Estudios Romanicos最新文献

{"title":"Trastullo delle donne di Faustino Perisauli da Tredozio: un unicum nella Querelle des femmes","authors":"D. Cerrato","doi":"10.6018/er.506711","DOIUrl":"https://doi.org/10.6018/er.506711","url":null,"abstract":"The aim of our study is to analyse Faustino Perisauli’s Il Trastullo delle donne within the Querelle des Femmes. Perisauli's poem in octaves, which is a response to the misogynist text Sonaglio delle donne composed by Bernardo Giambullari, is one of the few examples of compositions in verse within the debate on female dignity that had already been developed in the fourteenth century with texts such as Ahi lasso che li boni e li malvagi de Guittone d'Arezzo. Following his example, Perisauli proclaimed himself an advocate of the female sex and refuted some of the prejudices and accusations addressed to women. He introduces a whole series of arguments that would also be used by the 16th-century “defenders of women” in their dialogues and by the women writers of the 16th and 17th centuries. Addressing his antagonist to all men in general, the author of the Trastullo thus seems to propose in his text, albeit in a playful manner, a different model of masculinity.\u0000 L’obiettivo del nostro studio è analizzare Il Trastullo delle donne di Faustino Perisauli all’interno della Querelle des Femmes. Il poemetto in ottave di Perisauli che costituisce la risposta al testo misogino Sonaglio delle donne composto da Bernardo Giambullari rappresenta uno dei pochi esempi di composizioni in versi nell’ambito del dibattito sulla dignità femminile già sviluppatosi nel Trecento con testi come “Ahi lasso che li boni e li malvagi” de Guittone d’Arezzo. Seguendo il suo esempio, Perisauli si autoproclama paladino del sesso femminile e confuta alcuni dei pregiudizi e delle accuse rivolte alle donne. Introduce tutta una serie di argomenti di cui si serviranno anche i “difensori delle donne” cinquecenteschi nei loro dialoghi e le trattatiste del Cinquecento e del Seicento. Rivolgendosi al suo antagonista ma a tutti gli uomini in generale l’autore del Trastullo sembra dunque proporre nel suo testo seppur in maniera giocosa, un modello differente di mascolinità.\u0000 L’obiettivo del nostro studio è analizzare Il Trastullo delle donne di Faustino Perisauli all’interno della Querelle des Femmes. Il poemetto in ottave di Perisauli che costituisce la risposta al testo misogino Sonaglio delle donne composto da Bernardo Giambullari rappresenta uno dei pochi esempi di composizioni in versi nell’ambito del dibattito sulla dignità femminile già sviluppatosi nel Trecento con testi come “Ahi lasso che li boni e li malvagi” de Guittone d’Arezzo. Seguendo il suo esempio, Perisauli si autoproclama paladino del sesso femminile e confuta alcuni dei pregiudizi e delle accuse rivolte alle donne. Introduce tutta una serie di argomenti di cui si serviranno anche i “difensori delle donne” cinquecenteschi nei loro dialoghi e le trattatiste del Cinquecento e del Seicento. Rivolgendosi al suo antagonista ma a tutti gli uomini in generale l’autore del Trastullo sembra dunque proporre nel suo testo seppur in maniera giocosa, un modello differente di mascolinità.","PeriodicalId":40848,"journal":{"name":"Estudios Romanicos","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47837050","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Créativité lexicale en récit bédéistique : interjection et onomatopée","authors":"Anna Bobinska","doi":"10.6018/er.510811","DOIUrl":"https://doi.org/10.6018/er.510811","url":null,"abstract":"The comic, as an art, represents a remarkable mean of literary and graphic expression. The construction of meaning in this type of narrative, and consequently its decoding, relies essentially on the networking of a set of visual and textual codes that allow an idea to be adapted or a story to be told in a unique and original way. Therefore, in this paper, we attempt to reflect on those elements of comic language that constitute a significant vehicle for lexical creativity, namely interjections and onomatopoeia, in order to present the expressive and interpretable potential of sequential art. Our study is based on the corpus from written language derived from the contemporary noir comic book series Blacksad created by Juan Díaz Canales and Juanjo Guarnido.\u0000 La bande dessinée, en tant que forme d’art, représente un moyen d’expression littéraire et graphique fort remarquable. La construction du sens dans ce type de narration, et par conséquent son décryptage, repose essentiellement sur l’imbrication d’un ensemble de codes visuels et textuels permettant d’adapter une idée ou de raconter une histoire de manière unique et originale. Le présent article se propose donc de réfléchir sur ces éléments du langage bédéistique qui constituent un vecteur important de créativité lexicale, à savoir les interjections et les onomatopées, afin de présenter le potentiel expressif et interprétable de l'art séquentiel. Notre étude est fondée sur un corpus de la langue écrite, élaboré à partir d’une série de bande dessinée policière contemporaine Blacksad, créée par Juan Díaz Canales et Juanjo Guarnido.\u0000 La bande dessinée, en tant que forme d’art, représente un moyen d’expression littéraire et graphique fort remarquable. La construction du sens dans ce type de narration, et par conséquent son décryptage, repose essentiellement sur l’imbrication d’un ensemble de codes visuels et textuels permettant d’adapter une idée ou de raconter une histoire de manière unique et originale. Le présent article se propose donc de réfléchir sur ces éléments du langage bédéistique qui constituent un vecteur important de créativité lexicale, à savoir les interjections et les onomatopées, afin de présenter le potentiel expressif et interprétable de l'art séquentiel. Notre étude est fondée sur un corpus de la langue écrite, élaboré à partir d’une série de bande dessinée policière contemporaine Blacksad, créée par Juan Díaz Canales et Juanjo Guarnido.","PeriodicalId":40848,"journal":{"name":"Estudios Romanicos","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46451839","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Los monólogos dramáticos de Circe, Fedra y Medea en Claribel Alegría: ni brujas ni locas","authors":"Josefa Fernández Zambudio","doi":"10.6018/er.491681","DOIUrl":"https://doi.org/10.6018/er.491681","url":null,"abstract":"We analyze the renewal of feminine paradigms from the rewriting of myths carried out by Claribel Alegría (1924-2018) in her poetic work. Through the verses of this Nicaraguan-Salvadoran author, we study the representation of various mythical characters, who distance themselves from the dialectics that present the woman in love as a witch and mad, characterized by the use of trickery and for being an irrational person. The voices of Circe, Phaedra and Medea, three women belonging to the tradition of Greco-Roman mythology and genealogically linked, are presented in dramatic monologues that examine the paradigm of the dangerous lover. The absence of previous studies on this topic and its relevance for literary representation of women today justify our contribution.\u0000 Analizamos la renovación de paradigmas femeninos a partir de la reescritura de los mitos llevada a cabo por Claribel Alegría (1924-2018) en su obra poética. A través de los versos de esta autora nicaragüense-salvadoreña, estudiamos la representación de diversos personajes míticos, que se alejan de las dialécticas que presentan a la mujer enamorada como bruja y loca, que utiliza sus malas artes y que es irracional. Las voces de Circe, Fedra y Medea, tres mujeres pertenecientes a la tradición de la mitología grecolatina y vinculadas genealógicamente, se presentan en monólogos dramáticos que revisan el paradigma de la enamorada peligrosa. La ausencia de estudios previos sobre este tema y su relevancia para la representación literaria de la mujer hoy justifican nuestra aportación.","PeriodicalId":40848,"journal":{"name":"Estudios Romanicos","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47784488","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"O refrán das cantigas galego-portuguesas: variación e edición","authors":"Manuel Ferreiro","doi":"10.6018/er.502821","DOIUrl":"https://doi.org/10.6018/er.502821","url":null,"abstract":"The presence of a refrain is observed throughout most of the text corpus of Galician-Portuguese cantiga poetry (especially among the cantigas de amigo) and is generally characterised by repetition of the same verse (or combination of verses) in each strophe. Analysis of the manuscript, however, reveals a number of differences between refrains that contradict this rule. The aim of this article is to present a preliminary manuscript analysis of spelling, phonetic, linguistic and stylistic variation in the refrains of medieval Galician troubadour poetry, and to expose the (questionable) tendency among most editions to standardise these differences.\u0000 O refrán das cantigas galego-portuguesas, con presenza maioritaria no corpus textual, nomeadamente no xénero de amigo, caracterízase, aparentemente, pola súa repetición íntegra en todas as estrofas; non obstante, os manuscritos ofrecen con certa frecuencia mudanzas que contrastan con esa esperada reiteración literal. \u0000Este artigo visa realizar unha primeira aproximación á variación (gráfico-fonética, lingüística, estilística…) que se rexistra nos refráns das cantigas trobadorescas, oculta en numerosas ocasións polo (discu­tíbel) apagamento que se produce na maioría das edicións da lírica profana galego-portuguesa.","PeriodicalId":40848,"journal":{"name":"Estudios Romanicos","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44349564","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"valores humanos y humanistas de Aonio Paleario","authors":"J. García Fernández","doi":"10.6018/er.495711","DOIUrl":"https://doi.org/10.6018/er.495711","url":null,"abstract":"Fully committed to supporting equal rights and promoting an alternative model of masculinity, the humanist Aonio Paleario published Dell’economia o vero del governo della casa (1555) to give an account of his progressive values and his initiatives to defend equal rights of women. Attentive to this philogynous testimony key to the Querelle des femmes, the article presents the anthropological and cultural characteristics typical of the male and female groups in 500-year-old Italian –and especially Tuscan– society, paying particular attention to ‘moral obligations’ of men and women in the sixteenth century. To this end, a critical reading and philological analysis of Paleario’s literary work is carried out. Thanks to this methodological approach, it can be concluded that, misogyny notwithstanding, dialogue and negotiation is still possible, women do have a voice of their own, and social order can be reversed on an equal footing.\u0000 Firme en su compromiso por la paridad de género y promotor de un modelo alternativo de masculinidad, el humanista Aonio Paleario publicó Dell’economia o vero del governo della casa (1555) para dar cuenta de sus valores progresistas y de sus iniciativas en defensa de las mujeres. Atentos a este testimonio filógino clave para la Querelle des femmes, este artículo presenta las particularidades antropológicas y culturales propias del colectivo masculino y femenino en la sociedad italiana –y, en especial, en la toscana– quinientista, aunque deteniéndonos con especial atención en las “obligaciones morales” de los hombres y las mujeres del siglo XVI. Para ello se hace una lectura crítica y análisis filológico de la obra de Paleario, de manera que, gracias a este enfoque metodológico, se puede concluir cómo, muy a pesar de la misoginia, aún es posible dialogar, darles voz a las mujeres y revertir el orden social establecido en pie de igualdad.","PeriodicalId":40848,"journal":{"name":"Estudios Romanicos","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45191011","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La création de rétronymes dans le lexique de l'enseignement à l'heure du numérique","authors":"Silvia Domenica Zollo","doi":"10.6018/er.510391","DOIUrl":"https://doi.org/10.6018/er.510391","url":null,"abstract":"In this contribution, we propose to study a specific typology of secondary lexical creation – retronymy – a lexicogenetic mechanism consisting in the relexicalisation of an already existing object and/or concept, following the appearance of a conceptual and formal neologism to which it is semantically linked. To do this, we first propose a theoretical framework of the phenomenon and then move on to an analysis based on the diachronic exploration (short diachrony) of the lexicon of education in relation to ICT, using the web corpus. The use of corpora will allow us to track and graphically capture lexical change by means of frequency distribution curves of lexical units belonging to the chosen domain. It will also allow us to empirically test the validity of the theoretical principles that, according to our hypothesis, support the mechanism of retronymic creation, as well as to offer a model of the prototypical profile of retronyms.\u0000 Dans cette contribution nous proposons d’étudier une typologie particulière de création lexicale secondaire– la rétronymie– un mécanisme lexicogénétique qui consiste dans la relexicalisation d’un objet, d’un concept déjà existant, suite à l’apparition d’un néologisme conceptuel et formel avec lequel il est sémantiquement lié. Pour ce faire, nous proposons tout d’abord un encadrement théorique du phénomène pour passer, ensuite, à une analyse basée sur l’exploration diachronique (diachronie courte) du lexique de l’enseignement à l’heure du numérique, à partir du corpus Web. L’utilisation de corpus nous permettra de suivre et de saisir graphiquement le changement lexical au moyen de courbes de distribution de fréquence des unités lexicales appartenant au domaine choisi. Cela nous permettra également de tester empiriquement la validité des principes théoriques qui, selon notre hypothèse, soutiennent le mécanisme de création rétronymique, ainsi que d’offrir une modélisation du profil prototypique des rétronymes.","PeriodicalId":40848,"journal":{"name":"Estudios Romanicos","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43510610","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Au fil de la pandemie de Covid-19, entre mots et termes","authors":"C. Jacquet-Pfau","doi":"10.6018/er.510821","DOIUrl":"https://doi.org/10.6018/er.510821","url":null,"abstract":"The Covid-19 pandemic has triggered an unprecedented coining of new words, many of which have been included in the general language dictionary Le Petit Larousse illustré. We will focus our study on the ways in which the dictionary has coped with this influx, paying close attention to one of the specific aspects of this neology, i.e. the way words shift from language of special purposes to language of general purposes and how the two of them overlap. It turns out that the interplay between public health, politics and society has created a vocabulary shared by both specialists and non-specialists. Le Petit Larousse illustré 2022 gives an insight into what could be considered the trade-mark of this lexical evolution and illustrates the transformation of the speakers’ attitude towards the language they have in common.\u0000 La crise de Covid-19 a suscité une néologie lexicale inédite dont le dictionnaire d’usage Le Petit Larousse illustré s’est très vite fait l’écho. Nous nous intéressons ici aux principales modalités selon lesquelles s’est faite cette évolution lexicographique, en accordant une attention particulière à un des aspects spécifiques de cette néologie: les transferts ou recoupements entre la langue courante et la langue spécialisée. En effet, les liens entre les contextes sanitaire, politique et sociétal ont en quelque sorte favorisé la création d’un vocabulaire commun aux spécialistes et aux profanes. Le Petit Larousse illustré 2022 permet d’analyser, sur un petit corpus, ce que l’on peut considérer comme la «marque de fabrique» de cette évolution mais aussi comme une transformation de la relation des locuteurs à une langue partagée.\u0000 La crise de Covid-19 a suscité une néologie lexicale inédite dont le dictionnaire d’usage Le Petit Larousse illustré s’est très vite fait l’écho. Nous nous intéressons ici aux principales modalités selon lesquelles s’est faite cette évolution lexicographique, en accordant une attention particulière à un des aspects spécifiques de cette néologie: les transferts ou recoupements entre la langue courante et la langue spécialisée. En effet, les liens entre les contextes sanitaire, politique et sociétal ont en quelque sorte favorisé la création d’un vocabulaire commun aux spécialistes et aux profanes. Le Petit Larousse illustré 2022 permet d’analyser, sur un petit corpus, ce que l’on peut considérer comme la «marque de fabrique» de cette évolution mais aussi comme une transformation de la relation des locuteurs à une langue partagée.\u0000Mots-clés: Néologie, Covid-19, Lexicographie, Dictionnaire Le Petit Larousse illustré, Langue usuelle, Langue spécialisée","PeriodicalId":40848,"journal":{"name":"Estudios Romanicos","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46380251","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Néologismes en discours spécialisé. Analyse comparée des noms de stades de football dans quatre pays europeens","authors":"M. Bach, Javier Fernández-Cruz, L. Gautier, F. Koch, M. Llorca","doi":"10.6018/er.510481","DOIUrl":"https://doi.org/10.6018/er.510481","url":null,"abstract":"The present contribution intends to innovate in neology and onomastic analysis, by relying on an empirical study of soccer stadium names in France, Germany, England and Spain, in order to validate on corpus a holistic, discursive, cognitive, and interdisciplinary approach of neology. For this purpose, we will establish a theoretical framework, based on the recognition of the limits of formal models of neology, in order to integrate discursive variables, and also to capture the totality of the social mechanisms governing the displayed use of linguistic structures. These structures are characterized by non-compositionality and specialized informational linearization. In fact, the soccer stadium names, result of the naming process, related to the commodification of the soccer sector, deploy a new neologic structure such as <[SPONSOR]+ [GENERIC TOPONYM]>, which gives birth to results such as Allianz Arena or Emirates Stadium. This analysis of stadium names is part of a larger project focused on specialized discourses.\u0000 La présente contribution entend innover dans l’analyse néologique et onomastique, en partant d’une étude empirique de noms de stades de football en France, Allemagne, Angleterre et Espagne, pour valider sur corpus une approche holistique, discursive, cognitive et interdisciplinaire de la néologie. En effet, à cette fin, nous déployons un cadre théorique reposant sur la reconnaissance des limites des modèles formels de néologie, afin d’intégrer les variables discursives, dans le but saisir la totalité des mécanismes sociaux régissant l’usage attesté de structures linguistiques. Lesdites structures se caractérisent par une non-compositionnalité et une linéarisation informationnelle spécialisée. En effet, les noms de stade, issus du processus de naming, relatif à la commodification du secteur du football, déploient un schéma néologique nouveau tel que <[SPONSOR]+[TOPONYME GENERIQUE]>, permettant de générer des réalisations, tels que Allianz Arena ou Emirates Stadium. Cette analyse des noms de stade s’insère dans un projet plus vaste d’étude des discours de spécialité.\u0000 ras","PeriodicalId":40848,"journal":{"name":"Estudios Romanicos","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49312070","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Diego Sandoval De Castro, un barlume intellettuale nell'oscura torre di Isabella Morra.","authors":"Martina Lopez","doi":"10.6018/er.498111","DOIUrl":"https://doi.org/10.6018/er.498111","url":null,"abstract":"Diego Sandoval de Castro, a poet of Spanish origins, published his “Petrarchian rhymes” in Naples in 1542, but these were not his only writings. The poet, in fact, offered the poetess Isabella Morra, imprisoned in a tower due to the oppressive and cruel attitude of her brothers, a disinterested and curious friendship concerning her art and her poetics, leaving testimony of this in the letters he addressed to her. Diego Sandoval de Castro represented for Isabella Morra the only contact with the outside world, the only intellectual chemistry comparable to a functional human relationship. Although the social system of the time ruthlessly crushed their relationship, collection of their letters remains as an example of a phylogenical approach to suffering and female condition.\u0000 Diego Sandoval de Castro, poeta di origini spagnole, pubblicò a Napoli le sue “Rime petrarchesche” nel 1542, ma non furono i suoi unici scritti. Il poeta, infatti, offrì alla poetessa Isabella Morra, reclusa in una torre a causa dell’atteggiamento oppressore e crudele dei fratelli, un’amicizia disinteressata e curiosa verso la sua arte e la sua poetica, lasciando testimonianza di questo nelle lettere a lei indirizzate. Diego Sandoval de Castro rappresentò per Isabella Morra l’unico contatto con il mondo esteriore, l’unica intesa intellettuale paragonabile a una relazione umana funzionale. Nonostante il sistema sociale dell’epoca abbia schiacciato in modo spietato la loro relazione, lo scambio epistolare rimane un esempio di approccio filogino alla sofferenza e alla condizione femminile.","PeriodicalId":40848,"journal":{"name":"Estudios Romanicos","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43901803","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Femminile e maschile nell'Orazione in lode alle donne di Alessandro Piccolomini","authors":"Mercedes Arriaga Florez","doi":"10.6018/er.506761","DOIUrl":"https://doi.org/10.6018/er.506761","url":null,"abstract":"This article analyses the figures of women and men in the text of the Orazione in lode alle donne (1545), written by Alessandro Piccolomini, in which he accuses his colleagues, literary friends, of not knowing how to treat women well while he, alternatively, puts himself as their defender. The rhetorical game has its origins in these recipients and interlocutors of this work who have a familial bond, a friendship or literary tastes and political tendencies in common with the author. The author's ironic and ambiguous attitude towards the concepts of feminine and masculine is closely linked to the atmosphere of playfulness in the Accademia degli Intronati and the complicity between its members, which allows double engenders and a mock dialectical clash, in which the author represents his companions as characters of a farce, characterized by their misogynistic ideas that are “dicted” in the text to be “contradicted” by Piccolomini. The text thus develops under the sign of the splitting masculinity and femininity: courtly men versus vulgar men, virtuous women versus vicious women within the context of idealised love against carnal love.\u0000 Questo articolo prende in analisi le figure di donne e di uomini presenti nel testo dell’Orazione in lode alle donne (1545), composta da Alessandro Piccolomini, nella quale ammonisce i colleghi, amici letterati, colpevoli di non saper trattare bene le donne mentre, in alternativa, lui si propone come il loro difensore. Il gioco retorico ha origine in questi destinatari e interlocutrici dell’opera che condividono con l’autore legami familiari, amicizia, gusti letterari e tendenze politiche. L’atteggiamento ironico e ambiguo dell’autore verso i concetti di femminile e maschile è strettamente legato al clima di gioco presente nell’Accademia degli Intronati e alla complicità fra i loro membri che permette i doppi sensi e il finto scontro dialettico, nel quale l’autore rappresenta i suoi compagni come personaggi di una farsa, connotati attraverso le loro idee misogine che vengono “dette” nel testo per essere “contraddette” da Piccolomini. Il testo si sviluppa così sotto il segno dello sdoppiamento del maschile e femminile: uomini cortesi versus uomini volgari, donne virtuose versus male donne in un contesto dell’amore idealizzato versus quello carnale.\u0000 Questo articolo prende in analisi le figure di donne e di uomini presenti nel testo dell’Orazione in lode alle donne (1545), composta da Alessandro Piccolomini, nella quale ammonisce i colleghi, amici letterati, colpevoli di non saper trattare bene le donne mentre, in alternativa, lui si propone come il loro difensore. Il gioco retorico ha origine in questi destinatari e interlocutrici dell’opera che condividono con l’autore legami familiari, amicizia, gusti letterari e tendenze politiche. L’atteggiamento ironico e ambiguo dell’autore verso i concetti di femminile e maschile è strettamente legato al clima di gioco presente nell’Accademia degli Intronati e alla complicità f","PeriodicalId":40848,"journal":{"name":"Estudios Romanicos","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47719400","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}