Sverre Fehn y la arquitectura primitiva de Marruecos

IF 0.2 0 ARCHITECTURE
I. I. Rincón Borrego
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引用次数: 0

Abstract

Norwegian architect Sverre Fehn took a trip to Morocco in 1951 which is one of the most remarkable steps of his beginnings as an architect, but also one of the most unknown. Until now, nearing the tenth anniversary of his death in February 2009, research on the Nordic author has ignored the need to study the journey in depth. This has been treated on many occasions just as a confessed starting point in his career. This paper rebuilds, organizes and analyses the trip using the original notebooks that Sverre Fehn brought with him on his return, three and not one, as has always been claimed, which were left to the National Museum of Art, Architecture and Design in Norway. The researcher explores the traveller’s thoughts through the places and constructions encoded in his drawings. Following Jorn Utzon’s advice, Fehn recognized the inspiring dimension that primitive architecture had for the masters of the Modern Movement and, therefore, for their own modern cultural heritage.
Sverre Fehn和摩洛哥的原始建筑
挪威建筑师Sverre Fehn于1951年前往摩洛哥旅行,这是他作为建筑师开始的最引人注目的一步,但也是最不为人知的一步。直到2009年2月他逝世十周年之际,对这位北欧作家的研究一直忽视了深入研究这段旅程的必要性。在许多场合,这被视为他职业生涯的一个公认的起点。本文使用Sverre Fehn在返回时带来的原始笔记本,重建,组织和分析了这次旅行,三个而不是一个,正如一直声称的那样,这是留给挪威国家艺术,建筑和设计博物馆的。研究者通过在他的画中编码的地点和建筑来探索旅行者的思想。遵循Jorn Utzon的建议,Fehn认识到原始建筑对现代运动大师的鼓舞人心的维度,因此,他们自己的现代文化遗产。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
23
审稿时长
25 weeks
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