{"title":"It is No Coincidence: HAMLET – An Actor Prepares (Three Hundred Years Before Stanislavsky?)","authors":"Guy Sprung","doi":"10.1080/20567790.2024.2380293","DOIUrl":"https://doi.org/10.1080/20567790.2024.2380293","url":null,"abstract":"The essay views William Shakespeare’s play Hamlet as a kind of London double-decker tourist bus. Visible on the open top level is the revenge tragedy. On the lower level, hidden in typical Elizabet...","PeriodicalId":40821,"journal":{"name":"Stanislavski Studies","volume":"41 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142201921","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reading Stanislavsky from a Stage Lighting Designer’s Point of View: Stanislavsky’s Notes on the Dramaturgy of Light","authors":"Christina Thanasoula","doi":"10.1080/20567790.2024.2374243","DOIUrl":"https://doi.org/10.1080/20567790.2024.2374243","url":null,"abstract":"Stage lighting design is, mostly, referenced and researched in correlation to the scenographic history of theatre, often leaving in shadow the organic impact it has on the human beings involved in ...","PeriodicalId":40821,"journal":{"name":"Stanislavski Studies","volume":"40 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-07-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141611543","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Stanislavsky and Actor Training for the Screen/Stanislavsky and America","authors":"Paul Fryer","doi":"10.1080/20567790.2024.2330245","DOIUrl":"https://doi.org/10.1080/20567790.2024.2330245","url":null,"abstract":"Published in Stanislavski Studies: Practice, Legacy, and Contemporary Theater (Ahead of Print, 2024)","PeriodicalId":40821,"journal":{"name":"Stanislavski Studies","volume":"26 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-04-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140602811","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Studio on Povarskaia 1905: “Young Theatre of Searching”","authors":"Rose Whyman","doi":"10.1080/20567790.2024.2330053","DOIUrl":"https://doi.org/10.1080/20567790.2024.2330053","url":null,"abstract":"The emergence of Symbolism in Russian theatre was a turning point for both Konstantin Stanislavsky and Vsevolod Meyerhold, prompting the former to set up a studio in 1905 to experiment with the new...","PeriodicalId":40821,"journal":{"name":"Stanislavski Studies","volume":"96 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-03-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140147538","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Stanislavsky and Race: Questioning the “System” in the 21st Century","authors":"Dermot Daly","doi":"10.1080/20567790.2024.2330219","DOIUrl":"https://doi.org/10.1080/20567790.2024.2330219","url":null,"abstract":"Published in Stanislavski Studies: Practice, Legacy, and Contemporary Theater (Ahead of Print, 2024)","PeriodicalId":40821,"journal":{"name":"Stanislavski Studies","volume":"140 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-03-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140147723","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Stanislavsky and Pedagogy","authors":"Aimee Shields","doi":"10.1080/20567790.2024.2330218","DOIUrl":"https://doi.org/10.1080/20567790.2024.2330218","url":null,"abstract":"Published in Stanislavski Studies: Practice, Legacy, and Contemporary Theater (Ahead of Print, 2024)","PeriodicalId":40821,"journal":{"name":"Stanislavski Studies","volume":"7 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140147577","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Konstantinos Demirtzoglou, Maria Papazachariou-Christoforou
{"title":"Enhancing Young Violinists’ Musical Identities Using a Dialectical Approach Drawn from the Stanislavsky System","authors":"Konstantinos Demirtzoglou, Maria Papazachariou-Christoforou","doi":"10.1080/20567790.2024.2323036","DOIUrl":"https://doi.org/10.1080/20567790.2024.2323036","url":null,"abstract":"This paper draws on the fields of music education and actor training. It describes the use of acting techniques based on the Stanislavsky system in music education as a means of facilitating the ex...","PeriodicalId":40821,"journal":{"name":"Stanislavski Studies","volume":"27 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-03-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140070512","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Creating a Role for Light: A Lighting Design Teaching Method Based on Stanislavsky","authors":"Valentina Tamiolaki","doi":"10.1080/20567790.2024.2320941","DOIUrl":"https://doi.org/10.1080/20567790.2024.2320941","url":null,"abstract":"The creative role of stage lighting is increasingly appreciated in contemporary theatre practice. However, aesthetic sensibility seems harder to teach than technology. This essay focuses on lightin...","PeriodicalId":40821,"journal":{"name":"Stanislavski Studies","volume":"61 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139977701","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Stanislavsky and Voice Training","authors":"Marie-Christine Autant-Mathieu","doi":"10.1080/20567790.2024.2306050","DOIUrl":"https://doi.org/10.1080/20567790.2024.2306050","url":null,"abstract":"Quite often, when one evokes the main contributions of the Stanislavsky System, the “method of physical actions” immediately comes to mind. Voice training remains a little-explored area and is ofte...","PeriodicalId":40821,"journal":{"name":"Stanislavski Studies","volume":"3 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-01-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139582611","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"On the Hidden Potential of Public Solitude, Part I: Ivan Vyskočil’s Theatre as Encounter","authors":"Markéta Machková, Mish Rais","doi":"10.1080/20567790.2023.2286600","DOIUrl":"https://doi.org/10.1080/20567790.2023.2286600","url":null,"abstract":"In this essay, we introduce Ivan Vyskočil (1929–2023), a Czech theatre maker, author, psychologist, and pedagogue – a case study par excellence for current studies on hybridization and transdiscipl...","PeriodicalId":40821,"journal":{"name":"Stanislavski Studies","volume":"26 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138548200","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}