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Sverre Fehn y la arquitectura primitiva de Marruecos Sverre Fehn和摩洛哥的原始建筑
IF 0.1
VLC Arquitectura-Research Journal Pub Date : 2019-04-30 DOI: 10.4995/VLC.2019.10663
I. I. Rincón Borrego
{"title":"Sverre Fehn y la arquitectura primitiva de Marruecos","authors":"I. I. Rincón Borrego","doi":"10.4995/VLC.2019.10663","DOIUrl":"https://doi.org/10.4995/VLC.2019.10663","url":null,"abstract":"Norwegian architect Sverre Fehn took a trip to Morocco in 1951 which is one of the most remarkable steps of his beginnings as an architect, but also one of the most unknown. Until now, nearing the tenth anniversary of his death in February 2009, research on the Nordic author has ignored the need to study the journey in depth. This has been treated on many occasions just as a confessed starting point in his career. This paper rebuilds, organizes and analyses the trip using the original notebooks that Sverre Fehn brought with him on his return, three and not one, as has always been claimed, which were left to the National Museum of Art, Architecture and Design in Norway. The researcher explores the traveller’s thoughts through the places and constructions encoded in his drawings. Following Jorn Utzon’s advice, Fehn recognized the inspiring dimension that primitive architecture had for the masters of the Modern Movement and, therefore, for their own modern cultural heritage.","PeriodicalId":40566,"journal":{"name":"VLC Arquitectura-Research Journal","volume":"112 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87039905","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El sueño del espacio produce formas 空间的梦想产生形式
IF 0.1
VLC Arquitectura-Research Journal Pub Date : 2019-04-30 DOI: 10.4995/VLC.2019.11578
I. G. Pedrosa, Ángela García de Paredes de Falla
{"title":"El sueño del espacio produce formas","authors":"I. G. Pedrosa, Ángela García de Paredes de Falla","doi":"10.4995/VLC.2019.11578","DOIUrl":"https://doi.org/10.4995/VLC.2019.11578","url":null,"abstract":"The dream of space produces forms is a study on space as the place that most surprises and excites us in architecture. Space understood as an invention of three-dimensional shapes that particularly show their ability to provide above justified needs, the possibility of revising the way they are used.By abstracting these spaces from their environment and context, we seek through this study to explore the relationship between the section and the volume of the space, and in doing so, recognize the design mechanisms, whether rational or intuitive, that we have used in establishing the spatial layout. We are aware that this thought on the actual project experience must be part of the architect´s work, and that it ultimately represents the search for the givens and constants that are present in the architecture of any time or place.","PeriodicalId":40566,"journal":{"name":"VLC Arquitectura-Research Journal","volume":"10 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78919187","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sistemas BGB y BSC (1949-56). Las viviendas prefabricadas de Antonio Bonet BGB和BSC系统(1949-56)。Antonio Bonet的预制房屋
IF 0.1
VLC Arquitectura-Research Journal Pub Date : 2019-04-30 DOI: 10.4995/VLC.2019.8982
Salud María Torres-Dorado, Rosa-María Añón-Abajas
{"title":"Sistemas BGB y BSC (1949-56). Las viviendas prefabricadas de Antonio Bonet","authors":"Salud María Torres-Dorado, Rosa-María Añón-Abajas","doi":"10.4995/VLC.2019.8982","DOIUrl":"https://doi.org/10.4995/VLC.2019.8982","url":null,"abstract":"As a result of Antonio Bonet’s first experiences with prefabrication, and his interest in geometry and the modulation of space, during his Argentinian stage in the 1950s, he developed two trials of totally industrialised serial dwellings. The BGB and BSC Systems, were two constructive models of comprehensive prefabrication that Bonet designed as possible technical solutions to the housing problems, and with which he attempted to improve the middle-of-the-road construction, between the traditional and the standardised. Without losing their references, contextualised within their production, and within the international debate around housing industrialisation, both systems were designed from the habitable space and from its tectonics, surpassing the technical or the constructive, to give rise to the quality of the architectural object. Contemplated as generalizable prototypes, Bonet designed a single-family house in the case of the BGB System, and a block of houses for a neighbourhood unit in the BSC System. In spite of the difference of scale, both prototypes considered the complete prefabrication of the house by means of perfectly modulated elements that would allow variations, and which would resolve the small interior scale of the furniture, the structure or the envelope.","PeriodicalId":40566,"journal":{"name":"VLC Arquitectura-Research Journal","volume":"27 2 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78111672","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El dibujo. Primera construcción de la arquitectura de Paul Rudolph 的形象。保罗·鲁道夫建筑的第一个建筑
IF 0.1
VLC Arquitectura-Research Journal Pub Date : 2019-04-30 DOI: 10.4995/VLC.2019.10967
Noelia Cervero Sánchez
{"title":"El dibujo. Primera construcción de la arquitectura de Paul Rudolph","authors":"Noelia Cervero Sánchez","doi":"10.4995/VLC.2019.10967","DOIUrl":"https://doi.org/10.4995/VLC.2019.10967","url":null,"abstract":"The American architect Paul Rudolph (1918-1997) conceded drawing a fundamental role in his creative process, which corresponded to a highly emotional conception of architecture. During his training and first years of work, he acquired a type of representation that allowed him to convey his personal vision of each project. His relentless will to overcome the International Style was based on six determinants: environment, natural conditions, materials, function, psychological demands of the space and spirit of times, which guided him in the search for answers and marked his work until the end of the sixties, when he achieved his creative maturity. Taking the drawing as the axis of the investigation, we analyse how these factors intervene in his residential projects in Florida, whose tectonics he conceived based on the spatial unit; in his collective housing projects, whose social facet he channelled towards urban modular groups; and in his projects of a monumental scale, whose materiality he imagined and defined accurately. In all of them spatial and constructive decisions relate intimately to his method of representation, establishing a continuous parallelism between drawing and building.","PeriodicalId":40566,"journal":{"name":"VLC Arquitectura-Research Journal","volume":"5 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79754834","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Mies en Canadá: una revisión de sus proyectos y obras en Toronto y Montreal 密斯在加拿大:回顾你在多伦多和蒙特利尔的项目和工作
IF 0.1
VLC Arquitectura-Research Journal Pub Date : 2019-04-30 DOI: 10.4995/VLC.2019.10827
V. La Spina
{"title":"Mies en Canadá: una revisión de sus proyectos y obras en Toronto y Montreal","authors":"V. La Spina","doi":"10.4995/VLC.2019.10827","DOIUrl":"https://doi.org/10.4995/VLC.2019.10827","url":null,"abstract":"The main goal of this paper is to show the work of the Modern Movement architect Mies van der Rohe in Canada. A total of 7 projects, 2 of them not implemented and an urban collaboration in the cities of Toronto and Montreal. Most of them are not relatively unknown projects with the exception of the Toronto-Dominion Centre and the Westmount Square in Montreal. These projects were carried out in the 1960s, in his last creative period, when he was over 70. Nevertheless, these projects are unique and iconic, the architect redeveloped and improved solutions and ideas already used in previous projects, and also addressed a different architectural use, the gas station. Mies’s Canadian work adapts his architecture typologies morphologically: high-rise building, pavilion building and the combination of both in complexes paying attention to urban configuration. Consequently, each project is analysed from a historical, typological and compositional perspective, paying attention to its particularities and linking these to other projects by the architect, mainly in the United States.","PeriodicalId":40566,"journal":{"name":"VLC Arquitectura-Research Journal","volume":"34 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85735542","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Les écoquartiers: dernier linéament contrarié de la grande histoire de l’Utopie? 生态区:乌托邦伟大历史上最后一个被破坏的线性?
IF 0.1
VLC Arquitectura-Research Journal Pub Date : 2018-10-31 DOI: 10.4995/vlc.2018.10619
Jean-Louis Violeau
{"title":"Les écoquartiers: dernier linéament contrarié de la grande histoire de l’Utopie?","authors":"Jean-Louis Violeau","doi":"10.4995/vlc.2018.10619","DOIUrl":"https://doi.org/10.4995/vlc.2018.10619","url":null,"abstract":"Utopia today draws a critical horizon rather than a promising future. Too often, this promise may have been a tool to plea for patience and justify the immediate sacrifices in the name of a nebulous future. For a long time the construction of the city was an integral part of a larger project to build a new society. But under the contemporary aegis of \"sustainable development\", the new sentence is yet to take an original form. In eco-neighbourhoods, the plot is still despotic, and it only re-emerges from its box under the spectre of heliotropism, under the aegis of thermal performance and of neighbourhood plans dictated by the housing orientation. As for the \"smart city\" -a discovery of the field of marketing-, it will always draw a smile in our faces. Whereas sustainable development emerged in the 2000s as a soft and unanimous slogan, degrowth took over in the 2010s, turning into a hard cleaving slogan. But how to envision the \"project\" within this horizon without adopting a regressive posture?","PeriodicalId":40566,"journal":{"name":"VLC Arquitectura-Research Journal","volume":"26 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81056831","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
La influencia de Leberecht Migge en la creación de las Siedlungen productivas modernas Leberecht Migge对现代高效Siedlungen的创造的影响
IF 0.1
VLC Arquitectura-Research Journal Pub Date : 2018-10-31 DOI: 10.4995/vlc.2018.8641
David Arredondo Garrido
{"title":"La influencia de Leberecht Migge en la creación de las Siedlungen productivas modernas","authors":"David Arredondo Garrido","doi":"10.4995/vlc.2018.8641","DOIUrl":"https://doi.org/10.4995/vlc.2018.8641","url":null,"abstract":"Agriculture and food production has not been a central issue in the discourse of contemporary architecture and urbanism. In spite of this, it is possible to recover some interesting projects of architects who made serious efforts to reverse the disconnection between rural and urban worlds. Professionals who looked for a direct relationship between house functionality and food production. Some periods of crisis, like the interwar period in Central Europe, created an ideal atmosphere for the appearance of proposals that sought the food self-sufficiency of its inhabitants. This article aims to contextualize the role of the landscape architect Leberecht Migge and his connections with some architects in the creation of the modern Siedlungen. Migge's labor was eclipsed by the great masters of the Modern Movement with whom he worked, but he played a key role in the success of productive housing. His theoretical work and his designs stand out as the most effective and relevant modern Siedlungen where agriculture is fully integrated with housing. This trend ran parallel to the most groundbreaking proposals of the Modern Movement, but only for an ephemeral journey. Once the crisis that allowed its flowering was overcome, these same architects forgot self-sufficiency forever as an objective of their interventions.","PeriodicalId":40566,"journal":{"name":"VLC Arquitectura-Research Journal","volume":"19 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78064245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Las salas Cinéac de Adrienne Gorska y Pierre de Montaut: adaptar un “tipo” Adrienne Gorska和Pierre de Montaut的cineac影院:改编一种“类型”
IF 0.1
VLC Arquitectura-Research Journal Pub Date : 2018-10-31 DOI: 10.4995/vlc.2018.8900
María Pura Moreno
{"title":"Las salas Cinéac de Adrienne Gorska y Pierre de Montaut: adaptar un “tipo”","authors":"María Pura Moreno","doi":"10.4995/vlc.2018.8900","DOIUrl":"https://doi.org/10.4995/vlc.2018.8900","url":null,"abstract":"From the 1930’s on, a variant in the western architecture of movie theatres built in previous decades came to light. This variant, smaller and more unassuming in its decoration and size, was the result of another economic context and, above all, of a novel programming of newscasts and documentaries in short sessions and continuous slideshows called, depending on the country of your projection, ‘newsreels’, ‘cinegiornali’, ‘actualités filmées’, or ‘wochenschauen’. The establishment of the chain of movie theatres ‘Cinéac -cinéma et actualités’ in French-speaking countries, mainly by the entrepreneur Reginald Ford, gave rise to the proposal of spatial and technical answers to the demands of aspects such as acoustics, optics, a continuous flow of people, safety or ventilation, from the sector of architecture which was most functionalist. In this article the Cinéac built by the architects Adrienne Gorska and Pierre de Montaut, pioneers in projects for this program of leisure, will be analysed. The aim is to demonstrate the technical rigor on which constructiveness, as the leitmotiv of longed for perception, was based. The critical re-reading of layouts and sections will reveal that, behind the prominence of bright facades, there were hidden spatial criteria different from those of the previous cinemas, leading to, as a whole, what was to be a typological adaptation to a function that had already been established","PeriodicalId":40566,"journal":{"name":"VLC Arquitectura-Research Journal","volume":"24 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74922250","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Una mezquita en Valencia: capilla del Grupo Benéfico San Francisco Javier, A. Gómez Davó 瓦伦西亚的一座清真寺:旧金山哈维尔慈善组织教堂,A. gomez davo
IF 0.1
VLC Arquitectura-Research Journal Pub Date : 2018-10-31 DOI: 10.4995/vlc.2018.8940
Antonio Miguel Gómez Gil
{"title":"Una mezquita en Valencia: capilla del Grupo Benéfico San Francisco Javier, A. Gómez Davó","authors":"Antonio Miguel Gómez Gil","doi":"10.4995/vlc.2018.8940","DOIUrl":"https://doi.org/10.4995/vlc.2018.8940","url":null,"abstract":"In Valencia there was a large building complex, the Grupo Benéfico San Francisco Javier in the district of Campanar, built in Spanish neo-colonial style, now disappeared. Among many of its endowments was a chapel designed in Maghrebi style (1941), which, of the entire ensemble, is the only construction currently left standing. The article, written with unpublished material, reveals the building and analyses the author, the Valencian architect Antonio Gómez Davó, to verify whether or not he acted with archaeological rigor in its design. For this, its building elements and parameters have been compared with other existing religious buildings in North Africa. This analysis shows efficiency in the floor plan and other parameters, for its use as a Catholic church. There is, on the other hand, a Maghrebi archaeological project rigor; in terms of its construction system, its forms and its decoration. We must also highlight the wise decision of including in the chapel a missing Spanish historical architectural element, such as the roof of the convent of San Juan de la Penitencia de Toledo. This non-Islamic element was skillfully integrated into the Maghreb environment of the Campanar chapel.","PeriodicalId":40566,"journal":{"name":"VLC Arquitectura-Research Journal","volume":"122 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77603974","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Espacio, Forma y Estructura en la casa 50x50' de Mies van der Rohe 密斯·凡·德罗50x50'住宅的空间、形式和结构
IF 0.1
VLC Arquitectura-Research Journal Pub Date : 2018-10-31 DOI: 10.4995/vlc.2018.9928
Alfonso Díaz Segura, Bartolomé Serra Soriano, Ricardo Meri de la Maza
{"title":"Espacio, Forma y Estructura en la casa 50x50' de Mies van der Rohe","authors":"Alfonso Díaz Segura, Bartolomé Serra Soriano, Ricardo Meri de la Maza","doi":"10.4995/vlc.2018.9928","DOIUrl":"https://doi.org/10.4995/vlc.2018.9928","url":null,"abstract":"During the American stage of Mies the beauty of the constructive precision and the essentiality of space is emphasized, which subordinates the program to formal purity. Form is not invented, nor is it the corollary of function or technology, but is the result of placing transcendent and timeless values on secondary issues. The architect must establish an order that assures the formality of the work, but in modernity the systematic classicist rules no longer run. So the goodness of the result is a consequence of the ability of the architect and the user to share visual codes. The effort of Mies in this stage will be to establish certain certainties, universal and clear, developed around the relation among space, structure and shape. The Fifty by Fifty feet house marks a turning point in these intentions and points the path of his latest works.","PeriodicalId":40566,"journal":{"name":"VLC Arquitectura-Research Journal","volume":"112 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87893331","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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