Ben Jonson Journal最新文献

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Motions and Spaces: What Collides in Ben Jonson's Epigrams 运动与空间:本·约翰逊警句中的碰撞
IF 0.5 1区 文学
Ben Jonson Journal Pub Date : 2018-11-01 DOI: 10.3366/BJJ.2018.0223
W. Kerwin
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引用次数: 1
Front matter 前页
IF 0.5 1区 文学
Ben Jonson Journal Pub Date : 2018-11-01 DOI: 10.3366/bjj.2018.0219
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引用次数: 0
“Rapt with sweet pleasure”: The Rhetoric of Dance in Sir John Davies’ Orchestra or A Poem of Dancing “沉醉于甜蜜的愉悦”:约翰·戴维斯爵士的《管弦乐队》或《舞蹈之诗》中的舞蹈修辞
IF 0.5 1区 文学
Ben Jonson Journal Pub Date : 2018-11-01 DOI: 10.3366/BJJ.2018.0222
Melissa Hudler
{"title":"“Rapt with sweet pleasure”: The Rhetoric of Dance in Sir John Davies’ Orchestra or A Poem of Dancing","authors":"Melissa Hudler","doi":"10.3366/BJJ.2018.0222","DOIUrl":"https://doi.org/10.3366/BJJ.2018.0222","url":null,"abstract":"This article examines the trope of dance in Orchestra or a Poem of Dancing, specifically the ways in which dance functions as a form of rhetoric and, ultimately, out-performs the seduction rhetoric of Antinous. Presented literally and metaphorically, dance as the subject of Antinous' rhetoric repels Penelope, while the image of dance that appears in Love's mirror enraptures her so strongly that she esteems the weaving and unweaving of bodies above her own weaving and unweaving of thread. This activity of chaste waiting is attended to also in metaphorical terms, as it provides a parallel with the ongoing weaving and simultaneous unweaving of Antinous' argument that Penelope should dance with him. The conclusion reached is that the verbal rhetoric of Antinous, while theoretically sound in its rhetorical characteristics and presentation, fails to sway Penelope. Ultimately, it is dance that proves the successful rhetor, as it performs eloquently and persuasively to move Penelope's mind toward accepting dance as a virtuous and noble activity, indeed moves her to be “rapt with sweet pleasure” at the sight of its measured oration. Framed in a delineation of the shared qualities of rhetoric and dance, this argument relies upon classical and Renaissance rhetoric and dance treatises, as well as the work of modern rhetoric, dance, and literature scholars.","PeriodicalId":40862,"journal":{"name":"Ben Jonson Journal","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90877594","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Of Lunatics, Lovers, and Poets: The Conversation about Poetry in Shakespeare's A Midsummer Night's Dream 论疯子、恋人与诗人:莎士比亚《仲夏夜之梦》中关于诗歌的对话
IF 0.5 1区 文学
Ben Jonson Journal Pub Date : 2018-11-01 DOI: 10.3366/BJJ.2018.0224
Donald Carlson
{"title":"Of Lunatics, Lovers, and Poets: The Conversation about Poetry in Shakespeare's A Midsummer Night's Dream","authors":"Donald Carlson","doi":"10.3366/BJJ.2018.0224","DOIUrl":"https://doi.org/10.3366/BJJ.2018.0224","url":null,"abstract":"Individual works of poetry and drama often contribute to a conversation that spans centuries, but A Midsummer Night's Dream contains a very specific dialogue in which Shakespeare takes the Jesuit priest-poet Robert Southwell for an interlocutor. Shakespeare creates this conversation by echoing Southwell's published work. By the first staging of A Midsummer Night's Dream, around 1595 or 1596, Southwell had endured a martyr's death; but that didn't stop Shakespeare from responding to the prescriptions laid down by Southwell about the proper way for Christian poets to write. His prefatory letter and introductory poem to the posthumous volume St. Peters Complaint make clear that Christian poets whose poems are not overtly devotional are squandering their talent. He remonstrates with such poets – one in particular, whom Southwell addresses as his “belov'd cousen” – to chasten themselves and to write poetry more in the vein of the reverent and improving verses included in Southwell's own volume. Through the character of Theseus, especially, and in the structure of the play, more generally, Shakespeare replies to Southwell. Shakespeare doesn't simply reject Southwell, but rather evokes an understanding of piety and poetry consistent with the pre-Reformation, late medieval Church. This understanding is one that allows room for juxtaposing the sacred and the profane as opposed to championing one at the expense of the other.","PeriodicalId":40862,"journal":{"name":"Ben Jonson Journal","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87961176","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Back matter 回到问题
IF 0.5 1区 文学
Ben Jonson Journal Pub Date : 2018-11-01 DOI: 10.3366/bjj.2018.0232
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引用次数: 0
David Oliver Davies', Milton's Socratic Rationalism: The Conversations of Adam and Eve in Paradise Lost 大卫·奥利弗·戴维斯,弥尔顿的苏格拉底理性主义:《失乐园》中亚当和夏娃的对话
IF 0.5 1区 文学
Ben Jonson Journal Pub Date : 2018-11-01 DOI: 10.3366/BJJ.2018.0229
Dwight A. Lindley
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引用次数: 2
Ben Jonson Journal Literary Awards 本·约翰逊杂志文学奖
IF 0.5 1区 文学
Ben Jonson Journal Pub Date : 2018-11-01 DOI: 10.3366/bjj.2015.0118
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引用次数: 0
Jerusalem Syndrome: A Commentary on “If Infinite Worlds, Infinite Centers” by Margaret Cavendish 耶路撒冷综合症:评玛格丽特·卡文迪什的《无限世界,无限中心
IF 0.5 1区 文学
Ben Jonson Journal Pub Date : 2018-11-01 DOI: 10.3366/bjj.2018.0228
Kazim Ali
{"title":"Jerusalem Syndrome: A Commentary on “If Infinite Worlds, Infinite Centers” by Margaret Cavendish","authors":"Kazim Ali","doi":"10.3366/bjj.2018.0228","DOIUrl":"https://doi.org/10.3366/bjj.2018.0228","url":null,"abstract":"","PeriodicalId":40862,"journal":{"name":"Ben Jonson Journal","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73829863","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Whither Hamlet's “Words, Words, Words”? Notes on Dialogue and Designs in Hamlet 哈姆雷特的“言语,言语,言语”到哪里去了?《哈姆雷特》对白与设计注解
IF 0.5 1区 文学
Ben Jonson Journal Pub Date : 2018-11-01 DOI: 10.3366/bjj.2018.0225
T. Clayton
{"title":"Whither Hamlet's “Words, Words, Words”? Notes on Dialogue and Designs in Hamlet","authors":"T. Clayton","doi":"10.3366/bjj.2018.0225","DOIUrl":"https://doi.org/10.3366/bjj.2018.0225","url":null,"abstract":"Four Hamlets and Hamlets have evolved from recent text-editorial practice, corresponding with, respectively, Q1 1603, Q2 1604–05, F 1623, and the composite received text combining Q2 and F. Q2 is the fullest and most authoritative text, F is a slightly shorter, cut revision containing passages omitted in Q2. At present, Q1—half the length of Q2—is either young Shakespeare's first version or, more likely, a later derivative of F1's ancestor (c. 1601–03). Although the most recent editors (of Arden 3 and the New Oxford Shakespeare) favor individual editions of Q1, Q2, and F, there remains much to be said for the received composite text that intercuts longer passages omitted in Q2 and F as a reader's text of the whole literary Hamlet. This Hamlet benefits from full dialogue by and about the Prince, including his important speeches cut in F and in most productions, 1.4.17–38 (notably “So oft it chances”), and his last soliloquy, 4.4.32–66 (“How all occasions do inform against me”). The whole Hamlet is a salutary corrective to the post-Romantic Hamlet-as-Coleridge and Olivier's voice-overed “man who could not make up his mind.” Not mad, he feigns well in prose that serves as easily in genial conversation with those of lower social station—guards, players, gravediggers—and like much else shows him something of a mensh. Hamlet was every inch a king-in-waiting (not much longer: “This is I, Hamlet the Dane”), and he dies, politically responsible, casting his vote for Fortinbras. In the perspective of our own time, “His greatest operational weapon is his humanity.”","PeriodicalId":40862,"journal":{"name":"Ben Jonson Journal","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76956100","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Mr Shuckspr'se Box” 《肖克先生的盒子》
IF 0.5 1区 文学
Ben Jonson Journal Pub Date : 2018-11-01 DOI: 10.3366/BJJ.2018.0230
J. Pollock
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引用次数: 1
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