墨西哥电影中的毒品走私:2010年至2017年的原型

Q2 Arts and Humanities
Elba Díaz-Cerveró, Gabriel Domínguez-Partida
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引用次数: 1

摘要

本文研究了当代墨西哥电影中处理毒品贩运的原型和图像,以考察毒品电影亚类型的演变以及毒品文化表现的变化。该语料库由2010年至2017年间每年票房最高的作品组成,并按主题进行分析。这项研究表明,毒品文化的特征在墨西哥电影中继续流传,但它并没有指向一个亚流派的存在。所分析的电影类型通过原型和图像来提升毒枭的英雄主义,这些原型和图像象征着毒枭如何克服他们的生存方式,以合法权威的身份对抗腐败政府。除了对毒枭的刻画,这些电影还呈现了被物化的女性,并宣扬了忠诚和家庭等价值观。上述原型和图像提供了一种生活观,在这种生活观中,暴力被正常化,犯罪被视为一种合法的生活方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
El narcotráfico en el cine mexicano: arquetipos desde 2010 a 2017
This article studies the archetypes and the iconography in contemporary Mexican films that deal with drug trafficking in order to examine the evolution of the narco cinema subgenre and changes in the representation of the narcocultura. The corpus is constituted by the biggest box office hits each year between 2010 and 2017, which are analysed thematically. This study suggests that the characteristics of the narcocultura continue circulating within Mexican cinema, but it does not point to a subgenre’s existence. The genres circumscribing the films analysed promote the narcos’ heroism via archetypes and iconography, which symbolize how narcos overcome their modus vivendi to stand as a legitimate authority against a corrupt government. Alongside this representation of narcos, these films also present objectified women and promote values such as loyalty and family. The aforementioned archetypes and iconography offer a view of life in which violence is normalized, and crime is seen as a legitimate lifestyle.
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来源期刊
CiteScore
0.30
自引率
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发文量
14
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