Nomadic Making: Enacting difference through collaborative performance practice

IF 0.2 0 DANCE

Choreographic Practices Pub Date : 2020-07-01 DOI:10.1386/CHOR_00016_1

N. G. Brown

引用次数: 0

Abstract

This article considers how scored, collaborative performance practice enacts Braidotti’s Nomadic subject and disrupts advanced capitalism’s suture of object and subject formation (Lepecki), thereby offering a means for posthumans to ‘become imperceptible’ (Braidotti after Deleuze). Collaborative performance practice, I argue offers a lived experience of the non-unitary subject and political potential of pure difference. I suggest also that ‘spectator studies’ (Melrose) reconsiders its focus on object over process by arguing that choreographic knowledge resides not in the event or the performance score but the processes of assemblage and in-between relations of people and practices (Manning).

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游牧制作:通过协作表演实践实现差异

本文考虑了得分的、合作的表演实践如何塑造了布雷多蒂的游牧主体，并破坏了先进资本主义的客体和主体形成的缝合(莱佩基)，从而为后人类提供了一种“变得不可察觉”的手段(德勒兹之后的布雷多蒂)。我认为，合作表演实践提供了一种非单一主体和纯粹差异的政治潜力的生活体验。我还建议“观众研究”(Melrose)重新考虑其对对象的关注，而不是过程，认为舞蹈知识不存在于事件或表演分数中，而是存在于人与实践的组合过程和中间关系中(Manning)。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Choreographic Practices DANCE-

CiteScore

0.10

自引率

0.00%

发文量

期刊介绍： Choreographic Practices operates from the principle that dance embodies ideas and can be productively enlivened when considered as a mode of critical and creative discourse. This double-blind peer-reviewed journal provides a platform for sharing choreographic practices, critical inquiry and debate. Placing an emphasis on processes and practices over products, this journal seeks to engender dynamic relationships between theory and practice, choreographer and scholar, so that these distinctions may be shifted and traversed. Choreographic Practices will encompass a wide range of methodologies and critical perspectives such that interdisciplinary processes in performance can be understood as they intersect with other territories in the arts and beyond (for example, cultural studies, psychology, phenomenology, geography, philosophy and economics). In this way, the journal will open up the nature and scope of dance practice as research and draw together diverse bodies of knowledge and ways of knowing to illuminate an emerging and vibrant research area.