Choreographic Practices最新文献

{"title":"Skill-less Tricks: A score for moving through walls","authors":"Dani Abulhawa","doi":"10.1386/CHOR_00019_1","DOIUrl":"https://doi.org/10.1386/CHOR_00019_1","url":null,"abstract":"In the current context of restricted movement due to COVID-19, I have found myself reflecting upon my connection to friends and collaborators in Palestine. This article proposes my use of a performance score - ‘Skill-less Tricks’ - as a method of cultivating an ongoing connection with those friends and collaborators. As many western nation states have spent much of the last year policing their borders in ways anathema to the freedom of movement expected by global tourism, my time and relationships in Palestine have been brought into sharp relief. This article begins with a discussion of my connection to Palestine and how I came to be regularly working with communities in the West Bank. It explains the personal and political impulse for crossing the wall between Israel and Palestine, and the bodily experience of ‘what it takes to cross a border’ (Noeth 2019). The main reason for my ongoing work in Palestine is due to working with the SkatePal charity in the West Bank who build skateparks and teach children to skateboard. This article reflects on the role SkatePal take within this specific political context. The history and current context of the Palestine/Israel conflict have been well documented in numerous sources including Elizabeth Matthews’s edited collection with David Newman and Mohammed Dajani Daoudi (2011). This source presents a range of viewpoints on central aspects of the conflict from sixteen contributors and offers a balanced introduction. Instead of repeating work that has been done elsewhere, this article reflects on aspects of the current state of the conflict from my own personal perspective captured in journal entries, which are scattered throughout the main body of the text. This selection of journal entries is - more or less - as they were written during the three weeks I spent with SkatePal in the summer of 2015. I have selected material from my journal that is most directly associated with experiences of the wall, of crossing checkpoints and borders and about expressive movement practice. The decision I made to journal my experience was inspired by reflective practice in performance and dance broadly as a research method, and by anthropologist Michael Taussig’s own reflections and experience of Palestine in his article, ‘Two weeks in Palestine’ (2013). Finally, the article discusses the creation of my score, Skill-less Tricks - its origination as part of my Ph.D. research, its adaptation for this new use, its translation from English into Arabic and my intentions for using this as the basis for the continuation of an informal remote exchange. © 2020 Intellect Ltd Article.","PeriodicalId":40658,"journal":{"name":"Choreographic Practices","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45173223","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Editorial","authors":"","doi":"10.1386/chor_00018_2","DOIUrl":"https://doi.org/10.1386/chor_00018_2","url":null,"abstract":"","PeriodicalId":40658,"journal":{"name":"Choreographic Practices","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48636890","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Nomadic Making: Enacting difference through collaborative performance practice","authors":"N. G. Brown","doi":"10.1386/CHOR_00016_1","DOIUrl":"https://doi.org/10.1386/CHOR_00016_1","url":null,"abstract":"This article considers how scored, collaborative performance practice enacts Braidotti’s Nomadic subject and disrupts advanced capitalism’s suture of object and subject formation (Lepecki), thereby offering a means for posthumans to ‘become imperceptible’ (Braidotti after Deleuze). Collaborative performance practice, I argue offers a lived experience of the non-unitary subject and political potential of pure difference. I suggest also that ‘spectator studies’ (Melrose) reconsiders its focus on object over process by arguing that choreographic knowledge resides not in the event or the performance score but the processes of assemblage and in-between relations of people and practices (Manning).","PeriodicalId":40658,"journal":{"name":"Choreographic Practices","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42252400","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Editorial","authors":"Vida L. Midgelow, J. Bacon","doi":"10.1386/chor_00008_2","DOIUrl":"https://doi.org/10.1386/chor_00008_2","url":null,"abstract":"","PeriodicalId":40658,"journal":{"name":"Choreographic Practices","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44740725","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Performance and the partial","authors":"H. Blades","doi":"10.1386/chor_00006_1","DOIUrl":"https://doi.org/10.1386/chor_00006_1","url":null,"abstract":"Abstract In this article, I reflect on my experience of two performance works: Still Life (2018) by Hamish Macpherson and Papier mutliforme et Papier Comestible (2018) by Emilie Gallier, both of which cultivate partial experiences for the spectator. I consider\u0000 how the partial nature of these works raise questions about what it means to access a choreographic work and rely on new ways of thinking about how we experience and analyse performance.","PeriodicalId":40658,"journal":{"name":"Choreographic Practices","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49529505","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Editorial","authors":"J. Bacon, Vida L. Midgelow","doi":"10.1386/chor_00001_2","DOIUrl":"https://doi.org/10.1386/chor_00001_2","url":null,"abstract":"","PeriodicalId":40658,"journal":{"name":"Choreographic Practices","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48742410","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"MESH: The Ensemble City – Public rituals of togetherness","authors":"Vanessa Grasse","doi":"10.1386/CHOR.10.1.59_1","DOIUrl":"https://doi.org/10.1386/CHOR.10.1.59_1","url":null,"abstract":"","PeriodicalId":40658,"journal":{"name":"Choreographic Practices","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44295985","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The politics of participatory choreographic practice in urban public space","authors":"B. Cassani","doi":"10.1386/CHOR.10.1.75_1","DOIUrl":"https://doi.org/10.1386/CHOR.10.1.75_1","url":null,"abstract":"","PeriodicalId":40658,"journal":{"name":"Choreographic Practices","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48507242","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Site dance as activist methodology: Creating performance/protest in sites of assembly","authors":"Melanie J. Kloetzel","doi":"10.1386/CHOR.10.1.7_1","DOIUrl":"https://doi.org/10.1386/CHOR.10.1.7_1","url":null,"abstract":"","PeriodicalId":40658,"journal":{"name":"Choreographic Practices","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49471465","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Backyard activisms: Site dance, permaculture and sustainability","authors":"K. Barbour","doi":"10.1386/CHOR.10.1.113_1","DOIUrl":"https://doi.org/10.1386/CHOR.10.1.113_1","url":null,"abstract":"Site dance performance offers creative opportunities for social and environmental activism. Conversely, social and environmental activism is becoming increasingly performative in seeking to evocatively engage a wide range of community members in both local and global concerns. The following pages focus on how research poetry arising in the creative process of developing performances of site dance may support activism. Drawing on interdisciplinary understandings of permaculture and sustainability and new approaches in narrative representation, the research poetry expresses backyard activism in a complementary manner to the site dance itself. The poetry synthesizes creative journal entries relating to somatic improvisation and choreography with dancers, and interviews and discussions with relevant community members. In Aotearoa New Zealand and in this wider neo-liberal era, urban residents are moving away from backyard gardening and local seasonal produce, and towards consumption of mass-produced, regulated and imported foods. In this context, community activism through performance may support local and alternative food movements and speak back to dominant, sociocultural and political power systems and norms relating to food production, consumption and sustainability.","PeriodicalId":40658,"journal":{"name":"Choreographic Practices","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48519554","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}