{"title":"ASSESSING THE POSSIBILITIES FOR AN AUGUSTAN REVOLUTION IN AILING DEMOCRACIES IN AFRICA","authors":"Dylan Stephen Potter","doi":"10.7445/67--1051","DOIUrl":"https://doi.org/10.7445/67--1051","url":null,"abstract":"","PeriodicalId":40864,"journal":{"name":"Akroterion-Journal for the Classics in South Africa","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48473731","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"PORTRAIT OF A POET: ERINNA’S EKPHRASTIC EPIGRAM, AP 6.352","authors":"A. Martin","doi":"10.7445/65-0-1020","DOIUrl":"https://doi.org/10.7445/65-0-1020","url":null,"abstract":"Although we know very little about the young female poet, Erinna, it is evident from the reception of later Hellenistic epigrammatists that she was highly respected and contributed greatly to the advancement of the Hellenistic aesthetic. However, her pioneering role in the development, if not the establishment, of the literary ekphrastic epigram has long been overlooked in favour of her short hexameter poem and funerary epigrams on female lamentation and loss. This paper examines the numerous ways in which Erinna had contributed to the ekphrastic tradition and the manner in which her ekphrastic epigram AP 6.352 may have served as a prototype for later ekphrastic texts of the Hellenistic age.","PeriodicalId":40864,"journal":{"name":"Akroterion-Journal for the Classics in South Africa","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49331731","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"SELF-DEPRECATION OF HORACE’S SATIRICAL VOICE DURING THE SATURNALIA CELEBRATIONS (SATIRES 2.3 AND 2.7)","authors":"A. Kallergi","doi":"10.7445/65-0-1014","DOIUrl":"https://doi.org/10.7445/65-0-1014","url":null,"abstract":"This paper examines two of the most famous Horatian Satires (2.3 and 2.7), in order to shed light on the way that the poet can direct his satire not only against different types of characters (the avarice, the flatterer, the legacy-hunter), but also against himself. For this purpose, he uses the two different satirical voices of Damasippus and Davus, and he inverts the roles of slave and master, so as to eventually achieve the creation of his own complex and ambiguous persona, which displays many of the flaws criticized by the poet himself in other poems of the same collection.","PeriodicalId":40864,"journal":{"name":"Akroterion-Journal for the Classics in South Africa","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49350812","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘YOUR LOVE IS LIKE BAD MEDICINE’: THE MEDICAL TRADITION OF LOVESICKNESS IN THE LEGENDS OF HIPPOCRATES AND ERASISTRATUS OF CEOS","authors":"L. Ribeiro","doi":"10.7445/65-0-1024","DOIUrl":"https://doi.org/10.7445/65-0-1024","url":null,"abstract":"The image of the lover physically afflicted by erōs , with erratic pulse and fiery flushes under the skin, goes back at least as far as Sappho. Ancient doctors like Galen and Oribasius of Pergamon saw the lovesick as a patient with a real disease in need of medical intervention. In Western medieval medicine, the disease had various names, such as amor heroes and erotomania . This study defines lovesickness as erotomania , a psychosomatic illness with depressive symptoms caused by unrequited love, with its roots sometimes sought in a humoral imbalance of black bile, an excess of seminal fluid or in some inflammation of the brain. It traces this tradition to the anecdotes about the physicians Hippocrates and Erasistratus of Ceos on how they diagnosed and treated royal patients suffering from lovesickness. It is argued that these stories reflect real-life medical debates. The anecdotes suggest the cause of the disease to have been seen as psychic rather than purely physiological and somatic, calling for a therapy one might term psychological. They suggest the choice treatment for a patient suffering from sick unrequited love was to requite the demands of erōs .","PeriodicalId":40864,"journal":{"name":"Akroterion-Journal for the Classics in South Africa","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44918492","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"THE PROFESSIONAL GREEK MERCENARY IN SAITE EGYPT","authors":"N. Bruni","doi":"10.7445/65-0-1028","DOIUrl":"https://doi.org/10.7445/65-0-1028","url":null,"abstract":"The essay competition is sponsored by the Classical Association of South Africa. This paper was judged to be the best student essay submitted to CASA for 2020.","PeriodicalId":40864,"journal":{"name":"Akroterion-Journal for the Classics in South Africa","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47295849","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"HERODOTUS AND THE 1820 SETTLERS IN SOUTH AFRICA: HISTORIOGRAPHIES OF COLONIZATION AND THE ‘CACOPHONY OF VOICES’","authors":"M. Lambert","doi":"10.7445/65-0-1027","DOIUrl":"https://doi.org/10.7445/65-0-1027","url":null,"abstract":"The renewal of interest in Herodotus as an effective and creative historian within a predominantly oral tradition has been a feature of prolific research during the last twenty years. In the very year in which the arrival of the 1820 settlers in the east of the former Cape Colony in South Africa is being remembered, and even commemorated, I attempt a reading of Herodotus’ celebrated account of the Greek colonization of Cyrene in Libya (North Africa) through the historiographical lens of accounts of the arrival of these British settlers, focussing on the narratives of colonization common to these exempla more than two millennia apart. My intention is to continue the conversation, especially amongst South African classicists, about how to tackle the thorny question of decolonizing the content and teaching of the Classics in our universities.","PeriodicalId":40864,"journal":{"name":"Akroterion-Journal for the Classics in South Africa","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42826283","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"SAINT NICHOLAS’ BELEAGUERED BLACK COMPANION(S): A STUDY OF THE CONTESTED NATURE AND LATE ANTIQUE HISTORY OF SANTA’S HELPERS IN THE DUTCH SAINT NICHOLAS FEAST","authors":"L. Müller","doi":"10.7445/65-0-1026","DOIUrl":"https://doi.org/10.7445/65-0-1026","url":null,"abstract":"The Netherlands has a long history of celebrating Saint Nicholas Day. On the eve of the 5th of December, the Dutch commemorate the date of death of the popular bishop from Myra, who protected citizens and sailors and gave his money to the poor. Bishop Nicholas, who came from a well-to-do Christian merchant family of Greek descent, lived in Asia Minor during the fourth century CE. Today, during the European winter months, a version of Saint Nicholas (Sinterklaas) features prominently in Dutch public spaces, especially in shopping malls and bakeries. Most often the saint is accompanied by one or more companions. This article explores the possible late antique origins of these companion(s), who have recently become embroiled in heated Saint Nicholas debates in the Netherlands on Dutch racism and the slave trade. I will posit that the Saint’s current companion(s) have semi-historical origins which may be traced back to North African grain merchants, traders and sailors who in late antiquity regularly sailed from Alexandria to Myra. The proposal challenges contending theories that the Saint Nicholas legends did not have companions of African descent before the nineteenth century. The investigation is significant for questions relating to the current transformations in the appearance of Saint Nicholas’ companion(s) and whether they should remain or rather be eliminated from the Dutch Saint Nicholas tradition.","PeriodicalId":40864,"journal":{"name":"Akroterion-Journal for the Classics in South Africa","volume":"65 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42665903","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"ANALOGOUS CHARACTERS: TACITUS’ LIVIA AUGUSTA AND AGRIPPINA MINOR","authors":"M. Dircksen","doi":"10.7445/65-0-1025","DOIUrl":"https://doi.org/10.7445/65-0-1025","url":null,"abstract":"Scholarship has recognised Tacitus’ preoccupation with character and his use of rhetorical stereotypes even at a time when historiography was examined with the overriding aim of discovering the historical ‘truth’. The search for empirical validity revealed Tacitus’ historical unreliability and his manipulation of material. Historical theory has since evolved toward an acknowledgement of ancient historiography as a form of literary art and belonging to the domain of narratology. This article is based on the premise that the Annals of Tacitus closely corresponds to a modern literary text and that the ‘manipulated material’ requires of the reader to fulfil an active role in the interpretation process. A narratological analysis of Tacitus’ characterisation of Livia Augusta and Agrippina Minor reveals a sophisticated use of the narratological device of ‘analogy between characters’. The analysis is limited to identical nouns and adjectives used in the direct description of both these women and the reinforcement of these characteristics by indirect presentation. Tacitus’ mastery of subtle narratological devices becomes evident and his portrayal of Livia as analogous to Agrippina reiterates his deeply seated hatred of the Julio-Claudian regime.","PeriodicalId":40864,"journal":{"name":"Akroterion-Journal for the Classics in South Africa","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42809681","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"SOCRATES ON POETRY AND THE WISDOM OF SIMONIDES","authors":"D. Futter","doi":"10.7445/65-0-1023","DOIUrl":"https://doi.org/10.7445/65-0-1023","url":null,"abstract":"In books 2 and 3 of the Republic, Socrates criticizes Homer and Hesiod for telling the greatest falsehoods about the greatest things; in book 1, he assumes that Simonides is a ‘wise and blessed’ bard who knows the truth. Socrates’ position on the authority of poets seems contradictory. Can this tension be resolved? I argue that it can be. Building on but revising Nicholas Pappas’ suggestion that Socrates’ charity in interpreting poetry is a form of disrespect, I show that the contradiction in his position is not in principle but in use. Socrates assumes that a true poet must be a knower of the good; however, in book 1, he uses this assumption to absolve Simonides from error, whereas in books 2 and 3, he infers that Homer, Hesiod, and other lesser figures are not true poets. This difference in use is to be explained by changes in interlocutors and a material concern with early childhood education.","PeriodicalId":40864,"journal":{"name":"Akroterion-Journal for the Classics in South Africa","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44156344","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"POVERTY AS A CHALLENGE TO WEALTH IN HOMER’S ODYSSEY","authors":"R. Whitaker","doi":"10.7445/65-0-1019","DOIUrl":"https://doi.org/10.7445/65-0-1019","url":null,"abstract":"This article examines the ways in which poverty, as a condition, and as represented by poor individuals, poses a challenge to wealthy, elite characters in the Odyssey. Great, almost revolutionary, changes took place in Greece in the eighth century BC, when the Odyssey was most likely composed. The audience of the epic, it is argued, comprised both wealthy, elite and poor, non-elite persons. The bases of wealth and poverty in the Odyssey were land, or the lack of it. Reflecting the instability of the eighth century, the Odyssey repeatedly presents a fall into poverty as a very real, challenging possibility for wealthy individuals. In the epic, the presence of poverty in their midst, as represented by the ‘beggar’ (Odysseus in disguise), tests the humanity and compassion of the characters whom he meets. The suitors fail the test, reacting with cruelty and contempt to the poor man. Eumaios and Penelope rise to the challenge, showing pity and generosity of spirit. The Odyssey thus indicates that moral goodness is independent of wealth and status, and that pity and compassion are the appropriate responses to the poor.","PeriodicalId":40864,"journal":{"name":"Akroterion-Journal for the Classics in South Africa","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43969010","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}