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The Poem of the Month: "During Wind and Rain" 月之诗:风雨中
The Hardy Review Pub Date : 2010-10-01 DOI: 10.1179/193489010X12858552346123
Betty Cortus, Rosemarie Morgan
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引用次数: 0
Uncollected Items Hardy: "George Moore and John Freeman" 哈代:“乔治·摩尔和约翰·弗里曼”
The Hardy Review Pub Date : 2010-10-01 DOI: 10.1179/193489010X12858552346088
P. Lennon
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引用次数: 0
Hardy versus Wessex 哈代大战威塞克斯
The Hardy Review Pub Date : 2010-10-01 DOI: 10.1179/193489010X12858552463204
J. Farrell
{"title":"Hardy versus Wessex","authors":"J. Farrell","doi":"10.1179/193489010X12858552463204","DOIUrl":"https://doi.org/10.1179/193489010X12858552463204","url":null,"abstract":"Abstract Hardy's distinctive creation, the world he called Wessex, has, in recent years, been increasingly regarded as a dubious construction too often used by critics in the liberal humanist tradition as the basis for seeing the Wessex Novels as mythic or tragic narratives. Materialist critics such as Goode, Fisher, Widdowson, and Wotton have argued that the effect of such readings has been to mask the social and economic practices and pressures, rooted in the Victorian class system, that are central to Hardy's novels. These critics often argue that the Wessex Novels identify both the dominating influence of class conflict in their representations of actual experience as well as Hardy's own deflections of his insights into that experience. The present essay supports the materialist critics to some extent but rejects the reduction of Wessex to a socioeconomic stage. The work of Raymond Williams is used as a critical discourse whose initiatives can enable us to see a different Wessex, one that confronts an...","PeriodicalId":409771,"journal":{"name":"The Hardy Review","volume":"68 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131585571","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
"I exercise a malignant power": Telepathic Touch in "The Withered Arm" “我使用一种邪恶的力量”:《枯萎的手臂》中的心灵感应
The Hardy Review Pub Date : 2010-10-01 DOI: 10.1179/193489010X12858552346204
Anne Gagné
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引用次数: 2
American Turns inThe Return of the Native: Part II 美国人回归故土:第二部分
The Hardy Review Pub Date : 2010-05-01 DOI: 10.1179/193489010X12858552346169
K. Callis
{"title":"American Turns inThe Return of the Native: Part II","authors":"K. Callis","doi":"10.1179/193489010X12858552346169","DOIUrl":"https://doi.org/10.1179/193489010X12858552346169","url":null,"abstract":"Abstract In The Return of the Native, Hardy creates an analogy between Egdon Heath and Emerson's version of North America, elaborating it throughout the novel. Its development includes a technical response: moments of dissolution and absorption occur in narrative perspective as the gap between nature and the narrator's consciousness dissolves when he both contains and is contained by the land he imagines. The symbolic strands issuing from the opening supply some of the novel's most memorable writing, as well as the visionary ground (both premise and setting) of Hardy's (in)decisive turn to tragedy. Derived from American Romanticism, this symbolism of unconditioned inwardness ironically conditions representation, setting, point of view, and narrative design in The Return of the Native.","PeriodicalId":409771,"journal":{"name":"The Hardy Review","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121165229","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Not to Mend . . . Not to Know”: Baxter's “Call to the Unconverted” and Hardy's “God-Forgotten” “不可修补……“不知道”:巴克斯特的“对未皈依者的呼唤”和哈代的“被上帝遗忘”
The Hardy Review Pub Date : 2010-05-01 DOI: 10.1179/193489010X12663221276999
P. Graves
{"title":"“Not to Mend . . . Not to Know”: Baxter's “Call to the Unconverted” and Hardy's “God-Forgotten”","authors":"P. Graves","doi":"10.1179/193489010X12663221276999","DOIUrl":"https://doi.org/10.1179/193489010X12663221276999","url":null,"abstract":"Abstract Discusses a possible echo of Richard Baxter's (pamphlet) “Call to the Unconverted” in Thomas Hardy's poem “God-Forgotten.” A reading is offered wherein Hardy is implicitly countering Baxter's request that his parishioners not mend this physical reality but turn away from it. Such a turn is, through a reading of some of Hardy's poetic engagements with Judeo-Christian theology, understood to be antithetical to his vision of ameliorative human existence: whatever divine principle is available to humanity is on offer in the physical world, and thus the possible echo in “God-Forgotten” of Baxter's phrasing would serve as a rejection of the exhortatory terms of his popular Puritan pamphlet.","PeriodicalId":409771,"journal":{"name":"The Hardy Review","volume":"94 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116455808","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Darwin, Hardy, and Bergson — A Glimpse of Continuity? 达尔文、哈代和柏格森——连续性的一瞥?
The Hardy Review Pub Date : 2009-10-01 DOI: 10.1179/193489109X417860
Ilaria Mallozzi
{"title":"Darwin, Hardy, and Bergson — A Glimpse of Continuity?","authors":"Ilaria Mallozzi","doi":"10.1179/193489109X417860","DOIUrl":"https://doi.org/10.1179/193489109X417860","url":null,"abstract":"Abstract “The principle of spontaneity” is a central idea in Hardy's poetry; his passion for irregularity (intensifying the appearance of spontaneity) had been learned while working as an architect. See “Memories of Church Restoration”: nature is always discarding the matter while retaining the form. Here Hardy's view can be linked to Darwin's own theories. Natural Selection, as Darwin says, “is as immeasurably superior to man's feeble efforts, as the works of Nature are to those of Art.” The aim of this paper is to highlight how Hardy starts from Darwin's concept of inheritance, to come close to Bergson's statement about the innate “autonomy” of the past which is able constantly to preserve itself, without any special faculty.","PeriodicalId":409771,"journal":{"name":"The Hardy Review","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2009-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125786311","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hardy's Poems: Writing Memory to Resist Annihilation 哈代诗歌:书写记忆抵抗湮灭
The Hardy Review Pub Date : 2009-10-01 DOI: 10.1179/193489109X417842
Cristina Ceron
{"title":"Hardy's Poems: Writing Memory to Resist Annihilation","authors":"Cristina Ceron","doi":"10.1179/193489109X417842","DOIUrl":"https://doi.org/10.1179/193489109X417842","url":null,"abstract":"Abstract In Hardy's poetry memory provides a fundamental intermediary locus poeticus where different selves meet, communicate and even collide. Starting from a process of defamiliarization of the language, his poetics re-vision what was partially perceived as reality and move within a poetical limbo between life and death, where the text gives hospitality to the ghosts of the dead, while becoming their hostage. The nostalgic poems are oriented towards an aesthetic but also psychoanalytical solving of absence, by iterating but also repressing loss, whereas the “congestioned” poems portray several Freudian obsessive ghosts who try to defy the flow of time, in order to annihilate the second and final death.","PeriodicalId":409771,"journal":{"name":"The Hardy Review","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2009-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114927984","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cemetery Jesemy-By-The-Sea 公墓Jesemy-By-The-Sea
The Hardy Review Pub Date : 2009-10-01 DOI: 10.1179/193489109X417888
J. Valente
{"title":"Cemetery Jesemy-By-The-Sea","authors":"J. Valente","doi":"10.1179/193489109X417888","DOIUrl":"https://doi.org/10.1179/193489109X417888","url":null,"abstract":"","PeriodicalId":409771,"journal":{"name":"The Hardy Review","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2009-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116304378","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Viewing A Flame's Reflection 观看火焰的反射
The Hardy Review Pub Date : 2009-10-01 DOI: 10.1179/193489109X417879
Michael Morical
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引用次数: 0
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