Darwin, Hardy, and Bergson — A Glimpse of Continuity?

Ilaria Mallozzi
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Abstract

Abstract “The principle of spontaneity” is a central idea in Hardy's poetry; his passion for irregularity (intensifying the appearance of spontaneity) had been learned while working as an architect. See “Memories of Church Restoration”: nature is always discarding the matter while retaining the form. Here Hardy's view can be linked to Darwin's own theories. Natural Selection, as Darwin says, “is as immeasurably superior to man's feeble efforts, as the works of Nature are to those of Art.” The aim of this paper is to highlight how Hardy starts from Darwin's concept of inheritance, to come close to Bergson's statement about the innate “autonomy” of the past which is able constantly to preserve itself, without any special faculty.
达尔文、哈代和柏格森——连续性的一瞥?
“自发性原则”是哈代诗歌的核心思想;他对不规则的热情(加强了自发性的外观)是在当建筑师时学到的。参见《修复教堂的记忆》:自然总是在保留形式的同时丢弃物质。这里,哈代的观点可以与达尔文自己的理论联系起来。正如达尔文所说,自然选择“比人类的微弱努力优越得多,就像大自然的作品比艺术的作品优越得多。”本文的目的是强调哈代如何从达尔文的遗传概念出发,接近柏格森关于过去的内在“自主性”的说法,这种自主性能够不断地自我保存,没有任何特殊的能力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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