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Ben Jonson Journal Literary Awards 本-琼森期刊文学奖
IF 0.5 1区 文学
Ben Jonson Journal Pub Date : 2023-11-01 DOI: 10.3366/bjj.2023.0350
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引用次数: 0
Sidney’s Astrophil and Stella: A Reader’s Guide 西德尼的《阿斯特罗菲尔和斯特拉》：读者指南
IF 0.5 1区 文学
Ben Jonson Journal Pub Date : 2023-11-01 DOI: 10.3366/bjj.2023.0354
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引用次数: 0
Curtis Perry, Shakespeare and Senecan Tragedy 柯蒂斯·佩里，莎士比亚与塞内坎悲剧
IF 0.5 1区 文学
Ben Jonson Journal Pub Date : 2022-11-01 DOI: 10.3366/bjj.2022.0344
M. Stapleton
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引用次数: 0
Chris Fitter, Majesty and the Masses in Shakespeare and Marlowe: Western Anti-monarchism, the Earl of Essex Challenge, and Political Stagecraft 《莎士比亚与马洛的君主与大众:西方反君主主义、埃塞克斯伯爵的挑战和政治舞台艺术》
IF 0.5 1区 文学
Ben Jonson Journal Pub Date : 2022-11-01 DOI: 10.3366/bjj.2022.0343
Theodore Nollert
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引用次数: 0
Henry Vaughan: Pilgrim Marauder 亨利·沃恩:清教徒掠夺者
IF 0.5 1区 文学
Ben Jonson Journal Pub Date : 2022-11-01 DOI: 10.3366/bjj.2022.0342
Claudia A Keelan
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引用次数: 0
Literature, Truth, and Knowledge 文学、真理和知识
IF 0.5 1区 文学
Ben Jonson Journal Pub Date : 2022-11-01 DOI: 10.3366/bjj.2022.0340
L. Verheyen
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引用次数: 0
“What do you lack? What is’t you buy?”: Commodity and Community in Bartholomew Fair “你缺少什么?”你不买什么?:《巴塞洛缪集市上的商品与社区》
IF 0.5 1区 文学
Ben Jonson Journal Pub Date : 2022-11-01 DOI: 10.3366/bjj.2022.0337
A. Basu
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引用次数: 0
Hamlet, Fortinbras, and the Time Value of Risk in Shakespeare’s Elsinore 哈姆雷特、福丁布拉斯和莎士比亚《埃尔西诺》中风险的时间价值
IF 0.5 1区 文学
Ben Jonson Journal Pub Date : 2022-11-01 DOI: 10.3366/bjj.2022.0338
E. Wong
{"title":"Hamlet, Fortinbras, and the Time Value of Risk in Shakespeare’s Elsinore","authors":"E. Wong","doi":"10.3366/bjj.2022.0338","DOIUrl":"https://doi.org/10.3366/bjj.2022.0338","url":null,"abstract":"Is it better to defend against or assault fortune? By weaving together the adventures of two princes—one who is “risk on” and the other “risk off”—Shakespeare explores the mysteries of risk. While tragic protagonists frequently perish because they take questionable risks (Macbeth committing regicide, Caesar ignoring warnings, or Lear dividing Britain), Shakespeare explores in Hamlet whether caution is risk free. Caution is a source of systemic risk because opportunity is a sliding door and a window. By choosing caution instead of action, the window of opportunity may close. Although both Hamlet and Fortinbras start from similar circumstances and backgrounds, they end up in different places. Fortinbras, by maximizing risk, restores his ancestral prerogatives. Hamlet, by taking a more prudent course, paradoxically fails. Because risk has a time value, Hamlet dramatizes how the greatest risk may be taking insufficient risk. In tragedy, a world where the only thing that can be expected is the unexpected, there are always unexpected ways to fail (or succeed) that cannot be foreseen, but are patently obvious afterwards. When audiences analyze Hamlet with hindsight, they sometimes forget that it was with foresight they enjoyed the play: this is an artifact of Hamlet being too famous. To original audiences, it was unclear until the last whether Fortinbras or Hamlet would prove most royal. Only after the play ends does hindsight become twenty-twenty. Until then, the question of whether to defend against or assault fortune hangs in the balance, fueling drama’s engines.","PeriodicalId":40862,"journal":{"name":"Ben Jonson Journal","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80436076","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Convention of Self-Addressed Speech in Shakespeare’s Plays: New Empirical Data 莎士比亚戏剧中自称语的惯例:新的实证数据
IF 0.5 1区 文学
Ben Jonson Journal Pub Date : 2022-11-01 DOI: 10.3366/bjj.2022.0339
J. Hirsh
{"title":"The Convention of Self-Addressed Speech in Shakespeare’s Plays: New Empirical Data","authors":"J. Hirsh","doi":"10.3366/bjj.2022.0339","DOIUrl":"https://doi.org/10.3366/bjj.2022.0339","url":null,"abstract":"This essay presents the findings of a long-term empirical investigation into the history of soliloquies. The investigation is based on the bedrock distinction between dialogue in the sense of a speech directed at the hearing of one or more other characters and soliloquy in the sense of a speech not directed at the hearing of any other character. Many soliloquies so defined are short; many are guarded in asides from the hearing of other characters; many are unguarded in the presence of other characters. Scholars have ignored these categories and so have underestimated the vast extent of Shakespeare’s employment of the convention and the contexts in which soliloquies occur. The present essay presents for the first time a comprehensive account of all 1185 soliloquies in the canon by indicating the number of soliloquies in each play, the number of characters who soliloquize in each play, the gender distribution of soliloquizers, etc. The essay also presents new evidence that soliloquies in Shakespeare’s plays represented self-addressed speeches as a matter of convention (rather than audience addressed speeches or interior monologues). What emerges from this survey is a new appreciation of Shakespeare’s daring inventiveness in employing the convention that governed soliloquies in his plays.","PeriodicalId":40862,"journal":{"name":"Ben Jonson Journal","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90301497","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Milton’s Dantean Raphael
IF 0.5 1区 文学
Ben Jonson Journal Pub Date : 2022-05-01 DOI: 10.3366/bjj.2022.0330
Andrew D. Moran
{"title":"Milton’s Dantean Raphael","authors":"Andrew D. Moran","doi":"10.3366/bjj.2022.0330","DOIUrl":"https://doi.org/10.3366/bjj.2022.0330","url":null,"abstract":"While Raphael’s guidance of Adam has provoked much discussion, his origin in the Apocrypha, which Milton in Christian Doctrine derided as “fabulous, low, trifling, and quite foreign to real sagacity and religion,” deserves more attention. This article argues that his origin in Tobit, considered canonical by Catholics, is only the beginning of his Catholic identity. Through the “divine” Raphael, who encourages in Adam an exaggerated confidence in his own nature, Milton critiques another charming, philosophical, Catholic storyteller whose teachings are grounded in the analogia entis, the author of The Divine Comedy. Milton imitates Dante’s practice of making the epic predecessor a character—Raphael guides Adam as Virgil had the Pilgrim—to critique Dante’s poetic presumption and deficient understanding of sin. Michael, the angel from the Protestant Bible whose teaching hews closely to Scripture, with his emphasis on sin and obedience then provides a model for the Protestant poet.","PeriodicalId":40862,"journal":{"name":"Ben Jonson Journal","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74414936","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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