work of film adaptation which functions as both an homage to Karel (and Josef) Čapek’s problematic avant-gardism and critique of some of the Čapek brothers’ own compromises during the\u0000 production of their play, From the Life of the Insects (Ze života hmyzu, 1922). In the light of Švankmajer’s homage and critique, the article revisits Čapek’s avant-gardism and seeks to recuperate some of the more radical, and easily overlooked,\u0000 aspects in Čapek’s work in the early 1920s. It goes on to discuss Švankmajer’s own career of multiple film adaptations, before concluding with a critical evaluation of his latest (and arguably last) Čapek-inspired film, read within the context of Švankmajer’s\u0000 liberational cinematic project.","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"4 1","pages":"65-77"},"PeriodicalIF":0.0,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86589161","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Adapting social change: Swedish crime fiction as a medium for system correction 适应社会变革:瑞典犯罪小说作为制度矫正的媒介
Journal of Adaptation in Film & Performance Pub Date : 2020-03-01 DOI: 10.1386/jafp_00011_1
Mads Larsen
{"title":"Adapting social change: Swedish crime fiction as a medium for system correction","authors":"Mads Larsen","doi":"10.1386/jafp_00011_1","DOIUrl":"https://doi.org/10.1386/jafp_00011_1","url":null,"abstract":"Nordic Noir’s progenitorThe Man on the Balconyfrom 1967 critiques social democracy from a Marxist viewpoint. The novel’s 1993 film adaptation, however, reuses the same crime to challenge neo-liberal globalization. From a story perspective, this is a drastic deviation from ideological fidelity. But a systems perspective shows that the adaptation adheres to functional fidelity for crime fiction as a medium for social discourse. By examining how the two works engage their respective eras’ contemporary issues, we see how Nordic Noir has become a mediator of error correction for Sweden as a social system. Adaptations are therefore expected to show greater fidelity to format than to content, which a systems approach can help facilitate. This perspective also suggests that our nation states – as we lose shared arenas for cultural discourse – will adapt less effectively to changes because it becomes harder to agree on what is real and what is fake.","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"56 1","pages":"37-50"},"PeriodicalIF":0.0,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81619191","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Shakespeare’s Literary Lives: The Author as Character in Fiction and Films, P. Franssen (2016) 莎士比亚的文学生活:小说和电影中的作家角色，P. Franssen (2016)
Journal of Adaptation in Film & Performance Pub Date : 2020-03-01 DOI: 10.1386/jafp_00018_5
A. Natale
{"title":"Shakespeare’s Literary Lives: The Author as Character in Fiction and Films, P. Franssen (2016)","authors":"A. Natale","doi":"10.1386/jafp_00018_5","DOIUrl":"https://doi.org/10.1386/jafp_00018_5","url":null,"abstract":"","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"2014 1","pages":"103-103"},"PeriodicalIF":0.0,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86757586","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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