Ben Jonson Journal最新文献_第2页

Milton’s Dantean Raphael

IF 0.5 1区文学

Ben Jonson Journal Pub Date : 2022-05-01 DOI: 10.3366/bjj.2022.0330

Andrew D. Moran

引用次数: 0

The Body and Figurative Language in Ben Jonson's Epigram CXXV, “To Sir William Uvedale” 本·约翰逊《致威廉·乌维代尔爵士》警句CXXV中的身体与比喻语言

IF 0.5 1区文学

Ben Jonson Journal Pub Date : 2022-05-01 DOI: 10.3366/bjj.2022.0328

Mathew R. Martin

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引用次数: 0

Scottish Designs: Bedchamber Politics in Volpone 苏格兰设计:伏尔坡尼的卧室政治

IF 0.5 1区文学

Ben Jonson Journal Pub Date : 2022-05-01 DOI: 10.3366/bjj.2022.0325

Sonia Sahoo

{"title":"Scottish Designs: Bedchamber Politics in Volpone","authors":"Sonia Sahoo","doi":"10.3366/bjj.2022.0325","DOIUrl":"https://doi.org/10.3366/bjj.2022.0325","url":null,"abstract":"James I's accession to the English throne in 1603 was marked by the rising prominence of the Bedchamber as a powerful and semi-autonomous institution that was manned by an entourage of royal advisors and close personal associates who took care not just of the king's physical needs and private ablutions but also played a vital role in government and policy matters. Based on a prototype of the king's former integrated Scottish household this new ceremonial space became the crux around which the private and political life of the monarch was centered. Yet James' decision to reserve bedchamber positions solely for his Scottish countrymen caused deep disquiet and jealousy among the English political elite. This essay attempts to read the bedchamber setting in Volpone (notwithstanding its Venetian locale and characters) as a darkly humorous parody of the reorganized Scots-centric Jacobean Bedchamber, especially in its potential to function as a privileged site of power, homoerotic patronage, and material profit for a select few. Coming within a year of the composition of the infamous anti-Scots comedy Eastward Ho and written immediately in the aftermath of the discovery of the Gunpowder Plot, Volpone (1606) is the closest albeit indirect reflection of the political disgruntlement and cultural anxiety prevailing in England in the first few years of James' reign.","PeriodicalId":40862,"journal":{"name":"Ben Jonson Journal","volume":"14 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89409944","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Independent Parasite: Mosca’s Theatrical Service in Volpone 独立的寄生虫:莫斯卡在伏尔坡尼的戏剧服务

IF 0.5 1区文学

Ben Jonson Journal Pub Date : 2022-05-01 DOI: 10.3366/bjj.2022.0327

Emiliano Gutiérrez-Popoca

{"title":"The Independent Parasite: Mosca’s Theatrical Service in Volpone","authors":"Emiliano Gutiérrez-Popoca","doi":"10.3366/bjj.2022.0327","DOIUrl":"https://doi.org/10.3366/bjj.2022.0327","url":null,"abstract":"This article explores the relationship between Volpone and Mosca as a master-servant bond grounded on roleplaying and theatricality. I argue that Mosca’s growing importance as an actor within Volpone’s theatrical schemes for wealth acquisition lead Mosca to envision detachment from his master and to gain an independent self. Mosca’s independence is legally recognized by the Venetian authorities only for a moment in the final act before he is discovered and punished. Notwithstanding its conservative ending, the play reveals paths of advancement for the parasite through deceit and theatricality. In addition, Mosca’s soliloquies reveal an introspective mind that delights in his role of parasite. I relate this introspection to a form of subjectivity arising from the precarious employment of household servants in early modern London, which prompted their adaptation to a variety of roles. My argument examines early modern texts that put forth an ideology of service and that discuss duplicity and the parasite. I specifically delve into the figure of the parasite in Gervase Markham’s A health to the gentlemanly profession of seruingmen and in Jonson’s Discoveries as well as into the the concept of “eye-service” and parasitical service in William Gouge’s Of Domesticall Duties to draw connections between the anxiety of social mobility found in these texts and the rise of Mosca in Jonson’s play. Through Mosca’s rise and fall in the play, Jonson, I argue, shows the possibilities but also the limits of social mobility for servants in the transitional period of early-seventeenth-century London.","PeriodicalId":40862,"journal":{"name":"Ben Jonson Journal","volume":"147 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78053069","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Heather James, Ovid and the Liberty of Speech in Shakespeare's England 希瑟·詹姆斯，《奥维德与莎士比亚时代英国的言论自由》

IF 0.5 1区文学

Ben Jonson Journal Pub Date : 2022-05-01 DOI: 10.3366/bjj.2022.0331

D. Moss

引用次数: 0

Italy in Philip Massinger’s The Maid of Honour 菲利普·马辛格的《伴娘》中的意大利

IF 0.5 1区文学

Ben Jonson Journal Pub Date : 2022-05-01 DOI: 10.3366/bjj.2022.0329

C. Paravano

{"title":"Italy in Philip Massinger’s The Maid of Honour","authors":"C. Paravano","doi":"10.3366/bjj.2022.0329","DOIUrl":"https://doi.org/10.3366/bjj.2022.0329","url":null,"abstract":"This article discusses Philip Massinger’s The Maid of Honour, showing how this tragicomedy set in Italy is resonant of stories, ideas, theories and characters from the Italian literary and cultural tradition. On the one hand, I will shed light on Massinger’s use of an Italian ambience, concentrating on the choice of Palermo and Siena as a setting. The pseudo-historic setting of the play may be seen as a pretext to dramatize the author’s moral needs and convey a form of political ideology, which reflects the social tensions and the political concerns of the period. On the other hand, I will discuss the different forms of legacy from the Italian world, focusing on the cultural forces, and the moral and ideological motivations behind the playwright’s choice of the genre of his play, the changes concerning plot, setting and the characters’ names in the original Italian text on which the tragicomedy is based. Moreover, this tragicomedy, characterized by a profound didactic and moral intent, also seems to combine some elements of the late 16th century commedia grave, mainly in the presence of an exemplary female protagonist, Camiola, who embodies the providential spirit of the Counter-Reformist attitudes in vogue in the period. Finally, I will examine the way an image of Italy is portrayed through language, analyzing the very marginal occurrence of the Italian language and the presence of Latin words and tags.","PeriodicalId":40862,"journal":{"name":"Ben Jonson Journal","volume":"9 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83478638","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Jonson’s University Show 约翰逊大学展览

IF 0.5 1区文学

Ben Jonson Journal Pub Date : 2022-05-01 DOI: 10.3366/bjj.2022.0326

J. Jowett

引用次数: 0

Troilus and Cressida's Folio Prologue in the Poets’ War: Shakespeare, Jonson, Marston 《诗人战争中的特洛伊罗斯和克蕾西达的对开本序》:莎士比亚，琼森，马斯顿

IF 0.5 1区文学

Ben Jonson Journal Pub Date : 2021-11-01 DOI: 10.3366/bjj.2021.0314

Joshua R. Held

{"title":"Troilus and Cressida's Folio Prologue in the Poets’ War: Shakespeare, Jonson, Marston","authors":"Joshua R. Held","doi":"10.3366/bjj.2021.0314","DOIUrl":"https://doi.org/10.3366/bjj.2021.0314","url":null,"abstract":"Although many scholars have denigrated Troilus and Cressida, the Folio version of the play—with a prologue—offers a more tractable, even winsome play than does the quarto version. As a buffer between the real world of an audience and the imagined world of a play, the prologue adjusts the expectations of an audience, highlighting at once its own potency and the interpretive potential of this textual difference between quarto and Folio. This Prologue conveys an appeal neither obsequious nor arrogant—as do its respective models in John Marston's Antonio and Mellida and Ben Jonson's Poetaster—but rhetorically sinuous and eminently tactful, at once calming the war of the theaters and previewing the subtle tonal shifts in the play that follows it. In Poetaster, Jonson presents “An armed Prologue,” which has often been mentioned as a precursor to Shakespeare's Troilus Prologue, but I argue that its surface similarities only highlight its differences in goals, methods, and most importantly tone. And by contrast with the epilogue in Antonio and Mellida, the Troilus Prologue presents a more subtly nuanced attempt to win the favor of an audience not wholly by self-effacement but by complex honesty and mimetic rhetoric, counterbalanced to anticipate the perplexing world of Shakespeare's play.","PeriodicalId":40862,"journal":{"name":"Ben Jonson Journal","volume":"263 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91328138","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Thomas L. Martin and Duke Pesta, The Renaissance and the Postmodern: A Study in Comparative Critical Values 托马斯·马丁、杜克·佩斯塔:《文艺复兴与后现代:比较批判价值研究》

IF 0.5 1区文学

Ben Jonson Journal Pub Date : 2021-11-01 DOI: 10.3366/bjj.2021.0319

David V. Urban

引用次数: 0

Back matter 回到问题

IF 0.5 1区文学

Ben Jonson Journal Pub Date : 2021-11-01 DOI: 10.3366/bjj.2021.0321

引用次数: 0