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引用次数: 0
摘要
本文探讨安德烈·格里高利(andr Gregory)是如何从他的公司“曼哈顿计划”(Manhattan Project)制作的广受赞誉的“肢体戏剧”转变为一种由静止和诗意宣言所限定的标志性静态表演形式的。格雷戈里2020年与托德·伦敦(Todd London)合著的《这不是我的回忆录》(This Is Not My Memoir)提供了互补的谱系，这些谱系塑造了格雷戈里的戏剧风格。他早期的职业生涯反映了他通过对布莱希特和格罗托夫斯基的第一手研究所定义的谱系的发展，而他后来的作品则反映了他有意识地从格罗托夫斯基到梅耶霍尔德(他会疯狂地模仿他)和斯坦尼斯拉夫斯基的谱系的引导和复兴。
ABSTRACT This article considers André Gregory’s transition from the acclaimed “physical theatre” produced with his company the Manhattan Project to a signature form of static performance circumscribed by stillness and poetic declamation. Gregory’s 2020 book This Is Not My Memoir, written with Todd London, offers complementary lineages that have shaped Gregory’s approach to theatre. His early career reflects his progression through a pedigree defined by his firsthand study of Brecht and Grotowski, while his later work mirrors a conscious channelling and revivification of a genealogy back through Grotowski to Meyerhold – whom he would maniacally impersonate – and Stanislavski.
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