Akroterion-Journal for the Classics in South Africa最新文献_第10页

THE VALUE OF JULIUS CAESAR AS ETHNOGRAPHER 凯撒大帝作为人种学家的价值

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Akroterion-Journal for the Classics in South Africa Pub Date : 2014-03-30 DOI: 10.7445/38-3-4-533

B. Bell

引用次数: 0

MARTIALIS, DIE EPIGRAM EN DIE GENRE-HIERARGIE MARTIALIS、EPGRAM和一般等级

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Akroterion-Journal for the Classics in South Africa Pub Date : 2014-03-30 DOI: 10.7445/38-3-4-535

J. Swanepoel

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THE WRATH OF ARTEMIS (AND MENIS!) IN AG. 122-159 阿尔忒弥斯的愤怒(和米尼斯!)在AG)。122 - 159

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Akroterion-Journal for the Classics in South Africa Pub Date : 2014-03-30 DOI: 10.7445/39-1-526

F. Saayman

{"title":"THE WRATH OF ARTEMIS (AND MENIS!) IN AG. 122-159","authors":"F. Saayman","doi":"10.7445/39-1-526","DOIUrl":"https://doi.org/10.7445/39-1-526","url":null,"abstract":"In the parodos of the Agamemnon of Aeschylus an omen appears in which two eagles kill\u0000and eat a female hare as well as her unborn young. This is seen by the seer Calchas to\u0000symbolize that Agamemnon's fleet wil destroy Troy and all its inhabitants. But the goddess\u0000Artemis is angry at something about this portent, and there is fear that she will demand a\u0000sacrifice of atonement. Opinions have differed widely as to the cause of this anger. Some\u0000scholars (e.g. Page and Lawrence) limit Artemis to the physical portent, while others (e.g.\u0000Peradotto, Lebeck, Whallon) involve her in the imagistic side of the portent. At the end of\u0000Calchas' speech there is an apparently loosely connected and unmotivated reference to a\u0000Menis as also being the cause of such a sacrifice. If the roles of Artemis and this Menis are\u0000not clearly distinguished, the whole problem of the extent of Artemis' reason for the\u0000sacrifice cannot be resolved. Lack of distinction between these two personae is evident in\u0000Whallon's absurd confusion of the roles of Artemis and Menis: \"The visitations of her (i.e.\u0000Artemis') wrath produced an endless continuance of teknophagy. For like the Erinyes she\u0000was a deity whose punitive actions became predacious and necessitated further punishment\"\u0000(1961 :87). Since Erinyes and the Menis are of the same type, Whallon implies that there is\u0000little difference between Artemis and Menis. The. problem about the extent of Artemis'\u0000anger can be solved if it can be proved that Menis is textually motivated by the imagery,\u0000which will make it unnecessary to involve Artemis in the imagery. Lawrence showed how\u0000the imagery has been applied to Artemis without any reflection on the validity of the\u0000method, but he actually did not prove that it is wrong to make such a link. In his opinion\u0000Artemis is angered by the omen itself and not by its interpretation through the words of the\u0000seer Calchas.","PeriodicalId":40864,"journal":{"name":"Akroterion-Journal for the Classics in South Africa","volume":"39 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2014-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71331360","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

LATIN SELF-STUDY AND TEACHING TEXTS FOR HIGH SCHOOLS 高中拉丁文自学与教学教材

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Akroterion-Journal for the Classics in South Africa Pub Date : 2014-03-30 DOI: 10.7445/39-1-529

J. Claassen

引用次数: 0

OIKOUMENE EN PERIPHEREIA IN DIE MARE ERYTHRAEUM-GEBIEDIN DIE VROEG:CHRISTELIKE PERIODE 早期：基督教时期马雷地区的OICUUMENE和PERIPHERIA

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Akroterion-Journal for the Classics in South Africa Pub Date : 2014-03-30 DOI: 10.7445/41-1-2-216

B. Hendrickx

引用次数: 0

THE PROWGUE OF THE CHRISTUS PAT/ENSAND EURIPIDEAN PROWGUESA COMPARATIVE ANALYSIS 基督教牧首与欧里庇德牧首之比较分析

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Akroterion-Journal for the Classics in South Africa Pub Date : 2014-03-30 DOI: 10.7445/41-1-2-217

G. Swart

{"title":"THE PROWGUE OF THE CHRISTUS PAT/ENSAND EURIPIDEAN PROWGUESA COMPARATIVE ANALYSIS","authors":"G. Swart","doi":"10.7445/41-1-2-217","DOIUrl":"https://doi.org/10.7445/41-1-2-217","url":null,"abstract":"The Christus patiens is a dramatic representation of the Passion of Christ, in which\u0000the literary conventions of classical tragedy, and especially the style and diction of\u0000Euripides, are extensively copied. In the printed tradition, it is generally described\u0000as a tragedy.l However, the defInition iJ1r668qt~ apaJ.ta1'tlC~ ('dramatic plot'), which\u0000occurs frequently in the manuscript tradition, seems to give a more accurate\u0000description of the nature of this poem. It is traditionally attributed to Gregory of\u0000Nazianzus, but its authenticity has been disputed by many scholars since the late\u0000sixteenth century. 2 Even after the detailed defence of the attribution to Gregory by\u0000Tullier (1969:11-74), many dissenting voices still remain. The present author (Swart\u00001990) regards the authorship of Gregory as probable, though not irrefutably proven,\u0000while the date of composition must be considered to be much earlier than the\u0000eleventh to twelfth century as suggested by some scholars. External evidence\u0000strongly suggests that the poem was composed before the sixth century. Thus it is a\u0000product of the early Byzantine period, and as such an interesting example of the way\u0000in which literary practices of Classical Antiquity were imitated by the Byzantines.","PeriodicalId":40864,"journal":{"name":"Akroterion-Journal for the Classics in South Africa","volume":"41 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2014-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71331532","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

BIBLIOGRAFIE: P. J. CONRADIE 参考文献：P.J.康拉迪

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Akroterion-Journal for the Classics in South Africa Pub Date : 2014-03-30 DOI: 10.7445/41-3-4-208

J. C. Thom

引用次数: 0

MEN BEHAVING BADLY: CONDUCT AND IDENTITY AT GREEKSYMPOSIA 行为不端的男人:希腊座谈会上的行为与身份

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Akroterion-Journal for the Classics in South Africa Pub Date : 2014-03-30 DOI: 10.7445/44-0-170

W. Henderson

{"title":"MEN BEHAVING BADLY: CONDUCT AND IDENTITY AT GREEKSYMPOSIA","authors":"W. Henderson","doi":"10.7445/44-0-170","DOIUrl":"https://doi.org/10.7445/44-0-170","url":null,"abstract":"Introduction\u0000From later prose writings on the ancient Greek symposion (for example, Plato's\u0000Symposion, Xenophon's Symposion and Athenaeus' Deipnosophistai) one gains the\u0000general impression that the symposion was a gathering of aristocrats with similar\u0000interests, who, induced by moderate consumption of wine, indulged in intellectual\u0000discussions and pursuits and exercised their reputed sophrosyne.1 This is, however, a\u0000literary construct, an ideal, which is undercut by the evidence of the poetry sung and\u0000pottery used at these functions. Both the sympotic poetry and the painted pottery offer\u0000evidence from inside the symposion of less than ideal behaviour. The mere fact that\u0000the vase-painters or their aristocratic clients felt it necessary to warn symposiasts\u0000against over-indulgence (cf. for example, the \"message\" of the Brygos-calyx),z\u0000suggests that the behaviour after (or even at) symposia was perhaps not always as\u0000moderate as one might at first be led to believe. The evidence is particularly damning\u0000in the case of komasts after the symposion (cf. Lissarrague 1990:96, fig. 77).\u0000Likewise, the poets' appeals for calm and self-control, promotion of the moderate\u0000consumption of wine, and warnings against its dangers presuppose situations where in\u0000fact these elements were absent.","PeriodicalId":40864,"journal":{"name":"Akroterion-Journal for the Classics in South Africa","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2014-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71332234","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 4

APPEARANCE AND REALITY IN HORACE'S ODES 3.7-12 贺拉斯颂歌中的表象与现实

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Akroterion-Journal for the Classics in South Africa Pub Date : 2014-03-30 DOI: 10.7445/44-0-174

S. Thom

引用次数: 0

HOMER WITillN THE BYZANTINE FRAMEWORK 荷马·威尔丁的拜占庭框架

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Akroterion-Journal for the Classics in South Africa Pub Date : 2014-03-30 DOI: 10.7445/37-1-839

C. Matzukis

引用次数: 0