MESTERPub Date : 2019-01-01DOI: 10.5070/m3481045661
J. Espinal
{"title":"La memoria de lo perdido y de lo que nunca fue. Notas sobre la nostalgia en La muerte de Artemio Cruz","authors":"J. Espinal","doi":"10.5070/m3481045661","DOIUrl":"https://doi.org/10.5070/m3481045661","url":null,"abstract":"Author(s): ESPINAL, JULIANA | Abstract: Ha corrido mucha tinta sobre la complejidad narrativa o el ingenio con el que Carlos Fuentes trata la historia politica mexicana en su novela La muerte de Artemio Cruz (1962). Hay, sin embargo, un tema que aun requiere ser estudiado con mayor profundidad: el caracter nostalgico de la novela. En el presente articulo sostengo que hay dos tipos especificos de nostalgia en la obra; una asociada a la voz del Tu y otra en la voz del El. La nostalgia del Tu surge muy temprano en el proceso de concientizacion del Artemio moribundo y, por lo tanto, esta aun muy unida a la vision que el viejo Artemio tiene de si mismo para ese momento. La nostalgia del El se despierta cuando el proceso de concientizacion ha avanzado, Artemio esta mas cerca de la muerte y, simultaneamente, esta mas cerca de su origen. Asi, mientras la primera nostalgia separa a Artemio de su ser mas intimo, la segunda lo lleva de regreso a ese momento primero en el que Artemio era la posibilidad infinita de todos los hombres.","PeriodicalId":40833,"journal":{"name":"MESTER","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70755022","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
MESTERPub Date : 2019-01-01DOI: 10.5070/m3481045281
Ernesto Arciniega
{"title":"“El binomio hombre/mujer es tan insistente como insuficiente”; Una entrevista a Brad Epps","authors":"Ernesto Arciniega","doi":"10.5070/m3481045281","DOIUrl":"https://doi.org/10.5070/m3481045281","url":null,"abstract":"Author(s): Arciniega, Ernesto | Abstract: Introduccion y preguntas de entrevista por Ernesto Arciniega, estudiante de doctorado de la Universidad de California, Los Angeles","PeriodicalId":40833,"journal":{"name":"MESTER","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70755405","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
MESTERPub Date : 2019-01-01DOI: 10.5070/m3481042146
Alison Posey
{"title":"Rhetorical Self-Fashioning in Aramburu: A Contemporary Take on Cervantine Techniques","authors":"Alison Posey","doi":"10.5070/m3481042146","DOIUrl":"https://doi.org/10.5070/m3481042146","url":null,"abstract":"Author(s): Posey, Alison | Abstract: In Cervantes’ Don Quijote (1605), Dulcinea does not participate in any dialogue, and yet still appears a vivid character as real as the other female characters who do speak in the novel. Dulcinea, a figment of others’ imaginations, forms a sharp contrast with the character of Marcela, who fashions an authoritative self through dialogue with other characters. Marcela’s self, like Dulcinea’s, is relational to others’; however, her self-fashioning frees her from the objectification of Dulcineism and instead Marcela makes herself a character that transgresses conventional narratives, both cultural and literary. Likewise, a similar rejection of Dulcineism and a desire to craft her life story through her dialectical exchanges with the rest of the characters enables Miren, a principal female character in Aramburu’s Patria (2016), to fashion a self that actively contravenes the general perspective of her son’s supposed crimes as an etarra. In this analysis, I consider the Cervantine technique of rhetorical self-fashioning in characters such as Marcela and I trace this technique in the development of the character of Miren in Aramburu’s contemporary novel, Patria. Cervantes’ Marcela inaugurates the self-fashioning character in Western fiction, which is expanded by Aramburu four-hundred years later with his female character, Miren. Like Marcela, Miren must fashion herself against a polyphony of voices, frequently male, that provide a variety of narratives shaping the events of her life. I argue that Aramburu’s character, like Cervantes’, is empowered to author her own narrative to contravene an undesired outcome. Furthermore, both female characters use dialogue to reject the common literary tendency towards Dulcineism and, through relational rhetoric, disregard conventional narratives in favor of creating their own: a remarkable choice for female characters, both then and now.","PeriodicalId":40833,"journal":{"name":"MESTER","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70755430","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
MESTERPub Date : 2017-01-01DOI: 10.1163/2468-1733_shafr_sim140160520
D. Cooper
{"title":"Patrick Iber. Neither Peace nor Freedom: The Cultural Cold War in Latin America","authors":"D. Cooper","doi":"10.1163/2468-1733_shafr_sim140160520","DOIUrl":"https://doi.org/10.1163/2468-1733_shafr_sim140160520","url":null,"abstract":"Book review of PATRICK IBER. Neither Peace nor Freedom: The Cultural Cold War in Latin America. Cambridge: Harvard UP, 2015. 336 pp.","PeriodicalId":40833,"journal":{"name":"MESTER","volume":"45 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"64416534","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
MESTERPub Date : 2014-01-01DOI: 10.5860/choice.50-6648
D. Z. Hough-Snee
{"title":"More, Anna. Baroque Sovereignty. Carlos de Sigüenza y Góngora and the Creole Archive of Colonial Mexico","authors":"D. Z. Hough-Snee","doi":"10.5860/choice.50-6648","DOIUrl":"https://doi.org/10.5860/choice.50-6648","url":null,"abstract":"Author(s): Zavalza Hough-Snee, Dexter | Abstract: Review of Anna More's Baroque Sovereignty","PeriodicalId":40833,"journal":{"name":"MESTER","volume":"43 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2014-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71142262","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
MESTERPub Date : 2011-11-23DOI: 10.1163/ej.9789004202405.i-666.71
G. Márkus
{"title":"Antinomies of 'Culture'","authors":"G. Márkus","doi":"10.1163/ej.9789004202405.i-666.71","DOIUrl":"https://doi.org/10.1163/ej.9789004202405.i-666.71","url":null,"abstract":"This section contains a list of terms and concepts that occur in this book titled Culture, science, society: the constitution of cultural modernity . The essays in this volume have been written throughout a rather longish period of time - nearly forty years. On the background of such an underlying unity the essays in this volume clearly fall into two different groups. The first part of these writings attempts to address the difficulties and strains of our notion of high culture directly, but they deal primarily with the cognitive constituents of its idea, i.e. with science and philosophy. The problems connected with the idea and with the past and present practices of high art are primarily addressed by the essays constituting the second part of this collection (though some of them continue the discussion of the more general questions related to the idea of high culture).Keywords: cultural modernity; society","PeriodicalId":40833,"journal":{"name":"MESTER","volume":"59 1","pages":"633-653"},"PeriodicalIF":0.0,"publicationDate":"2011-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"64595970","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
MESTERPub Date : 2011-11-16DOI: 10.19130/IIFL.LITMEX.5.1.1994.1089
Efraín Kristal
{"title":"Asociaciones: una lectura de Mephisto Watzer","authors":"Efraín Kristal","doi":"10.19130/IIFL.LITMEX.5.1.1994.1089","DOIUrl":"https://doi.org/10.19130/IIFL.LITMEX.5.1.1994.1089","url":null,"abstract":"En este trabajo se explora la estetica de la asociacion en el cuento \"Mephisto Waltzer\", en el cual se muestra con claridad la relacion que se establece en la narrativa de Sergio Pitol entre la cotidianidad enganosa y la fantasia literaria. Se abordan aqui los distintos componentes del juego de cajas chinas de \"Mephisto Waltzer\", haciendose hincapie en las alusiones, tanto internas como externas, a La sonata de Kreutzer de Leon Tolstoi. En \"Mephisto Waltzer\" Pitol ensaya con elegancia y economia uno de sus temas predilectos: la ambiguedad del arte.","PeriodicalId":40833,"journal":{"name":"MESTER","volume":"23 1","pages":"45-52"},"PeriodicalIF":0.0,"publicationDate":"2011-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67702757","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}