性能和部分

IF 0.2 0 DANCE

Choreographic Practices Pub Date : 2019-12-01 DOI:10.1386/chor_00006_1

H. Blades

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引用次数: 0

摘要

摘要在这篇文章中，我反思了我对两部表演作品的体验：哈米什·麦克弗森的《静物》（2018）和埃米莉·加利耶的《Papier mutliforme et Papier Comestible》（2018年），这两部作品都为观众培养了部分体验。我认为这些作品的局部性质如何引发人们对接触舞蹈作品意味着什么的质疑，并依赖于我们如何体验和分析表演的新思维方式。

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Performance and the partial

Abstract In this article, I reflect on my experience of two performance works: Still Life (2018) by Hamish Macpherson and Papier mutliforme et Papier Comestible (2018) by Emilie Gallier, both of which cultivate partial experiences for the spectator. I consider how the partial nature of these works raise questions about what it means to access a choreographic work and rely on new ways of thinking about how we experience and analyse performance.

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来源期刊

Choreographic Practices DANCE-

CiteScore

0.10

自引率

0.00%

发文量

期刊介绍： Choreographic Practices operates from the principle that dance embodies ideas and can be productively enlivened when considered as a mode of critical and creative discourse. This double-blind peer-reviewed journal provides a platform for sharing choreographic practices, critical inquiry and debate. Placing an emphasis on processes and practices over products, this journal seeks to engender dynamic relationships between theory and practice, choreographer and scholar, so that these distinctions may be shifted and traversed. Choreographic Practices will encompass a wide range of methodologies and critical perspectives such that interdisciplinary processes in performance can be understood as they intersect with other territories in the arts and beyond (for example, cultural studies, psychology, phenomenology, geography, philosophy and economics). In this way, the journal will open up the nature and scope of dance practice as research and draw together diverse bodies of knowledge and ways of knowing to illuminate an emerging and vibrant research area.