SOCRATES ON POETRY AND THE WISDOM OF SIMONIDES

IF 0.1 0 CLASSICS
D. Futter
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Abstract

In books 2 and 3 of the Republic, Socrates criticizes Homer and Hesiod for telling the greatest falsehoods about the greatest things; in book 1, he assumes that Simonides is a ‘wise and blessed’ bard who knows the truth. Socrates’ position on the authority of poets seems contradictory. Can this tension be resolved? I argue that it can be.  Building on but revising Nicholas Pappas’ suggestion that Socrates’ charity in interpreting poetry is a form of disrespect, I show that the contradiction in his position is not in principle but in use. Socrates assumes that a true poet must be a knower of the good; however, in book 1, he uses this assumption to absolve Simonides from error, whereas in books 2 and 3, he infers that Homer, Hesiod, and other lesser figures are not true poets. This difference in use is to be explained by changes in interlocutors and a material concern with early childhood education.
苏格拉底论诗歌和西蒙尼德的智慧
在《理想国》的第2卷和第3卷中,苏格拉底批评荷马和赫西奥德在最伟大的事情上说了最大的谎言;在第一本书中,他假设西蒙尼德斯是一个“聪明而有福”的诗人,他知道真相。苏格拉底对诗人权威的立场似乎是矛盾的。这种紧张关系能得到解决吗?我认为是可以的。在尼古拉斯·帕帕斯(Nicholas Pappas)关于苏格拉底在解释诗歌时的慈善是一种不尊重的建议的基础上,我认为他的立场的矛盾不是在原则上,而是在使用上。苏格拉底认为一个真正的诗人必须是善的知者;然而,在第一卷中,他用这个假设来免除西蒙尼德的错误,而在第二卷和第三卷中,他推断荷马、赫西奥德和其他次要人物不是真正的诗人。这种用法上的差异可以用对话者的变化和对幼儿教育的实质性关注来解释。
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