Journal of Adaptation in Film & Performance最新文献

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Screening the Royal Shakespeare Company: A Critical History, John Wyver (2019) 放映皇家莎士比亚剧团:一个关键的历史,约翰·威弗(2019)
Journal of Adaptation in Film & Performance Pub Date : 2020-03-01 DOI: 10.1386/jafp_00016_5
Cornelis Heijes
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引用次数: 0
Adaptations in the Franchise Era, 2001–16, Kyle Meikle (2019) 《特许经营时代的改编》,2001 - 2016,凯尔·米克尔(2019)
Journal of Adaptation in Film & Performance Pub Date : 2020-03-01 DOI: 10.1386/jafp_00017_5
Reto Winckler
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引用次数: 1
1. POSITION AND PERSPECTIVE 1. 位置和视角
Journal of Adaptation in Film & Performance Pub Date : 2019-12-31 DOI: 10.7312/klev6424-004
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引用次数: 0
INTRODUCTION: INTERPRETING PERFORMANCE 简介:口译业绩
Journal of Adaptation in Film & Performance Pub Date : 2019-12-31 DOI: 10.7312/klev6424-003
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引用次数: 0
2. PLACE 2. 的地方
Journal of Adaptation in Film & Performance Pub Date : 2019-12-31 DOI: 10.7312/klev6424-005
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引用次数: 0
INDEX 指数
Journal of Adaptation in Film & Performance Pub Date : 2019-12-31 DOI: 10.7312/klev6424-010
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引用次数: 0
Frontmatter
Journal of Adaptation in Film & Performance Pub Date : 2019-12-31 DOI: 10.7312/klev6424-fm
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引用次数: 0
Adaptation in Japanese media mix franchising: Usagi Drop from page to screens 日本媒体组合特许经营的改编:天兔从页面到屏幕
Journal of Adaptation in Film & Performance Pub Date : 2019-12-01 DOI: 10.1386/jafp_00003_1
R. Denison
{"title":"Adaptation in Japanese media mix franchising: Usagi Drop from page to screens","authors":"R. Denison","doi":"10.1386/jafp_00003_1","DOIUrl":"https://doi.org/10.1386/jafp_00003_1","url":null,"abstract":"Abstract Japanese media franchising is normally discussed in relation to long-running chains of serial transmedia production known in Japan as 'media mix'. I argue that this focus on the biggest of Japanese franchises is over-determining how we conceptualize the flows of\u0000 adaptation in Japanese media culture. Therefore, in this article, I focus on a short-lived franchise based around Yumi Unita's manga Usagi Drop (literally, Bunny Drop, 2009‐11) in order to think about the media mix as a set of relational adaptation processes. In the space\u0000 of just a few months in 2011, this manga about a young man adopting his grandfather's illegitimate daughter became the seemingly unlikely source of a transmedia franchise that included television animation and live action film. Focusing on such a short-lived cycle of production allows me to\u0000 reconsider how Japanese franchise media texts relate to one another, and to decentre anime as the defacto core medium in Japanese franchising. Expanding the view of Japanese media mix adaptations, I consider how both internal and external factors can influence media franchising and adaptation\u0000 practices in contemporary Japan. Retracing the production discourses around the creation of the Usagi Drop franchise therefore allows me to reconsider the concept of media mix as adaptation practice and process in Japan.","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"1 1","pages":"143-161"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74453574","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Kouno Fumiyo's Hi no tori ('Bird of the Sun') series as documentary manga: Memory and 3.11 文雄的Hi no tori(“太阳之鸟”)系列纪录片漫画:记忆和3.11
Journal of Adaptation in Film & Performance Pub Date : 2019-12-01 DOI: 10.1386/jafp_00004_1
Linda M. Flores
{"title":"Kouno Fumiyo's Hi no tori ('Bird of the Sun') series as documentary manga: Memory and 3.11","authors":"Linda M. Flores","doi":"10.1386/jafp_00004_1","DOIUrl":"https://doi.org/10.1386/jafp_00004_1","url":null,"abstract":"Abstract Fumiyo Kouno's two-part manga series Hi no tori (2014) and Hi no tori 2 (2016) documents the story of a cockerel's search for his missing wife in the months and years following '3.11', the Triple Disaster of 11 March 2011, consisting of the Great East\u0000 Japan Earthquake, tsunami and nuclear meltdown at Fukushima Daiichi Nuclear Power Plant. Both Hi no tori and Hi no tori 2 possess an unusual layout; they are comprised of various elements, including drawings, prose, poetry, statistical data, maps and commentary by the artist.\u0000 This article argues that in its unique presentation of visual and textual elements, the Hi no tori series employs the medium of documentary comics to negotiate the complex critical spaces in between fiction and nonfiction, past and present, presence and absence, visibility and invisibility\u0000 and, importantly, between forgetting or the fading of memories (fūka) and reconstruction (fukkō). It examines the Hi no tori series as an adaptation within the medium of comics towards a more accurate and ethical representation of 3.11 and its aftermath.","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"27 1","pages":"163-177"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79168891","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Theatrical realism in manga: Performativity of gender in Minako Narita's Alien Street 漫画中的戏剧现实主义:成田美子《异形街》中的性别表现
Journal of Adaptation in Film & Performance Pub Date : 2019-12-01 DOI: 10.1386/jafp_00002_1
Nobuko Anan
{"title":"Theatrical realism in manga: Performativity of gender in Minako Narita's Alien Street","authors":"Nobuko Anan","doi":"10.1386/jafp_00002_1","DOIUrl":"https://doi.org/10.1386/jafp_00002_1","url":null,"abstract":"Abstract This article examines different conceptions of realism in theatre and manga by focusing on gender performance in Minako Narita's manga, Alien Street (1980‐84). It depicts a male actor who plays female roles in realist theatre productions. I argue that the\u0000 believability of this gender performance stems in part from the conventions of manga realism, where non-realistic signs are used to mark gender distinctions. However, in contrast to these conventions, this manga also highlights the performative nature of gender by revealing how a realist stage\u0000 forces the performers to cite and repeat the conventional gendered practices. In doing so, Alien Street mixes manga and theatre realism and complicates our understanding of gender conventions.","PeriodicalId":41019,"journal":{"name":"Journal of Adaptation in Film & Performance","volume":"488 1","pages":"133-141"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77053311","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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