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Choreographic Practices最新文献

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Embodied Map (EM): Tools for urban mapping and choreography practices 具体化地图(EM):用于城市制图和编排实践的工具
Choreographic Practices Pub Date : 2019-05-01 DOI: 10.1386/CHOR.10.1.43_1
A. Carboni
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引用次数: 1
Walking as site dance: Choreography and conflict in Tel Aviv 作为场地舞蹈的行走:特拉维夫的编舞和冲突
Choreographic Practices Pub Date : 2019-05-01 DOI: 10.1386/CHOR.10.1.25_1
L. Satin
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引用次数: 2
Walking in circles: Dancing with shadows – Choreo-cartography as a strategy to explore and embody ephemeral mnemonic geographies 走在圈子里:与阴影共舞-舞蹈-制图作为一种策略，探索和体现短暂的记忆地理
Choreographic Practices Pub Date : 2019-05-01 DOI: 10.1386/CHOR.10.1.145_1
Beatrice Jarvis
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引用次数: 0
Vernacular mapping: Site dance and embodied urban cartographies 白话地图绘制：现场舞蹈和具体的城市制图
Choreographic Practices Pub Date : 2019-05-01 DOI: 10.1386/CHOR.10.1.127_1
V. Hunter
{"title":"Vernacular mapping: Site dance and embodied urban cartographies","authors":"V. Hunter","doi":"10.1386/CHOR.10.1.127_1","DOIUrl":"https://doi.org/10.1386/CHOR.10.1.127_1","url":null,"abstract":"In this article I explore the potential of site-based dance and performance to influence and inform subjective, cartographic processes of connecting and situating oneself in urban locations. ‘Vernacular Mapping’ is explored as a process by which subjective urban experiences, trajectories and associations are mapped by individuals and retained and developed as cartographic tools through which we navigate and negotiate lived environments. The concept stems from critical geography and non-representational theory and proposes a progressive, contemporary approach in which individual routes, trajectories and vectors of mobility challenge the ‘representational certitude of cartography’ (Gerlach 2013:1). From this perspective I consider how encounters with site-based dance and performance might inform vernacular mapping processes and impact subjective-site relations.","PeriodicalId":40658,"journal":{"name":"Choreographic Practices","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41472216","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Vertical dance: A tool for producing new social spaces 垂直舞蹈:创造新的社交空间的工具
Choreographic Practices Pub Date : 2019-05-01 DOI: 10.1386/CHOR.10.1.91_1
Kate Lawrence
{"title":"Vertical dance: A tool for producing new social spaces","authors":"Kate Lawrence","doi":"10.1386/CHOR.10.1.91_1","DOIUrl":"https://doi.org/10.1386/CHOR.10.1.91_1","url":null,"abstract":"Henri Lefebvre proposed that in order to improve our lives we need to change space. Drawing on Marxist ideas of production he developed a triadic theory of space, which he proposed could be brought together through the lived experience of the body, in particular, the dancing body (1974:205). In response, I present a vertical dance manifesto that invites us to look up and imagine dancing on the walls above us and to realize this ambition by talking to people and persuading them that occupying vertical spaces might change how we experience and perceive the urban landscape. I draw upon fifteen years of practicing vertical dance (a hybrid dance form that brings together dance and the equipment of rock climbing), extended research into site-specific practices, my Ph.D. thesis (2017) and three works I created in Belfast between 2009 and 2011. My ideas about relationships between bodies and buildings in public spaces are underpinned by Michel de Certeau’s contention that ‘space is practiced place’ (1984: 117/118), by site-specific discourse in the arts (Kwon, 2004; Lacy, 1995 and Kaye, 2000) and recent research on site-specific dance (Hunter, 2015 and Kloetzel and Pavlik, 2009).","PeriodicalId":40658,"journal":{"name":"Choreographic Practices","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43551044","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Dancing Urbanisms 跳舞的都市生活
Choreographic Practices Pub Date : 2019-01-01 DOI: 10.1386/chor.10.1.3_2
V. Hunter, Melanie J. Kloetzel, K. Barbour
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引用次数: 3
In search of our aunts’ gardens: Choreographic reconstruction, race and bodily transfer in Black Lōks 在寻找我们阿姨的花园:舞蹈重建，种族和身体转移在黑色Lōks
Choreographic Practices Pub Date : 2018-12-01 DOI: 10.1386/CHOR.9.2.191_1
Christopher-Rasheem McMillan
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引用次数: 0
Double Take – dance duets in the public realm Double Take–公共领域的二重唱
Choreographic Practices Pub Date : 2018-12-01 DOI: 10.1386/chor.9.2.253_1
C. Hicks, Neil Callaghan, Maria Hassabi, Sioned Huws, Simone Kenyon, Heather Forknell
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引用次数: 0
The Possibilities of Different Geographies 不同地域的可能性
Choreographic Practices Pub Date : 2018-12-01 DOI: 10.1386/CHOR.9.2.333_1
J. Carr, Bruce Sharp
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引用次数: 0
Dancing to (re)connect: Somatic dance experiences as a medium of connection with the more-than-human 跳舞（重新）连接：身体舞蹈体验是一种与人类以外的人连接的媒介
Choreographic Practices Pub Date : 2018-12-01 DOI: 10.1386/CHOR.9.2.283_1
Brittany Laidlaw, Tanja Beer
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引用次数: 3
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