{"title":"From the Editor","authors":"Barbara Cantalupo","doi":"10.5325/edgallpoerev.24.1.v","DOIUrl":"https://doi.org/10.5325/edgallpoerev.24.1.v","url":null,"abstract":"Beginning with this issue, we will no longer use the “spring” and “fall” notation for the journal, and, instead, we will simply use volume and number. This issue, then, is volume 24, number 1 (2023), rather than volume 24, number 1 (Spring 2023). We hope this will be a smooth transition just as we hope that accessing the journal electronically in the new way hasn’t caused problems. Please feel free to email me at bac7@psu.edu or Travis Montgomery at tdmontg1@gmail.com if you have found digital accessibility difficult. We may be able to help.In our last issue, an image was inadvertently left out of a “Marginalia” entry and replaced with one that didn’t link with the text. We apologize for this error. So that the meaning of the argument is not lost, you will find a letter to the editor from Paul Lewis, author of “The First Caricature of Poe Reconsidered,” that includes the missing image and clarifies its purpose.You will find two entries in this issue that go beyond our usual categories. Shoko Itoh of the Poe Society of Japan sent me the fourth international Poe bibliography, and it’s included in this issue; the third international bibliography of Japan can be found in volume 18, number 2. We also included a compilation of favorite Poe sentences sent via the PSA listserv, prompted by an invitation from Beth Sweeney. We hope we have not left any out, but we can’t promise complete accuracy and beg your forgiveness if that happens to be the case.We hope you’ve been enjoying our newest column, “Critical Reassessments.” We look forward to reading the forthcoming entry in volume 24, number 2, by Isaac Kolding on Sidney Moss’s Poe’s Literary Battles (1963) and hope you enjoy the one in this issue by Sami Atassi on Daniel Hoffman’s Poe Poe Poe Poe Poe Poe Poe. We invite your responses to these reassessments, and we will publish them in the “Letters to the Editor” section of the journal with the hope of creating a lively conversation to enjoy as do those who read the letters to the editor in the TLS.","PeriodicalId":40986,"journal":{"name":"Edgar Allan Poe Review","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135519351","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Poe's Last Jest: The Magazine Prison-House, Colonial Exploitation, and Revenge in \"Hop-Frog\"","authors":"John Gruesser","doi":"10.5325/edgallpoerev.24.1.0021","DOIUrl":"https://doi.org/10.5325/edgallpoerev.24.1.0021","url":null,"abstract":"Abstract:This article looks at Edgar Allan Poe's \"Hop-Frog\" in connection with revenge, one of the oldest and richest themes in literature. As the author has done in connection with \"The Cask of Amontillado,\" this article offers a generalized biographical interpretation of this 1849 story, linking it to Poe's February 1845 essay \"Some Secrets of the Magazine Prison-House\" with its emphasis on \"fat,\" exploitive \"editors and proprietors,\" as well as his September 1845 \"Marginalia\" piece about the sorry state of the American publishing industry. Contending that the story must be read vis-à-vis not only enslavement and slave rebellion, as several critics have done, but also colonization, this article casts doubt on claims that Poe used the tale to settle scores with personal enemies or to revenge himself on the reading public. A brief coda argues that in \"Hop-Frog\" Poe does not simply avenge himself on those responsible both for his own exploitation as \"a poor devil author\" and the colonization of American literature generally. Rather, he counterbalances the gruesome, fiery climax with a celebratory compendium of many of his greatest hits through allusions to at least eleven of his writings published between 1835 and 1846.","PeriodicalId":40986,"journal":{"name":"Edgar Allan Poe Review","volume":"24 1","pages":"21 - 33"},"PeriodicalIF":0.0,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48254010","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"International Poe Bibliography in Japan No. 4 (April 2018–March 2021)","authors":"","doi":"10.5325/edgallpoerev.24.1.0122","DOIUrl":"https://doi.org/10.5325/edgallpoerev.24.1.0122","url":null,"abstract":"","PeriodicalId":40986,"journal":{"name":"Edgar Allan Poe Review","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47944234","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Poe in Richmond: Celebrating the Poe Museum's Centennial","authors":"Christopher P. Semtner","doi":"10.5325/edgallpoerev.24.1.0080","DOIUrl":"https://doi.org/10.5325/edgallpoerev.24.1.0080","url":null,"abstract":"","PeriodicalId":40986,"journal":{"name":"Edgar Allan Poe Review","volume":"24 1","pages":"80 - 89"},"PeriodicalIF":0.0,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46762470","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"My Heart Laid Bare\": A Deep Rereading of Daniel Hoffman's Poe Poe Poe Poe Poe Poe Poe","authors":"Sami Atassi","doi":"10.5325/edgallpoerev.24.1.0090","DOIUrl":"https://doi.org/10.5325/edgallpoerev.24.1.0090","url":null,"abstract":"","PeriodicalId":40986,"journal":{"name":"Edgar Allan Poe Review","volume":"24 1","pages":"90 - 98"},"PeriodicalIF":0.0,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45169226","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Holy Abyss of the Absolute: Poe's Critique of Schelling in \"Morella\" and \"The Fall of the House of Usher\"","authors":"Sławomir Studniarz","doi":"10.5325/edgallpoerev.24.1.0034","DOIUrl":"https://doi.org/10.5325/edgallpoerev.24.1.0034","url":null,"abstract":"Abstract:This article examines the impact of Schelling's philosophy, especially his concept of the Absolute, on two of Poe's tales: \"Morella\" and \"The Fall of the House of Usher.\" It begins with a focused overview of Schelling's chief doctrines, in particular his famous system of identity, and because this system was forged under the influence of Spinoza's monism, the revival of the Dutch philosopher's ideas in post-Kantian German philosophy is also briefly discussed. The article expands on one of the outcomes of this philosophy at the turn of the nineteenth century, namely, the perceived deficiency of philosophical and scientific inquiry and the ensuing privileging of art. As has been recognized, this shift had a direct bearing on emerging Romantic aesthetics, and its emphasis on the symbol as a way of conveying the inexpressible, of revealing the conceptually ungraspable. Both the Romantic theory of the symbol and Schelling's idea of the Absolute provide a conceptual framework for understanding the philosophical resonances of \"Morella\" and \"The Fall of the House of Usher.\"","PeriodicalId":40986,"journal":{"name":"Edgar Allan Poe Review","volume":"24 1","pages":"34 - 51"},"PeriodicalIF":0.0,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45450383","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Seriously Comic Vision: “Hop-Frog” and the Book of Esther","authors":"Judith Ellen Anderson","doi":"10.5325/edgallpoerev.23.2.0209","DOIUrl":"https://doi.org/10.5325/edgallpoerev.23.2.0209","url":null,"abstract":"Abstract:It is a “terrible” subject Poe admits in a letter to Annie Richmond about his latest story, “Hop-Frog.” It may seem surprising, therefore, to find that the book of Esther is an influential source for this tale and its subject. Yet, as this article argues, this biblical story’s footprints are discernable. Esther’s comedic characterizations, motifs, diction, and stylistic approaches reappear in Poe’s story, often with striking similitude. However, in accordance with his stated criteria for originality and his bent toward ironic opposition, Poe upends the biblical account. Esther’s story of heroic reversals aided by divine providence in a joyful triumph over monarchical oppression and death becomes a dark counternarrative of human madness and vengeance on a godless stage. The seriocomic vision in “Hop-Frog” retains the outlines and substance of its original source but in the form of a negative image with a distinctly original effect.","PeriodicalId":40986,"journal":{"name":"Edgar Allan Poe Review","volume":"23 1","pages":"209 - 227"},"PeriodicalIF":0.0,"publicationDate":"2023-02-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47342974","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The First Caricature of Poe Reconsidered","authors":"Paul Lewis","doi":"10.5325/edgallpoerev.23.2.0228","DOIUrl":"https://doi.org/10.5325/edgallpoerev.23.2.0228","url":null,"abstract":"","PeriodicalId":40986,"journal":{"name":"Edgar Allan Poe Review","volume":"23 1","pages":"228 - 231"},"PeriodicalIF":0.0,"publicationDate":"2023-02-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43979896","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Poe, Twain, and Limburger Cheese” Revisited","authors":"Dennis W. Eddings","doi":"10.5325/edgallpoerev.23.2.0163","DOIUrl":"https://doi.org/10.5325/edgallpoerev.23.2.0163","url":null,"abstract":"Abstract:This article is in response to Steven E. Kemper’s “Poe, Twain, and Limburger Cheese,” which argues that Mark Twain’s “The Invalid’s Story” spoofs Poe’s “A Descent into the Maelström” by parodying its style and technique. After suggesting that Kemper’s argument has a few problems, this article posits that it is rather Poe’s “The Oblong Box” and “The Purloined Letter” that Mark Twain uses to spoof Poe by citing definite connections between the works. The article then concludes that “Descent” does have a connection with “The Invalid’s Story” in that both are tall tales.","PeriodicalId":40986,"journal":{"name":"Edgar Allan Poe Review","volume":"23 1","pages":"163 - 170"},"PeriodicalIF":0.0,"publicationDate":"2023-02-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44751148","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}