基督教牧首与欧里庇德牧首之比较分析

IF 0.1 0 CLASSICS
G. Swart
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引用次数: 0

摘要

《受难者基督》是对基督受难的戏剧性表现,其中大量复制了古典悲剧的文学惯例,尤其是欧里庇得斯的风格和措辞。在印刷传统中,它通常被描述为一个悲剧。l然而,定义iJ1r668qt~ apaJ。ta1'tlC~(“戏剧性情节”),这在手稿传统中经常出现,似乎更准确地描述了这首诗的性质。传统上认为它是由nazianzus的Gregory写的,但自16世纪后期以来,它的真实性一直受到许多学者的质疑。即使在tullier(1969:11-74)对Gregory的归属进行了详细的辩护之后,许多反对的声音仍然存在。本作者(Swart1990)认为格雷戈里的作者是可能的,虽然不是无可辩驳的证明,而作曲的日期必须被认为比一些学者提出的11世纪到12世纪要早得多。外部证据有力地表明,这首诗创作于六世纪之前。因此,它是早期拜占庭时期的产物,也是拜占庭人模仿古典古代文学实践的一个有趣的例子。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THE PROWGUE OF THE CHRISTUS PAT/ENSAND EURIPIDEAN PROWGUESA COMPARATIVE ANALYSIS
The Christus patiens is a dramatic representation of the Passion of Christ, in which the literary conventions of classical tragedy, and especially the style and diction of Euripides, are extensively copied. In the printed tradition, it is generally described as a tragedy.l However, the defInition iJ1r668qt~ apaJ.ta1'tlC~ ('dramatic plot'), which occurs frequently in the manuscript tradition, seems to give a more accurate description of the nature of this poem. It is traditionally attributed to Gregory of Nazianzus, but its authenticity has been disputed by many scholars since the late sixteenth century. 2 Even after the detailed defence of the attribution to Gregory by Tullier (1969:11-74), many dissenting voices still remain. The present author (Swart 1990) regards the authorship of Gregory as probable, though not irrefutably proven, while the date of composition must be considered to be much earlier than the eleventh to twelfth century as suggested by some scholars. External evidence strongly suggests that the poem was composed before the sixth century. Thus it is a product of the early Byzantine period, and as such an interesting example of the way in which literary practices of Classical Antiquity were imitated by the Byzantines.
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来源期刊
CiteScore
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