Getting in touch with our inner sadistic, bloodthirsty child: Adapting Game of Thrones for the adult colouring book market

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Rachel Mizsei-Ward
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引用次数: 0

Abstract

Adult colouring books have become a permanent fixture in shops across the globe. These books began as a way of marketing illustrators’ work but have expanded to become part of the media franchising industry. This article will explore the two licensed colouring books created for Game of Thrones and the news media response to them. This response is varied, with much criticism of this kind of licensed product which appears to exist as potentially unimaginative Christmas presents. It will explore how these colouring books act as both an adaptation and how they are an important part of the modern media franchising industry. This kind of product is considered as an important way to keep licensed properties in the public eye, particularly when they are in between television seasons. When it comes to Game of Thrones colouring books there are a number of common themes in news media, such as the idea that colouring such images is not a route to mindfulness, and that these books act as a substitute for the ‘real thing’.
接触我们内心的虐待狂,嗜血的孩子:为成人涂色书市场改编《权力的游戏》
成人涂色书已经成为世界各地商店的固定用品。这些书最初是作为一种营销插画家的工作方式,但已经扩展成为媒体特许经营行业的一部分。本文将探讨为《权力的游戏》创作的两本授权涂色书以及新闻媒体对它们的反应。人们的反应各不相同,许多人批评这种授权产品似乎是作为潜在的缺乏想象力的圣诞礼物存在的。它将探讨这些涂色书如何作为一种改编,以及它们如何成为现代媒体特许经营行业的重要组成部分。这类产品被认为是保持授权产品在公众视线中的重要方式,尤其是在电视季之间。说到《权力的游戏》涂色书,新闻媒体上有很多共同的主题,比如给这些图片涂色并不是一种通往正念的途径,这些书只是“真实事物”的替代品。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Adaptation in Film & Performance
Journal of Adaptation in Film & Performance HUMANITIES, MULTIDISCIPLINARY-
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