哈代诗歌:书写记忆抵抗湮灭

Cristina Ceron
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引用次数: 0

摘要

在哈代的诗歌中,记忆为不同的自我相遇、交流甚至碰撞提供了一个基本的媒介场所。从语言陌生化的过程出发,他的诗学重新审视了部分被认为是现实的东西,并在生与死之间的诗意的边缘地带移动,在那里,文本招待死者的鬼魂,同时成为他们的人质。怀旧的诗歌以审美和精神分析为导向,通过反复但也抑制损失来解决缺失,而“拥挤”的诗歌描绘了几个弗洛伊德式的强迫症鬼魂,他们试图无视时间的流逝,以消灭第二次也是最后的死亡。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Hardy's Poems: Writing Memory to Resist Annihilation
Abstract In Hardy's poetry memory provides a fundamental intermediary locus poeticus where different selves meet, communicate and even collide. Starting from a process of defamiliarization of the language, his poetics re-vision what was partially perceived as reality and move within a poetical limbo between life and death, where the text gives hospitality to the ghosts of the dead, while becoming their hostage. The nostalgic poems are oriented towards an aesthetic but also psychoanalytical solving of absence, by iterating but also repressing loss, whereas the “congestioned” poems portray several Freudian obsessive ghosts who try to defy the flow of time, in order to annihilate the second and final death.
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