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The Stanislavsky-Grotowski lineage: part I 斯坦尼斯拉夫斯基-格罗托夫斯基血统:第一部分
IF 0.2
Stanislavski Studies Pub Date : 2023-01-02 DOI: 10.1080/20567790.2023.2196286
Virginie Magnat
{"title":"The Stanislavsky-Grotowski lineage: part I","authors":"Virginie Magnat","doi":"10.1080/20567790.2023.2196286","DOIUrl":"https://doi.org/10.1080/20567790.2023.2196286","url":null,"abstract":"ABSTRACT The connection between Konstantin Stanislavsky and Jerzy Grotowski is often overlooked or underplayed because there are substantial distinctions between them in terms of practices and approaches. In Part I of this essay, I examine Grotowski’s reflections on the significance of Stanislavsky’s final experiments for his own artistic research, I identify key points of connection between the Russian and Polish directors’ respective investigations of performance processes, and I foreground these convergences as particularly consequential in the context of the often-divergent genealogies of twentieth century theatre historiography. In Part II, I explore the implications of the Stanislavsky-Grotowski lineage for contemporary performance research in light of current explorations of embodied experience in neuroscience and phenomenology.","PeriodicalId":40821,"journal":{"name":"Stanislavski Studies","volume":"25 1","pages":"45 - 62"},"PeriodicalIF":0.2,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81225392","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Soviet Theatre during the Thaw: Aesthetics, Politics and Performance 解冻时期的苏联戏剧:美学、政治与表演
IF 0.2
Stanislavski Studies Pub Date : 2023-01-02 DOI: 10.1080/20567790.2023.2196304
Alisa Ballard Lin
{"title":"Soviet Theatre during the Thaw: Aesthetics, Politics and Performance","authors":"Alisa Ballard Lin","doi":"10.1080/20567790.2023.2196304","DOIUrl":"https://doi.org/10.1080/20567790.2023.2196304","url":null,"abstract":"","PeriodicalId":40821,"journal":{"name":"Stanislavski Studies","volume":"50 1","pages":"111 - 114"},"PeriodicalIF":0.2,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85221585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Belief through Knowledge: The Relationship of Knebel’s Active Analysis to Stanislavsky’s System 通过知识的信念:克涅贝尔的主动分析与斯坦尼斯拉夫斯基体系的关系
IF 0.2
Stanislavski Studies Pub Date : 2023-01-02 DOI: 10.1080/20567790.2023.2196284
S. Carnicke
{"title":"Belief through Knowledge: The Relationship of Knebel’s Active Analysis to Stanislavsky’s System","authors":"S. Carnicke","doi":"10.1080/20567790.2023.2196284","DOIUrl":"https://doi.org/10.1080/20567790.2023.2196284","url":null,"abstract":"ABSTRACT Stanislavsky placed belief in imagined circumstances at the heart of his acting System. As he wrote, “Everything on stage must instill belief in the possibility that it could exist in life as actual feelings and sensations, analogous to those that the artist undergoes while creating.” However, leading proponents of Stanislavsky’s late work rarely mention belief when they write about his last rehearsal technique, named Active Analysis by Maria Knebel. My essay interrogates this puzzling absence through Knebel’s practice, which still positions belief as “the foundation of foundations” in acting, but also sees belief as originating from actors’ active exploration of their roles’ circumstances. For Knebel, there can be no belief in fictional possibilities without the visceral knowledge, acquired through the rehearsal process.","PeriodicalId":40821,"journal":{"name":"Stanislavski Studies","volume":"91 1","pages":"19 - 31"},"PeriodicalIF":0.2,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83713855","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Three Loves for Three Oranges, Gozzi, Meyerhold, Prokofiev 三个橘子的三个爱，戈齐，梅耶霍尔德，普罗科菲耶夫
IF 0.2
Stanislavski Studies Pub Date : 2022-07-03 DOI: 10.1080/20567790.2022.2105944
F. Schopf
{"title":"Three Loves for Three Oranges, Gozzi, Meyerhold, Prokofiev","authors":"F. Schopf","doi":"10.1080/20567790.2022.2105944","DOIUrl":"https://doi.org/10.1080/20567790.2022.2105944","url":null,"abstract":"","PeriodicalId":40821,"journal":{"name":"Stanislavski Studies","volume":"30 1","pages":"195 - 197"},"PeriodicalIF":0.2,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87141171","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Ukrainian theatre during the current war 当前战争期间的乌克兰战区
IF 0.2
Stanislavski Studies Pub Date : 2022-07-03 DOI: 10.1080/20567790.2022.2115601
Anastazie Toros
{"title":"Ukrainian theatre during the current war","authors":"Anastazie Toros","doi":"10.1080/20567790.2022.2115601","DOIUrl":"https://doi.org/10.1080/20567790.2022.2115601","url":null,"abstract":"ABSTRACT Use of creativity in places of conflict is an essential base for the survival of individuals. Theatre can be produced during wartime, and it should be an ongoing process. Until the end of the conflict is in sight, artists need a platform to share and transform their ideas into reality. The violence can be filtered through a process of self-reflection and analysis; despair can be changed into hope and songs, sadness into opportunity and new openings. People should keep believing in their freedom – and theatre is just the right place to be free.This series of interviews concerns Ukrainian Theatre since the invasion of Ukraine on 24 February 2022. The interviews highlight the current thinking among people deeply involved on how to respond to the current conflict in different contexts and how to present the material to Ukrainian and international audiences.","PeriodicalId":40821,"journal":{"name":"Stanislavski Studies","volume":"155 1","pages":"177 - 185"},"PeriodicalIF":0.2,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73755694","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Towards or not towards? Using the ACT Matrix as a psychological tool in the analysis and interpretation of dramatic texts and characters 朝还是不朝?运用ACT矩阵作为心理学工具分析和解读戏剧文本和人物
IF 0.2
Stanislavski Studies Pub Date : 2022-07-03 DOI: 10.1080/20567790.2022.2116153
Benjamin Askew
{"title":"Towards or not towards? Using the ACT Matrix as a psychological tool in the analysis and interpretation of dramatic texts and characters","authors":"Benjamin Askew","doi":"10.1080/20567790.2022.2116153","DOIUrl":"https://doi.org/10.1080/20567790.2022.2116153","url":null,"abstract":"ABSTRACT This article addresses key elements of “ACT for Acting”, an ongoing project using the psychological framework of Acceptance and Commitment Therapy/Training (ACT) to explore the processes of acting and actor training. The article introduces readers to a tool called the ACT Matrix and demonstrates how it can be used to “sort”, understand, and visualize different aspects of human experience and behaviour. It then illustrates the application of this process to a dramatic text through the discussion of a Shakespearean soliloquy: Hamlet’s “To be or not to be”. It is suggested that the ACT Matrix can provide a useful tool for textual analysis and serve as the foundation for new approaches to dramatic action and character that are grounded in twenty-first century understandings of human behaviour and psychology.","PeriodicalId":40821,"journal":{"name":"Stanislavski Studies","volume":"6 1","pages":"119 - 138"},"PeriodicalIF":0.2,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82200954","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Stanislavski training and mindfulness – being in the moment 斯坦尼斯拉夫斯基训练和正念——活在当下
IF 0.2
Stanislavski Studies Pub Date : 2022-07-03 DOI: 10.1080/20567790.2022.2094103
Dawn Ingleson
{"title":"Stanislavski training and mindfulness – being in the moment","authors":"Dawn Ingleson","doi":"10.1080/20567790.2022.2094103","DOIUrl":"https://doi.org/10.1080/20567790.2022.2094103","url":null,"abstract":"ABSTRACT ‘I understand that an artist must be capable of stopping time and allowing for spaciousness, but now I realise that to welcome and cultivate stillness and quiet into my work, I must welcome and cultivate stillness and quiet into my own life.” Stanislavsky’s “creation of the life of the human spirit” is an exciting aspect of his work and the underlying spirituality is something that he kept partially hidden in his writing due to the political situation and Soviet ideology that he was living through at the time. It is this sense of spirituality and a meditative approach to the work of the actor that this paper explores. Specifically, an exploration of mindfulness and drama techniques. Mindfulness helps us to increase our awareness. We learn to do this by paying full attention to all our experiences, including our bodies, thoughts, moods, and emotions and to the small changes within them. There are many parallels between mindfulness and Stanislavsky’s thoughts on acting, from the need for an attitude of openness and curiosity and being in the moment through to an awareness of our physical sensations and a control over our attention. Bogart’s ideas of spaciousness also influence this examination of the practice of mindfulness and concentration. This article analyses the calmness that mindfulness can bring through the teaching and learning of Acting and Performance students at London South Bank University, and how we can use it to focus on being grounded in our body and the world around us, going about our everyday business in life and on stage. “Let the tenseness come, he says, if you cannot avoid it. But immediately let your control step in and remove it.”","PeriodicalId":40821,"journal":{"name":"Stanislavski Studies","volume":"36 1","pages":"161 - 176"},"PeriodicalIF":0.2,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86019548","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
In plain sight: hidden Stanislavski: part 2 在众目睽睽之下:隐藏的斯坦尼斯拉夫斯基:第二部分
IF 0.2
Stanislavski Studies Pub Date : 2022-07-01 DOI: 10.1080/20567790.2022.2092812
Eric Hetzler
{"title":"In plain sight: hidden Stanislavski: part 2","authors":"Eric Hetzler","doi":"10.1080/20567790.2022.2092812","DOIUrl":"https://doi.org/10.1080/20567790.2022.2092812","url":null,"abstract":"ABSTRACT A quick search of acting texts on Amazon UK returns 8000 results. This is a staggering number of books about acting. Certainly, there are duplications, and a quick scroll shows that not all of them are how-to books. But even if these amounted to 90% of the total, that’s still 800 acting texts. Many of them will be by teachers espousing their own special technique that they have developed over years of performance experience and teaching. This presents some questions: just how “original” are these techniques? How many of them merely re-name the ideas of Konstantin Stanislavski without crediting him? How many even know that their ideas originated from him? As we consider the legacy of Stanislavski in the public mind and his contributions, it is worth exploring where he hides. In this second part, the author will continue the examination of these issues and ideas asking the question: is it possible that Stanislavski’s ubiquity is such that he has become hidden and that people are no longer aware of what is his?","PeriodicalId":40821,"journal":{"name":"Stanislavski Studies","volume":"23 1","pages":"151 - 160"},"PeriodicalIF":0.2,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74501266","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The first 10 years (part 2) 前10年(第二部分)
IF 0.2
Stanislavski Studies Pub Date : 2022-07-01 DOI: 10.1080/20567790.2022.2095846
P. Fryer
{"title":"The first 10 years (part 2)","authors":"P. Fryer","doi":"10.1080/20567790.2022.2095846","DOIUrl":"https://doi.org/10.1080/20567790.2022.2095846","url":null,"abstract":"","PeriodicalId":40821,"journal":{"name":"Stanislavski Studies","volume":"35 1","pages":"111 - 117"},"PeriodicalIF":0.2,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90993528","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Stillness and André Gregory’s Meyerhold 寂静和安德烈·格雷戈里的梅耶霍尔德
IF 0.2
Stanislavski Studies Pub Date : 2022-06-29 DOI: 10.1080/20567790.2022.2094104
Geoffrey Lokke
{"title":"Stillness and André Gregory’s Meyerhold","authors":"Geoffrey Lokke","doi":"10.1080/20567790.2022.2094104","DOIUrl":"https://doi.org/10.1080/20567790.2022.2094104","url":null,"abstract":"ABSTRACT This article considers André Gregory’s transition from the acclaimed “physical theatre” produced with his company the Manhattan Project to a signature form of static performance circumscribed by stillness and poetic declamation. Gregory’s 2020 book This Is Not My Memoir, written with Todd London, offers complementary lineages that have shaped Gregory’s approach to theatre. His early career reflects his progression through a pedigree defined by his firsthand study of Brecht and Grotowski, while his later work mirrors a conscious channelling and revivification of a genealogy back through Grotowski to Meyerhold – whom he would maniacally impersonate – and Stanislavski.","PeriodicalId":40821,"journal":{"name":"Stanislavski Studies","volume":"10 1","pages":"187 - 194"},"PeriodicalIF":0.2,"publicationDate":"2022-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86977420","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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