{"title":"It is No Coincidence: HAMLET – An Actor Prepares (Three Hundred Years Before Stanislavsky?)","authors":"Guy Sprung","doi":"10.1080/20567790.2024.2380293","DOIUrl":null,"url":null,"abstract":"The essay views William Shakespeare’s play Hamlet as a kind of London double-decker tourist bus. Visible on the open top level is the revenge tragedy. On the lower level, hidden in typical Elizabet...","PeriodicalId":40821,"journal":{"name":"Stanislavski Studies","volume":"41 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2024-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Stanislavski Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/20567790.2024.2380293","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
引用次数: 0
Abstract
The essay views William Shakespeare’s play Hamlet as a kind of London double-decker tourist bus. Visible on the open top level is the revenge tragedy. On the lower level, hidden in typical Elizabet...