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Studies in Spanish & Latin American Cinemas最新文献

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The Making and Unmaking of Francoist Kitsch Cinema: From Raza to Pan’s Labyrinth, Alejandro Yarza (2018) 弗朗索瓦·基奇电影的制作与解构：从拉扎到潘的迷宫，Alejandro Yarza（2018）
Studies in Spanish & Latin American Cinemas Pub Date : 2021-06-01 DOI: 10.1386/slac_00054_5
A. Davies
{"title":"The Making and Unmaking of Francoist Kitsch Cinema: From Raza to Pan’s Labyrinth, Alejandro Yarza (2018)","authors":"A. Davies","doi":"10.1386/slac_00054_5","DOIUrl":"https://doi.org/10.1386/slac_00054_5","url":null,"abstract":"Review of: The Making and Unmaking of Francoist Kitsch Cinema: From Raza to Pan’s Labyrinth, Alejandro Yarza (2018)\u0000Edinburgh: Edinburgh University Press, 322 pp.,\u0000ISBN 978-0-74869-924-7, h/bk, £63.88\u0000ISBN 978-1-47443-185-9, p/bk, £22.48","PeriodicalId":40780,"journal":{"name":"Studies in Spanish & Latin American Cinemas","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49070460","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The inheritance of silence in Cría cuervos/Raise Ravens (Saura 1976) and Julieta (Almodóvar 2016) Cría cuervos/Raise Ravens（Saura 1976）和Julieta（Almodóvar 2016）中沉默的继承
Studies in Spanish & Latin American Cinemas Pub Date : 2021-06-01 DOI: 10.1386/slac_00045_1
Mai Hunt
{"title":"The inheritance of silence in Cría cuervos/Raise Ravens (Saura 1976) and Julieta (Almodóvar 2016)","authors":"Mai Hunt","doi":"10.1386/slac_00045_1","DOIUrl":"https://doi.org/10.1386/slac_00045_1","url":null,"abstract":"Looking specifically towards child figures who serve as witnesses of death and its afterlives, this article mobilizes Esther Rashkin’s psychoanalytic work on the phantom to analyse the inheritance of silence as trauma between the mother/daughter pairings presented in Carlos Saura’s Cría cuervos/Raise Ravens (1976) and Pedro Almodóvar’s Julieta (2016). As Ana in Cría cuervos and Antía in Julieta both grow up in the shadow of a parent’s death, they are forced to confront the haunting legacy of premature death and the paralysing presence of silence in their family histories. Saura’s Ana and Almodóvar’s Antía must challenge the previous generation’s secrets, which have shaped their upbringings, through the use of imagination and fantasy in order to combat the silences they were raised in, with the ultimate goal of constructing a new family narrative. By forging a new female voice through these child protagonists, Saura and Almodóvar present an enduring intergenerational project for redefining maternity and femininity in the post-Franco era.","PeriodicalId":40780,"journal":{"name":"Studies in Spanish & Latin American Cinemas","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45059713","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
El narcotráfico en el cine mexicano: arquetipos desde 2010 a 2017 墨西哥电影中的毒品走私:2010年至2017年的原型
Studies in Spanish & Latin American Cinemas Pub Date : 2021-06-01 DOI: 10.1386/slac_00047_1
Elba Díaz-Cerveró, Gabriel Domínguez-Partida
{"title":"El narcotráfico en el cine mexicano: arquetipos desde 2010 a 2017","authors":"Elba Díaz-Cerveró, Gabriel Domínguez-Partida","doi":"10.1386/slac_00047_1","DOIUrl":"https://doi.org/10.1386/slac_00047_1","url":null,"abstract":"This article studies the archetypes and the iconography in contemporary Mexican films that deal with drug trafficking in order to examine the evolution of the narco cinema subgenre and changes in the representation of the narcocultura. The corpus is constituted by the biggest box office hits each year between 2010 and 2017, which are analysed thematically. This study suggests that the characteristics of the narcocultura continue circulating within Mexican cinema, but it does not point to a subgenre’s existence. The genres circumscribing the films analysed promote the narcos’ heroism via archetypes and iconography, which symbolize how narcos overcome their modus vivendi to stand as a legitimate authority against a corrupt government. Alongside this representation of narcos, these films also present objectified women and promote values such as loyalty and family. The aforementioned archetypes and iconography offer a view of life in which violence is normalized, and crime is seen as a legitimate lifestyle.","PeriodicalId":40780,"journal":{"name":"Studies in Spanish & Latin American Cinemas","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44008894","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
El cambio/The Change Joskowicz ([1971] 1975): Mexican counterculture and the futility of protest in the 1970s El cambio/The Change Joskowicz([1971] 1975): 1970年代墨西哥反主流文化与抗议的徒劳
Studies in Spanish & Latin American Cinemas Pub Date : 2021-06-01 DOI: 10.1386/slac_00044_1
R. Janzen
{"title":"El cambio/The Change Joskowicz ([1971] 1975): Mexican counterculture and the futility of protest in the 1970s","authors":"R. Janzen","doi":"10.1386/slac_00044_1","DOIUrl":"https://doi.org/10.1386/slac_00044_1","url":null,"abstract":"This article analyses the representation of the 1970s countercultural movement in Alfredo Joskowicz’s film El cambio/The Change ([1971] 1975). It shows how the film portrays its protagonists as part of the Mexican countercultural movement, even as it adopts a critical view of that movement. Not only are the protagonists unsuccessful with their single action of protest, they are also engaged in problematic relationships with female and Indigenous characters. The ambivalence towards counterculture in El cambio is similar to the portrayal of leftist protest movements in other films by the same director. This article expands on the recognized relationship between this film and the director’s oeuvre. It demonstrates that the problematic portrayal of relationships between the protagonists and Indigenous and female characters relates to its historical context and other films from the time period. In particular, it shows that these interactions correspond with some of the ways that the Mexican state and the countercultural movement adopted paternalistic views of Indigenous people and replicated patriarchal relationships between men and women.","PeriodicalId":40780,"journal":{"name":"Studies in Spanish & Latin American Cinemas","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42221390","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Ciudad y fantasmagoría: dimensiones de la mirada en el cine urbano de Latinoamérica del siglo XXI, Carolina Rueda (2019) 城市与幻想：21世纪拉丁美洲城市电影的视角维度，卡罗琳娜·鲁埃达（2019年）
Studies in Spanish & Latin American Cinemas Pub Date : 2021-06-01 DOI: 10.1386/slac_00049_5
A. Holmes
{"title":"Ciudad y fantasmagoría: dimensiones de la mirada en el cine urbano de Latinoamérica del siglo XXI, Carolina Rueda (2019)","authors":"A. Holmes","doi":"10.1386/slac_00049_5","DOIUrl":"https://doi.org/10.1386/slac_00049_5","url":null,"abstract":"Review of: Ciudad y fantasmagoría: dimensiones de la mirada en el cine urbano de Latinoamérica del siglo XXI, Carolina Rueda (2019)\u0000Santiago: Editorial Cuarto Propio, 392 pp.,\u0000ISBN 978-956-396-046-4, p/bk, Chilean pesos 15.00","PeriodicalId":40780,"journal":{"name":"Studies in Spanish & Latin American Cinemas","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45388619","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Del mito gaucho al mito peronista: la decadencia del cine criollista en La cabalgata del circo (Soffici 1945) 从高乔神话到庇隆神话：马戏团骑马中克里奥尔电影的衰落（Soffici 1945）
Studies in Spanish & Latin American Cinemas Pub Date : 2021-06-01 DOI: 10.1386/slac_00042_1
Nicolás Suárez
{"title":"Del mito gaucho al mito peronista: la decadencia del cine criollista en La cabalgata del circo (Soffici 1945)","authors":"Nicolás Suárez","doi":"10.1386/slac_00042_1","DOIUrl":"https://doi.org/10.1386/slac_00042_1","url":null,"abstract":"The article explores the decline of Criollista cinema during early Peronism, based on the study of Mario Soffici’s 1945 film La cabalgata del circo/Circus Cavalcade and the political circumstances around it, including Eva Duarte’s performance, the violent incidents during the premiere and the role of the censorship. The central hypothesis is that the film inaugurates a kind of symbolic relay: Peronism appropriates nineteenth-century emblems such as the gaucho myth or the romantic woman, and incorporates them into the emerging Peronist myth. This gives the Criollista cinema of the time the tone of a retreating criollismo, which is articulated as a second degree nostalgia: if criollismo was always marked by nostalgia for a pre-modern golden age, La cabalgata del circo reveals a nostalgia for that nostalgia, given that it is not only a Criollista story but also a history of criollismo. The research is based on the analysis of the film, its links with the historical-political context and the way it adapts the Criollista novel Juan Cuello, written by Eduardo Gutiérrez in 1880.","PeriodicalId":40780,"journal":{"name":"Studies in Spanish & Latin American Cinemas","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47512632","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cinema against Doublethink: Ethical Encounters with the Lost Pasts of World History, David Martin-Jones (2019) 《反对双重思想的电影:与世界历史上失落的过去的伦理相遇》，大卫·马丁-琼斯(2019)
Studies in Spanish & Latin American Cinemas Pub Date : 2021-06-01 DOI: 10.1386/slac_00052_5
L. Freijo
{"title":"Cinema against Doublethink: Ethical Encounters with the Lost Pasts of World History, David Martin-Jones (2019)","authors":"L. Freijo","doi":"10.1386/slac_00052_5","DOIUrl":"https://doi.org/10.1386/slac_00052_5","url":null,"abstract":"Review of: Cinema against Doublethink: Ethical Encounters with the Lost Pasts of World History, David Martin-Jones (2019)\u0000London and New York: Routledge, 258 pp.,\u0000ISBN 978-1-13890-795-9, pbk, £27.99","PeriodicalId":40780,"journal":{"name":"Studies in Spanish & Latin American Cinemas","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45997268","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Narcos in Jesús María: Dystopian empowerment in the amateur exploitation film Corazón cubano/Cuban Heart (2014) Jesús María中的Narcos：业余剥削电影《古巴之心》中的反乌托邦赋权（2014）
Studies in Spanish & Latin American Cinemas Pub Date : 2021-06-01 DOI: 10.1386/slac_00043_1
Walfrido Dorta
{"title":"Narcos in Jesús María: Dystopian empowerment in the amateur exploitation film Corazón cubano/Cuban Heart (2014)","authors":"Walfrido Dorta","doi":"10.1386/slac_00043_1","DOIUrl":"https://doi.org/10.1386/slac_00043_1","url":null,"abstract":"This article analyses the film Corazón cubano/Cuban Heart (Liyuen Valdés 2014), a story about drug traffickers in the Jesús María neighbourhood of Havana, circulated only through the Paquete Semanal (Weekly Package). Examining the creators’ symbolic identification with the figure of the narco, this article explores Corazón as an example of amateur, alternative and informal media within the Paquete and its relationship with exploitation, cult and trash cinema. It argues that Corazón’s appropriation of narconarratives through reparteros (the inhabitants of Havana’s peripheric and poorest neighbourhoods) is linked to the relationship between reparteros, rap and reggaeton and points to the filmmakers’ will to combine social criticism and entertainment. Corazón also reproduces controversial practices and discourses like ‘necroempowerment’ (Valencia) or ‘fascinating violence’ (Valencia and Sepúlveda), developing dystopian empowerment by appropriating the narco as a ‘cultural persona’ (Edberg).","PeriodicalId":40780,"journal":{"name":"Studies in Spanish & Latin American Cinemas","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47912731","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Spanish Quinqui Film: Delinquency, Sound, Sensation, Tom Whittaker (2020) 西班牙昆基电影：犯罪，声音，感觉，汤姆·惠特克（2020）
Studies in Spanish & Latin American Cinemas Pub Date : 2021-06-01 DOI: 10.1386/slac_00051_5
Susan Larson
{"title":"The Spanish Quinqui Film: Delinquency, Sound, Sensation, Tom Whittaker (2020)","authors":"Susan Larson","doi":"10.1386/slac_00051_5","DOIUrl":"https://doi.org/10.1386/slac_00051_5","url":null,"abstract":"Review of: The Spanish Quinqui Film: Delinquency, Sound, Sensation, Tom Whittaker (2020)\u0000Manchester: Manchester University Press, 248 pp.,\u0000ISBN 978-1-52613-177-5, h/bk, £80.00","PeriodicalId":40780,"journal":{"name":"Studies in Spanish & Latin American Cinemas","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47071918","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Disability in Spanish-speaking and U.S. Chicano Contexts: Critical and Artistic Perspectives, Dawn Slack and Karen L. Rauch (eds) (2019) 残疾在西班牙语和美国奇卡诺语境:批判和艺术视角，黎明Slack和凯伦L.劳赫(编)(2019)
Studies in Spanish & Latin American Cinemas Pub Date : 2021-06-01 DOI: 10.1386/slac_00048_5
Raquel Medina
{"title":"Disability in Spanish-speaking and U.S. Chicano Contexts: Critical and Artistic Perspectives, Dawn Slack and Karen L. Rauch (eds) (2019)","authors":"Raquel Medina","doi":"10.1386/slac_00048_5","DOIUrl":"https://doi.org/10.1386/slac_00048_5","url":null,"abstract":"Review of: Disability in Spanish-speaking and U.S. Chicano Contexts: Critical and Artistic Perspectives, Dawn Slack and Karen L. Rauch (eds) (2019)\u0000Newcastle: Cambridge Scholars Publishing, 224 pp.,\u0000ISBN 978-1-52752-750-8, h/bk, £61.99","PeriodicalId":40780,"journal":{"name":"Studies in Spanish & Latin American Cinemas","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45624595","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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