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La periferia en la ciudad alemana: de la ciudad-jardín a la Siedlung moderna 德国城市的外围:从花园城市到现代Siedlung
IF 0.1
VLC Arquitectura-Research Journal Pub Date : 2020-04-30 DOI: 10.4995/vlc.2020.10994
Jorge Bosch Abarca
{"title":"La periferia en la ciudad alemana: de la ciudad-jardín a la Siedlung moderna","authors":"Jorge Bosch Abarca","doi":"10.4995/vlc.2020.10994","DOIUrl":"https://doi.org/10.4995/vlc.2020.10994","url":null,"abstract":"This article examines how the most recognisable urban forms of the Siedlung in the first postwar period in Germany were influenced by previous experiences in the construction of the urban periphery involving the company town and the garden city. The adaptation of these peripheral settlements – in which the desired balance between the country house and the urban dwelling was achieved by introducing terraced housing – to meet certain requirements of sufficient density to satisfy the growing demand for small dwellings was to determine the final configuration of the “modern Siedlung,” the settlement characteristic of the expansion of the large German city in the 1920s. An urban form that was to combat the housing shortage problem by providing systematic, medium-density housing groups consisting mainly of linear buildings several storeys high integrated with the open space in a remarkable balance between building and nature. On the basis of original sources from that period, this text addresses noteworthy aspects of this evolution towards a spatial, functional and aesthetic shaping of the collective accommodation characteristic of a Modernist German urbanism which still deserves to be taken into consideration in the current discussion about urban density.","PeriodicalId":40566,"journal":{"name":"VLC Arquitectura-Research Journal","volume":"31 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85921723","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Carlo Scarpa: arquitectura, abstracción y museografía
IF 0.1
VLC Arquitectura-Research Journal Pub Date : 2019-10-31 DOI: 10.4995/vlc.2019.10989
Andrés Ros Campos
{"title":"Carlo Scarpa: arquitectura, abstracción y museografía","authors":"Andrés Ros Campos","doi":"10.4995/vlc.2019.10989","DOIUrl":"https://doi.org/10.4995/vlc.2019.10989","url":null,"abstract":"The last year that Carlo Scarpa taught at the IUAV, he proposed a civic museum as the topic of the course, in particular in the old Santa Caterina Convent in Treviso, which is currently the headquarters of the archive of the architect. The issue of the museology was developed during the lessons given at the University and dealt with several of his most recognised projects, in order to expose the guidelines of his museology approach. The message he conveyed in his classes did not describe precise details as much as acting strategies. But nevertheless, the approach to the work of Carlo Scarpa reveals a scale of museum detail that has never been experienced before. This care for the solutions of encounters and for the suitability of expositions constitutes a true contribution to the history of architecture and is, therefore, a model of the contemporary museology theory. The interest of the interventions of Scarpa, lies in the abstraction and refinement, both of his exhibition spaces and of the support elements of the works to be exhibited. This allows on occasions to be recreated in nuances that enrich the pieces with a delicacy that we could almost describe as a work of goldsmithing.","PeriodicalId":40566,"journal":{"name":"VLC Arquitectura-Research Journal","volume":"141 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80143859","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reseña: Jaap Bakema and the Open Society. Dirk van den Heuvel (ed.)
IF 0.1
VLC Arquitectura-Research Journal Pub Date : 2019-10-31 DOI: 10.4995/vlc.2019.11710
Rebeca Merino del Río
{"title":"Reseña: Jaap Bakema and the Open Society. Dirk van den Heuvel (ed.)","authors":"Rebeca Merino del Río","doi":"10.4995/vlc.2019.11710","DOIUrl":"https://doi.org/10.4995/vlc.2019.11710","url":null,"abstract":"Jaap Bakema and the Open Society compila textos de diferentes autores, entrevistas a personajes cercanos a Bakema, reportajes fotograficos, y documentacion de archivo procedente mayoritariamente del Rijksarchief voor Nederlandse Architectuur en Stedenbouw que custodia el Het Nieuwe Instituut. Huyendo de una presentacion cronologica, se recurre a una estructuracion sistematica en torno a tres temas que seran los que articulen las distintas secciones: “A Man with a Mission”, “Building Social Relations” y “Growth and Change”. Tras el prologo de Guus Beumer, director del Het Nieuwe Instituut, Heuvel presenta en el capitulo introductorio la figura de Bakema como uno de los arquitectos clave en la historia de la arquitectura contemporanea, destacando su compromiso social y la dimension humana de sus escritos y propuestas arquitectonicas. En esta recension se relacionan aquellos apartados que se consideran de gran utilidad para futuras investigaciones, deteniendonos en aquellos capitulos que han suscitado un mayor interes personal debido a su proximidad con la investigacion realizada hasta la fecha.","PeriodicalId":40566,"journal":{"name":"VLC Arquitectura-Research Journal","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90355199","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Grammar of Muqarnas: Drawings of the Alhambra by Jones and Goury (1834-1845) 穆卡纳斯的语法:琼斯和古里绘制的阿尔罕布拉宫(1834-1845)
IF 0.1
VLC Arquitectura-Research Journal Pub Date : 2019-10-31 DOI: 10.4995/vlc.2019.10947
Antonio Gámiz Gordo, Ignacio Ferrer Pérez-Blanco
{"title":"A Grammar of Muqarnas: Drawings of the Alhambra by Jones and Goury (1834-1845)","authors":"Antonio Gámiz Gordo, Ignacio Ferrer Pérez-Blanco","doi":"10.4995/vlc.2019.10947","DOIUrl":"https://doi.org/10.4995/vlc.2019.10947","url":null,"abstract":"The muqarnas of the Nasrid Alhambra stand out as one of the most singular architectural episodes of Medieval Islamic art due to their sophisticated three-dimensional construction, whose layout remains little known. In 1834 and 1837, the architects Owen Jones and Jules Goury visited the monument in Granada and accomplished surprising drawings thereof, later published towards 1842-1845 as chromolithograph prints, which represented its architecture, ornaments, and muqarnas in a systematic way for the first time. In order to value their pioneering drawings, the historical data is briefly reviewed and several previous drawings of the Alhambra are cited. After consideration of a few questions regarding the process of data collection in Granada, a comparative analysis is presented of a cornice, a capital, an arch and a pendentive, with photos and computer-aided drawings. Thus, the principles or elementary grammar of muqarnas groupings described by these architects are highlighted, as well as the precision of their images, which resulted crucial to integrate and disseminate the architectural legacy of the Alhambra in the contemporary Western culture.","PeriodicalId":40566,"journal":{"name":"VLC Arquitectura-Research Journal","volume":"19 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82455348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
SFMA, MoMA and the Codification of Bay Region Architecture (1935-1953) SFMA、MoMA与湾区建筑编纂(1935-1953)
IF 0.1
VLC Arquitectura-Research Journal Pub Date : 2019-10-31 DOI: 10.4995/vlc.2019.10939
José Parra-Martínez, J. Crosse
{"title":"SFMA, MoMA and the Codification of Bay Region Architecture (1935-1953)","authors":"José Parra-Martínez, J. Crosse","doi":"10.4995/vlc.2019.10939","DOIUrl":"https://doi.org/10.4995/vlc.2019.10939","url":null,"abstract":"This paper addresses the under-recognized implications of SFMA’s early architectural exhibition program. Conceived under founding director Grace Morley, a series of pioneering events first presented Bay Area architects’ work as interdependent with the region’s rich geographical and cultural context, offering new lens through which Eastern critics prompted to re-evaluate California modernism. Among these shows, the 1949 landmark exhibition Domestic Architecture of the San Francisco Bay Region would epitomize the postwar discussions upon the autonomy of American modern architecture. Correspondingly, by exploring SFMA-MoMA exchanges during Elizabeth Mock’s curatorship, this essay aims to examine the conflict of perceptions and intentions between the country’s two Coasts that brought about the 1949 show as part of a well-orchestrated campaign that had begun years before Lewis Mumford’s 1947 New Yorker piece triggered a controversy over the existence of a “Bay Region Style.” Contrary to prevailing assumptions that this exhibition was a delayed reaction to the 1948 MoMA symposium organized by Philip Johnson to refute Mumford’s arguments, it was the consequence of an effective regionalist agenda whose success was, precisely, that many influential actors in the United States were exposed, indoctrinated and/or seduced by the so-called Bay Region School’s emphasis on social, political and ecological concerns.","PeriodicalId":40566,"journal":{"name":"VLC Arquitectura-Research Journal","volume":"28 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76902746","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Punta Umbría: la cuarta ciudad de vacaciones de Educación y Descanso en España 蓬塔翁布里亚:西班牙第四大教育和休闲度假城市
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VLC Arquitectura-Research Journal Pub Date : 2019-10-31 DOI: 10.4995/vlc.2019.10692
Ricardo Carcelén González
{"title":"Punta Umbría: la cuarta ciudad de vacaciones de Educación y Descanso en España","authors":"Ricardo Carcelén González","doi":"10.4995/vlc.2019.10692","DOIUrl":"https://doi.org/10.4995/vlc.2019.10692","url":null,"abstract":"In the middle of the 20th century, the pro-Franco Spanish government promoted a new holiday model for the regulation of rest and leisure for the working classes in the country: the holiday cities of Education and Rest Originating with the State’s vision to create tourist spaces, this research reviews the press of the time, to contrast the success of these complexes built in the 50’s in Tarragona, Perlora and Marbella. The results lead us to formulate the hypothesis of the possible continuity of this holiday model in the final stage of Franco’s regime. Revealing the existence of new study cases becomes the main goal of this work. In order to do so, the research shows unpublished documentation of the original project for a fourth holiday city of Education and Rest in Punta Umbría, Huelva, designed in 1968 by the architect Francisco de la Corte López. Although it would not be constructed, a study of the project documentation allows us to consider the influence that the context of the 60s had on that new holiday model in our country.","PeriodicalId":40566,"journal":{"name":"VLC Arquitectura-Research Journal","volume":"49 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85431220","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Jorge Oteiza y Mariano Garrigues en el INIA (1951-57): un cruce de dos modernidades Jorge Oteiza和Mariano Garrigues在INIA(1951-57):两种现代性的交叉
IF 0.1
VLC Arquitectura-Research Journal Pub Date : 2019-10-31 DOI: 10.4995/vlc.2019.10965
Carlos Labarta Aizpún, Eduardo Delgado Orusco
{"title":"Jorge Oteiza y Mariano Garrigues en el INIA (1951-57): un cruce de dos modernidades","authors":"Carlos Labarta Aizpún, Eduardo Delgado Orusco","doi":"10.4995/vlc.2019.10965","DOIUrl":"https://doi.org/10.4995/vlc.2019.10965","url":null,"abstract":"The fruitful decade of the nineteen-fifties, although a widely studied period, harbours unexpected eventualities, such as the confluence of a resolutely experimental sculptor and an architect of a more possibilistic nature. The circumstances surrounding the encounter and revelation of this joint work, very rarely mentioned in the corresponding literature, can be seen as an event that contributes to verifying, once again, the multi-faceted soul of the modern movement in Spain, whose fruitfulness was a result of its inherent hybridity, strengthened by the challenge of creating any classification. In this case, it is concluded that Oteiza’s piece, the result of his investigation into the spatial implications of the wall, is juxtaposed against the building by Garrigues without achieving a real dialogue with the incipient modernism in the architecture of the institute.","PeriodicalId":40566,"journal":{"name":"VLC Arquitectura-Research Journal","volume":"28 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84551270","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cambridge Servicemen’s Memorial (Breuer, 1945): espacio público para el recuerdo
IF 0.1
VLC Arquitectura-Research Journal Pub Date : 2019-10-31 DOI: 10.4995/vlc.2019.10833
Salvador José Sanchis Gisbert, Pedro Ponce Gregorio, Ignacio Peris Blat
{"title":"Cambridge Servicemen’s Memorial (Breuer, 1945): espacio público para el recuerdo","authors":"Salvador José Sanchis Gisbert, Pedro Ponce Gregorio, Ignacio Peris Blat","doi":"10.4995/vlc.2019.10833","DOIUrl":"https://doi.org/10.4995/vlc.2019.10833","url":null,"abstract":"Marcel Breuer was in the first year of architectural technicians to graduate from Bauhaus School. The peculiar education he received there allowed him to explore the concept of design in its broadest sense. In his European stage we find, on the most private and small scale, unique solutions for furniture. In his first American stage we see a strong commitment with solutions related to the residential land and, when he earned international recognition, he developed large scale solutions for his public non-residential buildings and urban equipments in locations all over the world. It is strange to see that an architect like him did not have the opportunity to materialize any of his proposals associated with the public space. The 1945 Cambridge Servicemen’s Memorial project, also known as the Memorial War, is the most significant one he developed in his last years in Cambridge. Had it been built, it would have been a valuable example of modernity and contemporary reinterpretation of the monument in the public space.","PeriodicalId":40566,"journal":{"name":"VLC Arquitectura-Research Journal","volume":"30 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82604319","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El tiempo detenido en cuatro miradas 时间在四眼里静止了
IF 0.1
VLC Arquitectura-Research Journal Pub Date : 2019-04-30 DOI: 10.4995/VLC.2019.10973
Julio Grijalba Bengoetxea, Alberto Grijalba Bengoetxea, J. Andrés
{"title":"El tiempo detenido en cuatro miradas","authors":"Julio Grijalba Bengoetxea, Alberto Grijalba Bengoetxea, J. Andrés","doi":"10.4995/VLC.2019.10973","DOIUrl":"https://doi.org/10.4995/VLC.2019.10973","url":null,"abstract":"According to Lessing’s theory, time and space are the concept bases of aesthetics. Architecture belongs to the realm of space, following this theory. There is no unitary discourse that substantiates the presence and the representation of time in Architecture. Our approach in this paper is based on the idea that the attributes of time and its passage, understood in their deep sense, are nothing but an essential issue of Architectural Project. Thus, the construction of our discourse hinges on four gazes to four projects, as defined in the first of “Four Quarters” by T.S. Elliot, published in 1936. The outside wall of the experimental house of Muuratsalo represents the gaze to a previous ruin, confronted with the detained time by the white that covers everything. The fragment of the wall of Sankt Markus, by Björhagen, evokes the lost unity. The courtyard enclosure of the Värmlan Regional Museum is a look in two different times. Finally, the outside wall of the Särestö Museum explores the bond between Architecture and nature throughout time.","PeriodicalId":40566,"journal":{"name":"VLC Arquitectura-Research Journal","volume":"24 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74563367","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Estrategia estética-significante (postestructuralista) en el Memorial del Holocausto
IF 0.1
VLC Arquitectura-Research Journal Pub Date : 2019-04-30 DOI: 10.4995/VLC.2019.10399
J. M. Puigdollers
{"title":"Estrategia estética-significante (postestructuralista) en el Memorial del Holocausto","authors":"J. M. Puigdollers","doi":"10.4995/VLC.2019.10399","DOIUrl":"https://doi.org/10.4995/VLC.2019.10399","url":null,"abstract":"Since it was selected in 1998, the Memorial has been immersed in numerous debates that reached a level of controversy throughout 2017. This work conceived by Peter Eisenman and Richard Serra, was modified and carried out only by Peter Eisenman. The debates and controversies amassed have allowed for certain clarifications that exceed the original claims of the authors, but in any case, it seems that they were confirmed in their possibility or in their contingency. These facts show the relationship between the object and subject in the significant act, in its different approaches: from the interaction with the work, the intersubjective relations – self-referent or not – the interaction between subject and object, subject and context, subject and interpretation. Until moving the significant capability from the original indications to the new context, that can in any case re-configure a new sign. In this, the sketch is seen as a post-metaphysical aesthetic structure beyond the concept of an open work; adding the temporal dimension that underlines the distinction between difference and differ, in two moments: the constitution of the sign and its temporary displacement. This exemplifies the concepts of différence and différance by Jacques Derrida, together with the concepts of contamination or the appearance of contraband meanings, including the event that Eisenman longed for.","PeriodicalId":40566,"journal":{"name":"VLC Arquitectura-Research Journal","volume":"34 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89078283","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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